I write about soliflores, where a single ingredient is highlighted, as being difficult to have that be compelling. It is much easier to find a pair of perfume ingredients which can provide all the complexity you desire. I say it is easy but, finding that balance to give both the space to shine individually and in harmony is also difficult. I was reminded of what it is like when done well with Shalini Paradis Provence.
Paradis Provence is the fourth fragrance overseen by fashion designer Shalini for her fragrance brand. As before, she collaborates with perfumer Maurice Roucel. It is meant to evoke the special scent of Provence in France. For Shalini she wanted to feature the “golden light of thyme”. I’m not sure who had the idea to marry lavender to it, but it is an inspired choice.
One of the things I enjoy about high-quality lavender is the tripartite scent profile it exudes. The obvious floral quality is matched by a green herbal-ness over a subtle woodiness. In the hands of M. Roucel the concept is to find other ingredients which can accentuate all three parts.
Right away the lavender appears with the floral and herbal qualities on display. The thyme rises by first teasing out the herbal quality seeking it as a complement. It gives the early moments a vegetal green field accord. The floral quality is matched with orange blossom containing its own green to match the lavender and the thyme. The thyme achieves that “golden light” as the orange blossom arises. It ends with olive wood and the woody part of the lavender comprising the base.
Paradis Provence has 10-12 hour longevity and average sillage.
I was so intrigued with the lavender-thyme combination I visited my local lavender farm to see what the real things smelled like together. Not as good as Paradis Provence. It was a reminder of what modern perfumery is meant to do; interpret nature through an artistic vision of scent. Paradis Provence lives up to that high minded ideal beautifully.
Disclosure: This review is based on a sample I purchased.
When you look around the world to witness change over the last 20 years there is nothing to rival Dubai in the United Arab Emirates. In just two decades the skyline in the city has sprouted skyscrapers one after the other with the 2,722-foot-tall Burj Khalifa, the tallest man-made structure in the world, the biggest. These are the modern versions of the ancient pyramids to the northwest in Egypt. While bigger might be better I like a bit of a twist in my design which I find literally in the 90-degree twist of Cayan Tower. I also like a bit of twist in my perfume pyramids too.
Burj Khalifa (l.) and Cayan Tower at night
Indian-born fashion designer Shalini released her first perfume, Shalini, back in 2004. That perfume was a collaboration with perfumer Maurice Roucel. It was a magnificent study in how to take tuberose and create haute couture out of it. M. Roucel considers it one of his best which I have no argument with. When I heard there was a new perfume to come from the same team I was interested to see what the second act would smell like.
Shalini Jardin Nocturne is based on the nighttime air in Dubai. The idea is you’re driving through the city as night-blooming flowers and a scented haze of oud form the background to the lit-up skyline. One thing which has been interesting is Shalini has encouraged M. Roucel to use high concentrations of exquisite sources of the keynotes in these perfumes. For Jardin Nocturne this means an Indian Jasmine absolute in overdose along with a significant amount of real Assam oud. While both of those notes provide the height M. Roucel adds in a few complementary notes to add a twist to the overall architecture.
The ride begins awash in the smell of jasmine. This is a ton of jasmine which displays everything about jasmine at full volume, including the indoles. It is that skanky core of this white flower which makes people gravitate to the cleaner synthetic versions. In Jardin Nocturne the depth of a high-quality absolute puts the jasmine in sharp focus. Then M. Roucel adds the first twist as he uses saffron to warm up the jasmine smoothing out the rougher edges. As we move along the oud begins to permeate the indoles. It almost comes as a surprise because it seems to rise out of the indoles. One moment it is indolic the next moment it is the resinous oud ruling at the heart of the jasmine. This is what the central accord of Jardin Nocturne is; balanced and compelling in its strength. What is particularly enjoyable is the Assam oud M. Roucel uses has a floral aspect which becomes apparent over time. Which means as the accord evolves it becomes more floral and the more challenging parts of the oud and jasmine get pushed to the background. The final twist is to find a complement for the oud in its final stages; M. Roucel uses Mysore sandalwood to round out the edgy woodiness of the oud. To make sure it doesn’t get too safe some musks arrive to make sure there is still a hint of indolic depth to the very end.
Jardin Nocturne has 10-12 hour longevity and above average sillage.
Shalini has said Jardin Nocturne is the middle piece of a planned perfume trilogy with M. Roucel. I am very interested to see where this all ends. Jardin Nocturne is the perfume equivalent to these modern pyramids comprising the skyline of Dubai. It is sleekly constructed glowing with illumination.
Disclosure: this review is based on a sample provided by Shalini.