New Perfume Review Christian Dior La Collection Privee Feve Delicieuse- Tonka Harmonies

If you’re looking for the creativity in perfume you have to look no further than the very excellent Christian Dior La Collection Privee composed by Francois Demachy. Starting in 2009 with Ambre Nuit M. Demachy has curated and composed a collection which represents everything Christian Dior stands for. There is no shortage of imaginative perfume making going on throughout the fragrances in this collection. It is also seems to be relatively unknown. I know at every Sniffapalooza when I introduce some one to the line in its in-store boutique at Bergdorf Goodman they also walk away impressed and usually with a bottle in their bag.

The latest release Feve Delicieuse is the first real gourmand in La Collection Privee. Even as I type that I hesitate to call it a gourmand because while it is a vanilla fragrance it is mostly a tonka bean perfume. M. Demachy keeps it very simple but he also uses some really beautiful raw materials. This means that Feve Delicieuse relies upon the ability of those materials to all take their place in the proper order without taking over. M. Demachy ends up turning Feve Delicieuse into a vanilla that is not cloying or syrupy. It has an unusual delineation and a snap to it instead of the more typical treacly kind of vanilla more common within the gourmand family.

francois-demachy

Francois Demachy

Feve Delicieuse starts off with a patina of Calabrian bergamot. Bergamot is such a ubiquitous ingredient in the opening of perfumes it is easy to overlook it. M. Demachy found a bergamot which makes sure you pay attention. It has that lively bright citric tartness but this also has a subtle undertone of crisp apple. I’m not sure if there is another ingredient which helps focus that grace note into something crisp and green. It is almost a palate cleanser as the main course of tonka bean from Venezuela is next. Tonka is one of those versatile notes in perfumery because it has a transparent vanillic character paired with a coumarin-laden nutty hay-like quality. Usually a perfumer picks one side or the other to accentuate. Because the tonka is the star M. Demachy does both. In the early moments of the tonka appearing, there are richer sweet gourmand notes of caramel and chocolate. The nutty part of tonka sinks in to the sticky matrix and forms an abstract hazelnut accord. If that was all there was to Feve Delicieuse I would have been happy. M. Demachy had some more to show me. The vanilla side of tonka starts to become more pronounced because M. Demachy adds in Madagascar vanilla. This is where Feve Delicieuse becomes something more than gourmand. As the tonka and the vanilla combine instead of heading for full-on gourmand territory it finds a lightness of being which then turns almost golden like diffuse sunlight. It is an immensely satisfying place to spend the final hours with Feve Delicieuse.

Feve Delicieuse has 10-12 hour longevity and modest sillage.

M. Demachy on the Christian Dior website talks about how he wanted Feve Delicieuse to portray the “love of harmony” that is the Dior aesthetic. In the case of Feve Delicieuse I have to agree that the harmonies are all spot on as they sing an intricately layered song.

Disclosure: This review was based on a sample I purchased.

Mark Behnke

New Perfume Review Puredistance White- Soft Focus

I really appreciate the effort Jan Ewoud Vos puts into every new release from his luxury perfume brand Puredistance. We went all of 2014 without a new release and when I received the press package for the latest, White, there was a reason. Mr. Vos had been collaborating with perfumer Antoine Lie on White. It was due to be released contemporaneously with Black, also by M. Lie, which was the last release. What is great was instead of pushing something out to satisfy a timeline Mr. Vos and M. Lie thought they could do better and so they returned to the beginning of the creative process.

jan ewoud vos

Jan Ewoud Vos

If Black was all about introspection and inward exploration; White was meant to be all about happiness and outward joy. There is no mention about what the discarded draft of White was centered on. The version which ended up carrying the name takes one of the more common supporting notes in many perfumes and gives it a starring role.

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Antoine Lie

M. Lie chooses a particularly bright bergamot to lead into a pairing of Rose de Mai and orris. M. Lie keeps this very light and slightly powdery. It has a very expansive footprint in the early moments as it seems to just suffuse itself throughout my awareness. I like a powdery floral and it did make me smile. I would guess if you are not a fan of powdery florals it might be more challenging. The star of White comes up through the powder as tonka not only arrives, it takes over. Tonka is most often used as a way of adding warmth and a slight bit of sweetness into a fragrance it is used in. M. Lie takes tonka, and using it in overdose, gives it a platform from which you can’t ignore it. The tonka used here, from Venezuela, rewards the scrutiny. By having it in high concentration the hay-like coumarin, the nutty character, and the slightly vanillic sweetness all have a more noticeable effect. If this was left in overdose it would become cloying and annoying. Instead M. Lie like an olfactory cinematographer softens the focal point by the addition of sandalwood, vetiver, and patchouli. They take that tonka and blur the edges making it just right while still retaining its starring role. A lovely cocktail of musks are the finishing touches to White.

Puredistance White has 24 hour longevity and average sillage, more than you might expect from a fragrance at 38% concentration.

White reminds me of waking up from a summer afternoon nap as the late afternoon sun flows into the room giving everything a soft glow. Mr. Vos wanted a perfume which would make one smile; I also found White to be a deeply comforting scent as well. It produced a smile of pure contentment each time I wore it.

Disclosure: This review was based on a sample provided by Puredistance.

Mark Behnke