New Perfume Review Atelier Cologne Cedre Atlas & Figuier Ardent- Atelier Cologne 2.0 (Part 2)

Continuing my reviews of the new Atelier Cologne Collection Azur I take a look at Cedre Atlas and Figuier Ardent. One of these has become one of my favorites in the entire line.

cedre atlas picture

Cedre Atlas is composed by perfumer Jerome Epinette and it is going to be a personal litmus test on how much you like cedar. M. Epinette uses an overdose of cedar in the heart of Cedre Atlas making me feel like I was standing in a lumber mill slicing up cedar planks. Before I got to that heart a fleeting application of citrus flies by as quick as a matador’s cape evading the onrushing wooded bull. The note list claims lemon and blackcurrant but all I really detect is lemon and it is in a hurry to get out of the way. In what seems like seconds the cedar lands with an all-encompassing thud. The first time I wore this it was too much. Cedar has a distinctive profile most often described as pencil shavings. This felt like being trapped in a pencil sharpener. It was aggressive and borderline irritating. After about four hours I started noticing there was this beautiful fruity floral woody fragrance coming from the places where the cedar had previously been pushing me away from. That accord would further improve as vetiver and papyrus added a watery green tint to the final stages. The last few hours of Cedre Atlas were a real joy to wear. The first couple of hours taught me how much I like cedar; not as much as I thought. Cedre Atlas has 12-14 hour longevity and above average sillage.

figuier ardent picture

Figuier Ardent is composed by perfumer Ralf Schwieger and is one of the best fig perfumes of the last five years. Fig is one of those ingredients which has been interpreted in so many ways and I wasn’t expecting to find Hr. Schwieger’s version to be so compelling. He focuses on a green fig hanging on the tree not yet ripe enough to be picked. He places that fig in the center of a sirocco of spices chosen to enhance the central note. Bergamot and anise form the early moments of Figuier Ardent. Within an hour a fig leaf note carrying vegetal facets announces the arrival of the fig itself. This is a fig which is greener and a lot less pulpy than the riper version many perfumers tend to prefer. Cardamom is used to enhance the un-ripened nature of the fig as it complements the green. Black pepper is used as contrast to the almost salty character this young fig has. Then like a time lapse photo as Figuier Ardent moves into the base the green fig ripens into a mature fig. Hr. Schwieger uses iris and tonka bean as ripening agents. They transform the immature into the experienced over the course of hours. It is a fabulous olfactory illusion and it all finishes on a very lightly woody cedar foundation. Every day I have worn Figuier Aredent I have been more and more impressed at the effect Hr. Schwieger has accomplished here. This is a great fig perfume. Figuier Ardent has 12-14 hour longevity and moderate sillage.

As I said in Part 1 yesterday the whole Collection Azur feels like the culmination of five years of experience by the Creative Directors/Owners Sylvie Ganter and Christophe Cervasel. They have applied that knowledge and are still taking Atelier Cologne in new directions. Figuier Ardent is proof that those journeys can end in paradise.

Disclosure: This review was based on samples provided by Atelier Cologne.

Mark Behnke

New Perfume Reviews Atelier Cologne Mandarine Glaciale & Sud Magnolia- Atelier Cologne 2.0 (Part 1)

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As Atelier Cologne celebrates the end of its fifth year with the release of Pomelo Paradis to the original collection of colognes. They open the future with a brand new collection dubbed Collection Azur. As I experienced these new cologne absolues over the last few days I was struck that it feels a bit like Atelier Cologne 2.0. Five years ago Creative Directors and owners Sylvie Ganter and Christophe Cervasel knew what they wanted to achieve by exploring the boundaries of cologne. Over the last five years they have produced a collection which has hewed to that vision. Now just like when computer software gets updated the new four fragrance Collection Azur feels like the next evolution of Atelier Cologne. It also reminded me of the day five years ago when Mme Ganter introduced me to the line for the first time. I looked forward to seeing this line succeed and they have. I am going to review all four of the new colognes over the next two days. Today I’ll start with Manadarine Glaciale and Sud Magnolia.

mandarine glaciale picture

One of the unifying themes of the Collection Azur is that of citrus as all four have it featured in their development. Manadarine Glaciale, by perfumer Jerome Epinette, is the citrusiest of them all. Mandarine Glaciale opens with the mandarin along with lemon and bergamot. It is a snappy beginning but it also lives up to the second part of the name. There is a feeling like this is frozen citrus almost encased in a chilly block of ice. That effect is produced by M. Epinette using ginger and petitgrain. Often citrus colognes feel like a gentle slap on the cheek. The early going of Mandarine Glaciale feels like it has been hidden behind an opaque material as it works to break free. After a couple of hours when it finally sheds some of the chill jasmine emerges along with it. M. Epinette uses a well-behaved jasmine which adds a floral vector without getting too floral or feral. The base slides into vetiver over amber and white musk. As with the jasmine the vetiver is kept from being too influential and the citrus stays throughout the development. Manadarine Glaciale has 10-12 hour longevity and above average sillage.

sud magnolia picture

Sud Magnolia, also by perfumer Jerome Epinette, pins a flower to its citrus lapel. Over the last six months there have been a number of magnolia perfumes which have made it in front of my nose. I am not sure why the sudden increase but Sud Magnolia is one of the better ones, of this recent group. M. Epinette goes for a lip-puckering sour citrus top combining bitter orange and pomelo. He marries them to lush blackcurrant to further add some depth. This opening is all about getting your attention and it is hard to ignore when wearing it. I really like the enhancement of the sour over the sweet during the early going. This time the citrus is swept away by the magnolia and M. Epinette has found a really striking source of magnolia to use as a focal point. It is at turns creamy and woody while maintaining its floralcy. He supports this beauty by adding in rose and saffron. Together they make a floral accord that is just made for a garden party in the spring. It all finishes upon a foundation of sandalwood and cedar wood, more of the latter than the former. That makes the finish a bit more austerely woody than warm. Sud Magnolia has 12-14 hour longevity and average sillage.

I will conclude these reviews with Cedre Atlas and Figuier Ardent tomorrow.

Disclosure: This review was based on samples provided by Atelier Cologne.

Mark Behnke

New Perfume Review Atelier Cologne Pomelo Paradis- Creating a Hybrid

I met Sylvie Ganter in the spring of 2010 at Bergdorf Goodman as she presented the original five fragrances which make up the Atelier Cologne Collection Originale. Mme Ganter wanted to revolutionize cologne by taking it places cologne had never gone before. Along with her husband, Christophe Cervasel, they have made Atelier Cologne the leader in transforming the way we view cologne. All Atelier Colognes are called Cologne Absolue by upping the perfume oil in their fragrances they produce. They took the architecture that was cologne and made it recognizably cologne but also pushed the boundaries of what that design could bear. Over the last five years it has been a distinct delight to observe where Atelier Cologne would choose to go. Five years after their beginning they have chosen to return to the Collection Originale and release a new one, Pomelo Paradis.

ralf christophe and sylvie

Ralf Schwieger, Christophe Cervasel, and Sylvie Ganter (l. to r.)

Pomelo Paradis was composed by perfumer Ralf Schwieger. Hr Schwieger was responsible for what is perhaps now considered the flagship of the brand Orange Sanguine. It was this perfume which displayed all of the, now realized, potential of Cologne Absolue. Hr Schwieger has been an integral part of the process as all of the Atelier Cologne fragrances, since the originals, have been signed by him or Jerome Epinette. I think it is this consistency of creative direction and perfumer which has made Atelier Cologne one of the best new brands of the last five years.

Citrus_grandis_-_Pomelo

Pomelo

Pomelo Paradis returns Atelier Cologne back to its citrus roots. Many are going to smell Pomelo Paradis and exclaim grapefruit and they will be right but they will also be wrong. Almost all of the more common citrus fruits are hybrids. It is a trait common to the family and it is why you can have so many different varieties of limes or lemons. Nature is its own experimentalist creating new varieties based upon what pollen can combine. Scientists now believe all citrus fruit came from four basic fruits, citron, mandarin, papeda, and pomelo. Grapefruit comes from the natural hybridization of pomelo and mandarin. It then occurred to me that Atelier Cologne is also a hybrid of its own as pure parfum and cologne have formed Cologne Absolue.

Hr. Schwieger chooses to re-create nature’s work in the top notes of Pomelo Paradis by taking pomelo and mandarin and combining them to create a grapefruit accord. This is an important distinction as Hr. Schwieger could have just chosen to take grapefruit and start this perfume with that. By combining pomelo and mandarin it creates a nuanced grapefruit accord that would not have been easily achievable otherwise. Together the two pieces give a grapefruit with real heft without being overwhelming. A very judicious use of blackcurrant bud by Hr. Schwieger tunes the grapefruit accord further. Grapefruit has a bit of a sulfurous quality. The blackcurrant bud adds that in while also adding some green sturdiness. The heart is why Ateleier Cologne has succeeded, in this re-imagining of cologne, as a floral bouquet of rose and orange blossom cut by mint take this very traditional opening and move it off in a new direction. Mint has to be used very carefully. Hr. Schwieger knows how to keep it as a participant without overwhelming. The mint in Pomelo Paradis is like a sprig of mint added to your morning grapefruit as it adds contrast but in small quantity. This all settles down onto a traditional bed of vetiver and amber.

Pomelo Paradis has 8-10 hour longevity and above average sillage.

Pomelo Paradis is a delightful circling back to the very roots of Atelier Cologne and is also an equally delightful hybrid of all that the brand stands for. As much as I have been enjoying wearing Pomelo Paradis I know it will be right at the front of my summer rotation. Pomelo Paradis is everything that Atelier Cologne does right and that is almost everything.

Disclosure: This review was based on a sample provided by Atelier Cologne.

Mark Behnke

New Perfume Review Atelier Cologne Blanche Immortelle & Santal Carmin

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There are few brands I admire more for understanding both their brand identity and their customer than Atelier Cologne. In just four years the Owners and Creative Directors, Sylvie Ganter and Christophe Cervasel, have shown an innate knowledge of how to stay true to a vision and allow an audience to come to meet that vision. For those who are unfamiliar with that vision in 2010 they created a perfume formulation that they dubbed “cologne absolue”. The concept was to take classic cologne architecture and to increase the perfume oil concentration for a longer lasting experience. By doing this they also turned the idea of cologne from something fleeting and ephemeral to something with foundation and depth. Throughout the thirteen releases they have explored all manner of keynotes and how to create a cologne of lightness or darkness. There is no perfume line which I look more forward to trying what is next than this one because of this dedication to their ideals.

Jerome-Epinette

Jerome Epinette

I just spent the last week wearing the two new releases from Atelier Cologne, Blanche Immortelle and Santal Carmin. Both of these display all of the strengths of a brand operating at the top of its game. I also like that one is a crowd pleaser and the other takes a note that is less loved but both succeed brilliantly. Perfumer Jerome Epinette contributes his ninth and tenth compositions for Atelier Cologne and I believe that is another strength as M. Epinette intrinsically gets the concept of cologne absolue and executes it flawlessly.  

Blanche Immortelle is as the name promises White Immortelle. M. Epinette creates a softly glowing immortelle fragrance. Immortelle is a divisive note among perfume lovers as its characteristic maple syrup-like quality can be treacly and cloying in overdose. I am one who likes his immortelle as intense as he can get it but I was looking forward to seeing what M. Epinette would do. Immortelle is one of those notes that is fractious to work with because it is so easy for it to get out of balance. M. Epinette places it as a central pivot between a sunny group of top notes and a rich woody grouping of base notes and keeps it positioned perfectly as to intensity.

Blanche Immortelle opens with a burst of summertime light as bergamot, mandarin, and mimosa flare to life. This is as traditional a cologne opening as you could ask for. The immortelle arises and shreds tradition. Immortelle by itself often is too thin a note and it needs support from other floral notes it is that support which often makes it too sweet for many. M. Epinette uses jasmine and Turkish rose to support the immortelle but yet not so much that it ever becomes heavy. The immortelle darts in and out amongst the bright top notes like a buzzing bee with a bit of the same energy as that metaphorical bee. Here is where Blanche Immortelle remains for many hours on my skin. Very slowly vetiver, patchouli, and sandalwood exert their influence and turn Blanche Immortelle from sunny day into cool twilight.

Sylvie-Ganter-Christophe-Cervasel

Christophe Cervasel and Sylvie Ganter

Santal Carmin is a pure crowd pleaser of a fragrance as M. Epinette takes a heart of sandalwood and as he did with Blanche Immortelle open with bright top notes and closes with deeper base notes. The difference is sandalwood as a cologne ingredient is better known. That means M. Epinette needs to add a bit of a twist to the phases that surround that more familiar heart.

Bergamot and limette comprise the first notes of Santal Carmin and then M. Epinette adds saffron which entwines itself among the citrus and turns it into something wholly exotic. He also does this without sacrificing the traditional bracing opening of cologne it just feels like something rare and precious. The sandalwood used in Santal Carmin is the variety harvested in New Caledonia and I like it for its desiccated quality over some of the creamier aspects of other sources of sandalwood. M. Epinette adds a white musk to define the aridity of the wood at the heart of Santal Carmin. The sweeter facets require some coaxing out and the use of vanilla in the base does bring out the inherent sweetness of the sandalwood and papyrus adds a bit of green to go along with the sweet which helps attenuate the extreme dryness of the wood.

Blanche Immortelle and Santal Carmin have 12-14 hour longevity on me and average sillage.

I suspect that Santal Carmin will be the more popular of these two new Atelier Cologne releases and it is a great cologne as the summer approaches. For me I am really looking forward to wearing Blanche Immortelle as I won’t have to wait until fall to enjoy one of my favorite notes. In any case if you have been a fan of Atelier Cologne they continue producing high quality perfumes. If you want a place to start this pair is a good place to discover a brand that has never wavered from their quality and their ideal.

Disclsoure: This review was based on press samples provided by Atelier Cologne.

Mark Behnke