The Sunday Magazine: Stephen King


In the summer of 1980 I discovered an author who I have spent the last nearly four decades alone in my head. I picked up a copy of “Salem’s Lot” by Stephen King beginning the relationship where he writes books and I read them.

In that summer of 1980 my friends and I had discovered the horror genre of novel. At that point Mr. King was already at the top of the heap. As I started to back fill from “Salem’s Lot” I would find two novels which rank among my all-time favorites; “The Shining” and “The Stand”. I would finish reading “The Shining” a couple days before the movie adaptation by Stanley Kubrick was released. When we went to see it on opening night, I was that cranky moviegoer with “the book was way better” on my lips. It took me a decade to appreciate the movie for what it is.

Stephen King

Which is something that is not common for most of Mr. King’s books. I always felt drawn to his stories while thinking this would make a great movie. So many of them have, that the thought is proven over and over.

I think it is something that is never appreciated fully. When any artist can create content which connects with a large audience it is met with suspicion instead of support. Mr. King was always so genial about his place in the literary firmament. He would speak about his writing with humility.

What I found very interesting was even he was curious if he had become a brand or was he talented. He would write books under the pseudonym Richard Bachmann from 1977 to 1984. Without any fanfare or publicity he still found an audience. I laughed after the ruse was exposed. My local bookstore had recommended this new book “Thinner” by Richard Bachmann because I was such a fan of Mr. King.

There seems to be a turning point in Mr. King’s personal life which has impacted his writing since 1999. In June of that year he would be struck by a car while walking near his home in Maine. Since his recovery there has seemed to be a pleasure in writing that was enhanced. He was able to complete his “The Dark Tower” series. A set of seven books which are among the very best fantasy series ever written.

Somewhere along the line of doing that he has begun to connect the rest of his novels to the world revealed within “The Dark Tower”. Sometimes subtle sometimes overt each time there is another connection I smile as it comes off the page.

He has produced a “crime novel” trilogy which has also become one of my favorites of all that I have read by him.

Unlike in 1980 I am looking forward to the movie adaptation of his sequel to “The Shining”, “Doctor Sleep”. This time after the movie I will still probably say “the book was way better” but it will be tempered by the time I have spent reading Mr. King for all these years.

Mark Behnke

The Sunday Magazine: Cinema or Movie?

If you’ve been keeping up with pop culture lately you will know that directors Martin Scorcese and Francis Ford Coppola leveled some criticism of the current state of moviemaking. In separate interviews in France Mr. Scorcese said, “That’s not cinema.” Referencing the Marvel movies specifically. Mr. Coppola would amplify that remark by saying, “Martin was being kind when he said it wasn’t cinema. He didn’t say it was despicable, which is what I say.” While I could attack the messengers, their thesis has merit; I will ask one simple question. Are your compatriots Steven Spielberg and George Lucas directors of “not cinema” and “despicable”? I feel pretty certain the two directors responsible for creating the blockbuster movie culture in the 1970’s is not thought of by Mr. Scorcese or Mr. Coppola in those terms. They are seen as their peers in cinema.

What all good thought processes should start with is a provocative statement. Over the last week I’ve been thinking is there a difference in the terms “cinema” or “movie”. It seems the crux of the argument being proffered is stories of depth (cinema) are being supplanted by spectacle on celluloid (movie).

Cinema or Movie Theatre?

I spent the early years of owning a VCR catching up on the classics of “cinema”. Hitchcock, Fellini, Kurosawa, Ford, Truffaut, etc. opened a whole world of storytelling to me. At the same time I was going to the theatre to see “Star Wars” and Raiders of the Lost Ark”. To me every example of a great story thrilled me. I sat in the darkness of my living room or the theatre and when it was great, I was elevated and transported. That’s the “Magic of Movies”. That is the Oscars motto every year; one I believe in. the answer to the question posed at the beginning is right there they are all movies.

Are there movies which aim for loftier themes? There are. Should that give them a different name? For me it doesn’t matter. Having a director tell me a story that is heartfelt is all I care about. That is as true for “Apocalypse Now” or “Taxi Driver” as it is for Peter Jackson’s interpretation of “Lord of the Rings”, James Gunn’s “Guardians of the Galaxy”, or Ryan Coogler’s “Black Panther”. All these movies represent the reason I love the process.

If part of the thesis from Mr. Scorcese and Mr. Coppola is the best young filmmakers are being enticed to the “despicable” “not cinema” world forswearing the ability to produce something different. I would point to two recent releases which contradict that. Taika Waititi directed “Thor: Ragnarok” and his latest “Jojo Rabbit” is a whirling dervish madhouse. If you pay attention the same sense of vision in a Marvel movie extends to the not-Marvel movie. The other example is what director Todd Philips did with “Joker”. This director of comedies like “Old School” and “The Hangover” completely transformed the story of a well-known comic book character into a story which carries weight. If the concern is a young filmmaker can’t create their own space in the world of comic book movies “Joker” eradicates that argument.

I live in a place where everything I watch are movies I don’t care about cinema. Just tell me a story from your soul. That’s what makes movies great, now and forever.

Mark Behnke

The Sunday Magazine: Watchmen by Alan Moore

In the fall of 1986 I remember going to my local comic store to pick up that week’s new issues. Stuck in my bag was an issue I hadn’t requested. It had a picture of a smiley face button with blood spatter on it. I looked at the owner and he said, “I think it is going to change the way comics are seen.” I remember snorting a bit at that. At that time reading comic books was seen as my being unable to let go of my adolescence. What that issue would begin was a difference in the way comic books would even be called. From that point on there would be graphic novels. The story which began that was Watchmen by writer Alan Moore.

The story tells of a world where superheroes exist, and they aren’t necessarily admired. Set against the backdrop of Cold War politics and an America where Richard Nixon is serving his fifth consecutive term as President. The story begins with the death of Edward Blake. Unknown to the general public he was also the costumed hero The Comedian. One of his compatriots believes someone knows the other heroes’ identities and is beginning to try and kill them. The story moves forward as it alternates origin stories of each hero with issues which move the current mystery forward.

Besides the normal pages of panels which told the story in art and word bubbles each issue of Watchmen also had supplemental material. Mr. Moore would add in reproductions of letters or dossiers all adding depth to the story. The best of these was a story told entirely in text called “Tales of the Black Freighter” It was a macabre pirate story with a twist at the end which was a mirror to the characters in the main story. As a reader the question I always had was which character mapped to which one in the pirate tale. Mr. Moore made it ambiguous enough it was only in hindsight that it would become clear.

As much as I am laudatory towards the story, artist Dave Gibbons was the final ingredient to why this was so different. The most widely cited example of this is issue #5 entitled Fearful Symmetry. Mr. Gibbons laid out the pages so they would be roughly analogous reflections of each other so first page mirrored last page and so on. It is only made clear this is happening when you reach the middle of the issue and see the symmetry on either side of the stapled spine.

That my comic book seller was prescient has been the way Watchmen has been praised. It is called a graphic novel because it is included on lists of the best novels written. It deserves every bit of praise. It is the reason I have so much interesting reading thirty-three years later as it has spawned the current age of graphic novels.

I wanted to write about this as HBO is about to release a new version of Watchmen extrapolating from the end of the graphic novel. I will definitely be writing about it once it has finished. I wish them luck. I will be watching and wondering if this creative team can live up to the legacy they are continuing.

Mark Behnke

The Sunday Magazine: Fear The Walking Dead, In Memoriam

The life cycle of any television show is unique. As they age, they change. Nothing surprising about that. A recent show which has started mediocre, risen, only to completely fall apart is “Fear the Walking Dead”.

“Fear The Walking Dead” is a spin-off of the original The Walking Dead. Therein laid its potential and its pitfalls. The writers got to create something totally new within the zombie apocalypse world of The Walking Dead. In its first season it showed us how the whole zombie apocalypse started in Los Angeles. It wasn’t a great start, but it created a set of characters I was curious enough to follow into a new season. The next two seasons were great. The show dealt with how the early survivors relied on different internal compasses of faith. Especially season three, both seasons, were the best of what The Walking Dead can be. Then it all went off the rails,

Over the last two seasons the storytelling has become exceedingly lazy. It is the worst of genre tropes every week. They don’t have enough fuel one week leading them into risking themselves to get it. The very next week they’re off on extended joyrides without a mention of conserving gas. Its just carelessness by the writers. The other crime these writers have committed is they have made all the characters stupid, until they need to be brilliant.

This character assassination killed every great original character. It even destroyed two characters who joined the cast from the original series. This past season was so poorly written I have removed the show from my DVR list.

On the recap show “The Talking Dead” they have a segment called “In Memoriam” where they recap all who died in that night’s episode. At the end of season five they should add the show to the list. These guys killed a promising show.

Mark Behnke

The Sunday Magazine: Hex Life- Wicked New Tales of Witchery

One of the great things about the world we live in now is the algorithm that knows what you have read and then recommends new releases for you. Last weekend I was alerted to the release of a new collection of urban fantasy short stories called “Hex Life” edited by Christopher Golden and Rachel Autumn Deering.

What initially attracts me to these books are new stories from authors I already read. What always happens after finishing is, I have a new list of authors who I start reading. These books are the literary equivalents of movie trailers. They give me a sense of the style of the author’s storytelling while making me want more. Hex Life introduced me to two authors I want more of.

The first is author Angela Slatter. Her contribution to Hex Life is the short story “Widows’ Walk”. In the narrative we meet the three witches, aka The Widows, of the town of Mercy’s Brook. The town knows they are witches, but we are told they are accepted if not wholeheartedly. One of the Widows finds it amusing when townsfolk cross the street when they see her coming. They capture a young child trying to steal milk off their porch. Once the Widows have the child inside, we realize they know much about her home life. Ms. Slatter tells a classic short story of supernatural karma. I enjoyed it so much I have the three books in her Verity Fassbinder trilogy queued up.

The other new discovery was author Hilary Monahan. Her story is called “Bless Your Heart”. The witch mother of a gay son takes the matter of her child’s bullying to the PTO meeting of the school. Ms. Monahan also weaves a witchy tale of karmic balance with a large helping of humor. The ending is perfect. I am looking forward to reading her book “Snake Eyes”.

These are my favorite stories, but my hat is off to Mr. Golden and Ms. Deering they have overseen a collection of witch stories just in time for Halloween.

Disclosure: I purchased this book.

Mark Behnke

The Sunday Magazine: Fall TV 2019 Preview

I have always enjoyed the first week of the new television season. Ever since I was a kid, I would hustle to the grocery store to pick up an issue of the oversized TV Guide Fall TV Preview. I would read about every new show coming and decide which ones sounded interesting. Of course in those days I had to make a real choice if there were two on in the same time slot. No way to time shift then. As much as I miss that TV Guide issue I adore not having to make choices. Which means after the first week of the new season I have sampled the new shows and here are my impressions after one episode.

Bob Hearts Abishola (Mon CBS)- I like everyone involved with this sitcom from the producer Chuck Lorre to the actors. The previews had me interested as I saw them all summer. After the first episode I was underwhelmed. The leads weren’t as dynamic together as I’d hoped. I’ll be watching another few episodes, but this was my biggest disappointment of premiere week.

Bluff City Law (Mon. NBC)- I am a sucker for Jimmy Smits playing a lawyer. He was a favorite on LA Law and this feels a bit like the same character transplanted to Memphis. He is the head of a famous law firm who convinces his daughter to return home to practice even though there are unresolved personal issues. A show like this succeeds on the strength of its characters and its cases. The latter was a suit against a pesticide company as well as one which feels like this show’s version of “The Making of a Murderer” as it looks to be a case which unspools over multiple episodes. This was the biggest surprise of premiere week for me.

Emergence (Tue. ABC)- I don’t know I think I’m just burned out on weird conspiracy theory shows. The first episode was nice enough but it all felt like been there done that. I don’t think I’ll be back for episode two.

Stumptown (Wed. ABC)- Based on a great indie comic by Greg Rucka I was worried this was going to get dumbed down for television. The first episode alleviated my concerns as Cobie Smulders plays Dex Parios perfectly. The show will not be hemmed in by the comic material because there are only a few issues. I do hope they incorporate most of what is in those issues over the season. The first episode was as much fun as the comic.  

The Unicorn (Thur. CBS)- This was another one which had my hopes elevated because of the actors involved. In this case they delivered a snappily written half hour of comedy. This is getting a season pass on the DVR

Perfect Harmony (Thur. NBC)- This was the surprise because of how much I liked it even though it draws on such obvious beats. Southern church choir picks up a new director, Ivy League trained, and they learn from each other. You’ve seen it a million times. When the actors involved commit it doesn’t matter. I was completely into the final act even though I knew how it was going to come out. On at the same time as The Unicorn, thank heaven for DVR.

Evil (Thur. CBS)- Another obvious concept carried off by the two stars and the writing team behind them. A priest seeks out the help of a scientist to help him determine if miracles, possessions, etc. are real. Like The X-Files prior to this the early fun is the banter between the skeptic and the believer. Also like The X-files there seems to be a larger conspiracy behind the scenes. If that conspiracy can be kept to the background for a long time while the core concept remains primary, I’ll like this show more. After one episode I want to see more.

Mark Behnke

The Sunday Magazine: House of X and Powers of X

If I can look back at a single comic book which defines the last nearly fifty years of comic books it would be “Giant-Size X-Men #1” in 1975. In a surprising way writer Len Wein would take a d-list superhero team and move it to the top of the list. Introducing a new team they battled a living mutant island called Krakoa. When the regular X-Men comic picked up on these events starting with Issue #94 a juggernaut of comic book publishing was gaining momentum. Writer Chris Claremont and illustrator John Byrne would set a new template for superhero stories. Unfortunately this kind of success leads to the comic publisher wanting to cash in. This led to multiple books being spun-off. Until the end of the 1990’s the number of X-Men related books seemed to know no end. It got messy.

In time-honored comic book fashion they decided a re-set was needed for the new century. For the last eighteen years they keep using time-travel, dimension shifting, etc. to keep changing the teams around and try and bring everything back to square one. This has been a failure for the most part as it felt like they were cannibalizing the plots of the past to try and retain interest. I would always dip back in when I knew one of these were happening only to leave disappointed after a few issues.

In July I heard another “re-launch” was happening. I added the new series “House of X” to my digital queue. Written by Jonathan Hickman it would also have a second series “Powers of X” also written by Mr. Hickman. If there was something I tired of as a part of the X-Men mythos it was all the long-time persecution. I always asked myself when they would take a piece of the earth and make it their own. Daring anyone to move them off it. Mr. Hickman has decided to go all the way back to the beginning to find that place, Krakoa, from Giant-Size X-men #1.

Over the course of the series so far Mr. Hickman has piece-by-piece begun to build a mutant home where they can stand as part of society instead of outside of it. This lays the groundwork for a new set of stories to be told where mutants must find their place in a society they are now part of.

I have already stopped reading almost any other iteration of X-Men by this point over the last few years. For the first time Mr. Hickman seems to have them on an exciting new path.

Mark Behnke

The Sunday Magazine: Hendrick’s Gin

When it comes to spirits gin is my favorite. One reason is it comes closest to perfume in its use of botanical ingredients. Even in its dry form gin has an aroma of juniper, coriander, and citrus. Over the last ten years there has been a rapid expansion in small-batch distilleries featuring Old Tom gin containing a higher quantity of botanicals. I have lots of them and use them in all kinds of different gin-based cocktails. All of these new gins to discover have had the same effect new perfume does; it pushes to the rear of the cabinet the originals which formed the foundation of my affection. Towards the end of this past summer I was reminded of the first botanical gin which started all of this; Hendrick’s Gin.

Hendrick’s was the British response to the dry gin so popular for decades. The founders wanted to make a gin that oozed British garden parties. They decided to add cucumber and rose petals to the distillation process. That process is two-stage. The first producing the typical dry gin while the second adds in the unique botanicals.

I became aware of Hendrick’s when the mixologist at my local bar asked me if I wanted to try something new in my pre-dinner martini. When I lifted it to my nose and caught the scent of roses I was intrigued. The taste which hit my tongue was totally different. I would spend that summer trying it in different gin cocktails learning the advantages to having a botanical gin as the main ingredient.

As I mentioned the sexy new bottles on the block eventually eclipsed the elegant black bottle on my spirits shelf. Until I was reminded a few weeks ago it is every bit as good as these contemporary interlopers.

It started when I forgot my cocktail box on a long weekend trip to a friend’s beach house. At first, I was annoyed at myself. We stopped at a liquor store on our way but the only botanical gin they had on their shelf was Hendrick’s. I was a touch disappointed, but I knew it was a good gin.

What happened over the next few days was I reacquainted myself with the original botanical gin. I was reminded that latest does not necessarily mean better. Hendrick’s was more than a stand-in it was the star of the weekend. I was surprised at how many had never tried it. When I served them their gin and tonic with a cucumber instead of a lime, I got a quizzical look until they took a sip.

It is another reminder to look back to the originals because they are where trends begin.

Disclosure: I purchased the bottle written about.

Mark Behnke

The Sunday Magazine: Dwayne Johnson

There are actors I root for because I think they are decent people while also making things I like to watch. One of those is Dwayne Johnson. I’ve been impressed to see him make the successful transition from professional wrestling to action movie franchise star. It reminds me a lot of how Arnold Schwarzenegger made the same jump from bodybuilding to the movies. There is one commonality to both of their rises; a work ethic off the charts.

Mr. Johnson rose to fame as the professional wrestler known as “The Rock”. From the mid 1990’s until the 2000’s Mr. Johnson would hone this persona through the various professional wrestling promotions. By the time he would become World Champion, for the first of many times, he was one of the most popular wrestlers.

Dwayne Johnson

He would make the move to movies as The Scorpion King in the “Mummy” franchise, appearing in 2001 and 2002. Much as he did in wrestling Mr. Johnson made the putative villain interesting due to his charisma and screen presence. He would work consistently throughout the first decade of the new century. None of these roles would prove to be that breakout moment; until 2011.

In 2011 he joined the “Fast & Furious” franchise as agent Luke Hobbs. He would again turn the role into a part of the franchise going forward. He has just appeared in a spin-of of the series featuring his character “Hobbs & Shaw” this past summer. It seems like these appearances have taken Mr. Johnson to a new level. The last eight years have been the most successful on the silver screen for him.

Where I am really rooting for Mr. Johnson is for some writer-director to find a breakout dramatic role for him. The evidence that he can do it is in his HBO series “Ballers”. The third season saw his character return to painful memories in his hometown of LA. Over the last couple of episodes he made me think he is just one movie away from making this breakthrough.

Until then he will remain one of the most watchable action stars we have.

Mark Behnke

The Sunday Magazine: My Summer Beer List

As this column has pointed out many times in the past, I am a wine guy. Like my perfumes there is a season when I tend to drink more beer, the height of the summer. The taste of a great beer on a hot day is unrivaled by anything I can find in a wine bottle. Like many my summer beer offerings developed with the availability of the Mexican beer Corona. When it first made it to the US, I was like everyone else pushing a slice of lime down the neck of the bottle. What made it so popular is it was a refreshing version of regular beer.

As the craft beer revolution took hold every small brewery came up with their version of a summer style refreshing blend. I am fortunate to live close to two of the best breweries in the country, Flying Dog and Dogfish Head. These guys go out of their way to produce amazing summer brews. Both ones I’ve had in the fridge hearken back to that first bottle of Corona with a much tastier version.

Flying Dog is the brewery which is best known for having illustrations by artist Ralph Steadman on their labels. For those who know that name it is because Mr. Steadman also did the illustrations for gonzo journalist Hunter S. Thompson’s books. That he illustrates a brewery that also seeks to push boundaries fits.

My summer selection from them has been “Numero Uno”. It is labeled as a Mexican lager. I read that as “Corona-like”. It is much better than that description. The quality of the German malt and hops used give this much more character. It is also brewed with the lime zest already included so I don’t have to waste time cutting a lime for the same citrus tinted beer I want.

The same idea is found in Dogfish Head SeaQuench Ale. When Corona first showed up people might ask, “why not just get a margarita?” The brewers at Dogfish Head asked what a margarita-like beer might look like.

In their hands it is what they call a “session sour” where three types of beer are blended together; Kolsch, Gose, and Berliner Weiss. I don’t know the names either but they tell me they impart crisp, salty, and tart respectively. That blend is infused with sea salt and two types of lime. The result is something closer to margarita with a foamy head than a Corona.

Even though these are my local breweries both are available nationwide.

Mark Behnke