My Favorite Things: Caraway

I have a secret crusade in perfumery. I want caraway to stage a coup d’etat on bergamot in the top notes of perfume. Caraway has the same bitter citrus feel as bergamot except this is more akin to bitter lemon. Because it is a spice there are also subtler aspects that go with the obvious bitter citrus. Caraway is one of the least used ingredients within perfumery. In Michael Edwards’ Fragrances of the World there are only 92 entries which contain caraway. I’ve asked and learned it is not too expensive, difficult to obtain, or fractious to work with. As part of my campaign I am going to give you my five favorite caraway containing fragrances.

Van Cleef & Arpels Tsar was the first place I ever smelled caraway but I was too unsophisticated to know what the different note was I was smelling. Released in 1989 by perfumer Philippe Bousseton it is a powerful fougere which uses bergamot with the traditional lavender and rosemary to start. The turning point comes in the heart as cinnamon and caraway brush aside the bergamot and rosemary to transform Tsar into something much more opulent before ending on a super sandalwood base. In this case the caraway shows all of the depth and subtlety it has available to it.

It was when I first tried Parfumerie General Querelle by Pierre Guillaume which has fueled my caraway enthusiasm. Querelle opens with one of the most beautiful openings of anything M. Guillaume has composed as he combines caraway with cinnamon and myrrh. The bitter lemon against the fire of the cinnamon juxtaposed on the sweet resinous quality of the myrrh is gorgeous. It sets up the vetiver, incense, and oakmoss finish perfectly. Caraway dominates the very early moments. It when I wear this that I most often ask why it isn’t used more.

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Juicy Couture Dirty English is one of my favorite best buy perfumes. Perfumer Claude Dir created an overstuffed smorgasbord of masculine ingredients. Right at the top he sets up a title fight between bergamot and caraway which my guy wins by pairing best with the cypress and cardamom also present. Dirty English is fantastic for the price and it is caraway which starts it all off.

Byredo Baudelaire by perfumer Jerome Epinette is perhaps the most creative use of caraway. From a black pepper and juniper berry opening the caraway provides the citrus pivot to the gin-like character of the juniper berry. Like an exotic gin and tonic with caraway acting as the lime Baudelaire becomes this watery patchouli and incense fragrance. I can’t imagine bergamot being able to pull off the same effect.

Maison Francis Kurkdjian Cologne pour le Soir shows caraway can stand up to even the heaviest spicy notes. Perfumer Francis Kurkdjian uses caraway as the foil to the cumin within the honeyed top accord. When I tried the first debut collection of this brand it was this single accord which made me swoon hardest. Even as it deepens with ylang-ylang, incense, and vanilla it is the opening which sticks with me longest.

If you need a crash course in caraway here are five which can provide you a full profile of the note I most want to see used more often.

Disclosure: This review is based on bottles I purchased.

Mark Behnke

Parfumerie Generale 101- Five to Get You Started

Pierre Guillaume has been producing perfumes since 2001 when he releases his first fragrance under his Parfumerie Generale label. That first perfume PG02 Coze was my introduction to this idiosyncratic perfumer. M. Guillaume is a perfumer who works on the more ethereal side of the perfumed spectrum. Many of his perfumes have an opaqueness to them that sets them apart from many other lines. That gauziness can be seen as a drawback by those who like a lot of oomph in their perfume. I find it draws me in close; to lean in to gather up the delicate tendrils with care. Over the past fourteen years the collection has grown to over 30 perfumes. Here are the five I would suggest are a good starting place.

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Pierre Guillaume

PG10 Aomassai– M. Guillaume has a reputation for composing great gourmand perfumes. In my opinion Aomassai is the greatest within the collection. A roasted hazelnut accord is decorated with caramel, cinnamon, licorice, and herbs. This is not an opulent gourmand it is a droll gourmand.

Querelle– This is the fragrance which makes me ask over and over why caraway is not used as a topnote alternative to bergamot. In Querelle M. Guillaume uses black caraway and sweet myrrh to draw you into a heart of rose and vetiver. Frankincense and ambergris finishes this which is my favorite of the entire Parfumerie Generale line.

L’Ombre Fauve– Even though I’ve said M. Guillaume likes to keep it lighter L’Ombre Fauve shows what he can do when he turns to the dark side. I have seen some of the more intense entries in the Parfumerie Generale line described as having a “furry” quality. L’Ombre Fauve might be the most prominent of the “furry” PG’s. Intense red amber, civet, and a cocktail of woods keep it simple but incredibly animalic.

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PG24 Papyrus de Ciane– M. Guillaume is a student of the history of perfume and for Papyrus de Ciane he wanted to use the classic Mousse de Saxe base that forms the foundation of the great Caron perfumes. M. Guillaume takes that starting point and imposes his style upon it. A veil of green galbanum, a watery green accord, and incense set up the darkness of the Mousse de Saxe. The success of this perfume is I never think of the original source of Mousse de Saxe I just enjoy a modern take on a classic base.

PG25 Indochine– M. Guillaume’s inspiration was a sepia toned photograph of the Mekong River. Indochine is a perfume of tints. A bit of pepper is cooled off by a breeze of cardamom. Rich honey is drizzled over a woody thanaka accord. Benzoin is the final ingredient. Indochine feels like it is unstuck in time both vintage and contemporary at the same time.

Parfumerie Generale is a line I often recommend and it has become much easier to experience as it is more widely available these days. Give these five a try and if they appeal to you there are many more worth trying.

Disclosure: This review was based on bottles I purchased.

Mark Behnke