One of the poodles at the Colognoisseur home office can usually be found every afternoon asleep in the sunbeam which comes through our glass door. Once we hit that part of the day I almost always know where he is. I envy him that opportunity to curl up in a bar of sunlight drifting on pleasant thoughts. Jo Malone Frangipani Flower gave me the opportunity to do that with a perfume.
I know this is becoming redundant, but I must call out creative director Celine Roux for everything she is doing at Jo Malone. She is starting to settle into a bit of a rhythm with the way releases have been coming. Her direction is also shaping things Jo Malone was known for with her own flair. Last year Tropical Cherimoya created a soliflore made up of layers of other florals. It was a fascinating recreation of a flower as perfume. A year later with Frangipani Flower the same thing is being done with a more known floral. To achieve the same effect Mme Roux asked for a headspace analysis of frangipani. Working with perfumer Marie Salamagne they took what was found to create another layered soliflore.
Marie Salamagne (Photo: Jerome Bonnet)
Frangipani Flower opens on a sunburst of lemon and jasmine. This is given a lighter feel as the lemon adds sparkle to an already expansive jasmine. Jasmine and frangipani are related so that the shift to a different kind of floral sweetness is done in tiny steps until you realize something is different. This is pushed to a more opaque feeling by using a set of ozonic and aquatic notes. There is an airiness throughout the first two-thirds of the development. It only becomes a tiny bit more grounded as sandalwood provides a woody tether in the base.
Frangipani Flower has 8-10 hour longevity and average sillage.
Frangipani Flower is equally as clever as Tropical Cherimoya in the way differing layers of accords form a soliflore. On the days I wore it I joined my poodle luxuriating in the sunbeam I had found.
Disclosure: This review is based on a sample provided by Jo Malone.
There is so much I am enjoying about the current wave of Jo Malone releases. Creative Director Celine Roux has re-invigorated this venerable line through her enthusiastic direction. I’ve listed the multiple efforts she has brought to the brand in previous reviews. One of those was initiated with last year’s Rose & White Musk Absolu. Working with perfumer Anne Flipo they came up with a perfume with more character than the name implied. Mme Roux promised there would be more and a year later Jo Malone Violet & Amber Absolu has arrived.
It is difficult to know how much to buy into the press release babble. For Rose & White Musk Absolu there was a lot of chatter about adding the fresh Jo Malone aesthetic on top of a Middle Eastern set of ingredients like oud, white musk, and amber. If I squinted, I could have mentioned that in my review of that earlier release. To be honest that didn’t jump out at me. I remembered that when I tried Violet & Amber Absolu for the first time; I got that. This more recent press release is all Arabian Nights, “yadda, yadda, yadda”. I want to tell them this is where you talk about Jo Malone combined with Middle Eastern perfumery. Mme Flipo creates a perfume of violet warmed by those ingredients.
Violet & Amber Absolu opens with rich violet on display. Violet is one of my top tier favorite perfume ingredients. This is a great one to use. Mme Flipo threads through filaments of labdanum and patchouli. These take what was already fully-rounded violet and makes it three-dimensional. The patchouli adds an earthiness which is the right support for the violet. The base accord are those Middle Eastern ingredients. Amber is the focal point but there is an expansive white musk and subtle oud which rise off the warmth of the amber. It as if they are a brazier warming the violet accord above.
Violet & Amber Absolu has 12-14 hour longevity and moderate sillage.
This has been a spring morning standout since I received it. It is an ideal shoulder season perfume. Mme Roux promises even more Absolus. Bring ‘em on. They have found a new way to make Jo Malone modern again by warming up violet.
Disclosure: This review is based on a sample provided by Jo Malone.
This has been the first warm weekend in Poodlesville this spring. That means I spent some time clearing away the detritus of the winter. It also means I spent some time walking through the adjacent woods with one of the poodles. I enjoy the natural scent of the world as winter gives way to the earliest days of spring. With the snow gone nature presents her prickly self in smell and thorn. On my favorite walk I always come home with a few scratches from the brambles which choke the path here and there. The smell of the woods is equally pointed as the greenness presents itself in sharp hues. There are a few perfumes which do this well; Jo Malone Nettle & Wild Achillea is a new addition.
The creative director at Jo Malone, Celine Roux, likes to take her perfumers out to meet what she wants to capture in a perfume. In April a couple years ago she took Louise Turner and Yann Vasnier out to the canals of England. Upon their return Mme Roux asked them to create a collection based on that trip. This year the Wild Flower & Weeds collection was released as five perfumes. This goes to reinforce that as much as I think something is going to be great based on everything I read; the reality lets me down. I found four of the five releases didn’t contain as many weeds while allowing the wild flowers to have too much of the frame. The one which was weedier was the only one I really connected with. Ms. Turner is the perfumer behind Nettle & Wild Achillea. She has composed a thorny green perfume which captures the freshness of a spring day in layers.
It opens with the “flower” in the title Wild Achillea which is more commonly known as yarrow. That essential oil has a soft herbal quality instead of a more typical floral scent profile. Ms. Turner uses baie rose as herbal counterweight to tilt the top accord even further away from being “pretty spring floral”. This is the soft green of the buds peeking through the soil. The thorns come next as a sharp mate tea slices through the top accord opening the way for even more sharpness due to the silvery nature of violet and the astringent green of the nettles. Ms. Turner completes an adroit balancing act by keeping this just the right side of strong without drawing blood. The fresh air of spring blows through courtesy of a set of white musks carrying a woody green vetiver in the base.
Nettle & Wild Achillea has 10-12 hour longevity and average sillage.
If you want a perfume which carries all the sharp and fresh scents of early spring Nettle & Wild Achillea will fit the bill. It allows me to ramble through the brambles without checking for snags in my sweater or scrapes on my skin. That’s good enough for me.
Disclosure: This review is based on a sample provided by Jo Malone.
Celine Roux has done the best job of any creative director in perfumery of redefining the brand she oversees. When Mme Roux took over she did the intelligent thing of working inside out within the releases. She has made perfumes which have the same feel as the perfumes which began the brand over twenty-five years ago. That’s the inside. The outside is when she pushes at the limits of what a Jo Malone fragrance can be. One of the best examples of an inside perfume is 2015’s Mimosa & Cardamom. It was a return to the delicacy of the early releases within the brand. If you want an example of the outside; Jo Malone Bronze Wood & Leather will do.
Mme Roux has been working with perfumers over a few consecutive releases lately. For Bronze Wood & Leather she brings back the perfumer behind Mimosa & Cardamom; Marie Salamagne. Bronze Wood & Leather is a burly style of perfume the exact opposite of that earlier perfume. That they both feel like part of the same brand is down to the intelligent creative oversight of Mme Roux.
Marie Salamagne (Photo: Jerome Bonnet)
Mme Salamagne opens with a fresh accord of grapefruit and juniper berry. I’m sure I’ve smelled this combination before but Mme Slamagne has made this one so lively it isn’t like any other. I particularly like the way the juniper blunts the sulfurous undertones in the grapefruit. I’ll admit I’d probably buy a perfume called Grapefruit & Juniper Berry if they wanted to sell me one. This begins to remind me there is meant to be wood here with a tendril of woodsmoke. It starts off at a distance as it inserts itself in the top accord. I was again surprised that the subtle smoke was very pleasant in those early moments. The smoke intensifies as the black leather accord appears. This is that leather biker jacket accord which goes very well with the smoke. Cashmeran provides the desired “bronze wood” with its soft woodiness. a little vetiver provides the final bit of polish.
Bronze Wood & Leather has 10-12 hour longevity and average sillage.
There were so many times while wearing Bronze Wood & Leather I felt like I was surrounded by a contemporary interpretation of mid 1970-80’s masculine perfume. If that doesn’t sound like Jo Malone to you, you’re right. If it sounds good to you should step up to the plate for a fantastic curveball on the outside corner.
Disclosure: this review is based on a sample provided by Nordstrom.
I continue to extol the creative direction of Celine Roux at Jo Malone because her tenure has seen the first part of her title return to one of the original niche brands. One of the things which has seemingly been a part of this is Mme Roux’s habit of working with a single perfumer for five or six releases. Over the last two years it was Mathilde Bijaoui and Yann Vasnier. Her current partner in perfume is Sophie Labbe. The holiday 2018 release is their third collaboration; White Moss & Snowdrop.
If there is one release every year that I look forward to it is the Holiday release from Jo Malone. I realize I own almost all of them. The brand has excelled at releasing a festive style of perfume just in time for the season. The two releases from this summer from Mmes Roux and Labbe, Tropical Cherimoya and Catlleya Flower Mist, were tropical floral styles ideal for the summer. White Moss & Snowdrop is a winter floral wrapped in green garland shot through with sparkles of light.
The perfume opens with the lemon tinted zest of cardamom over orange and petitgrain. As an admirer of cardamom heavy top accords this is top of my list. Mme Labbe uses the cardamom as a chill breeze over the citrus elements. The fruit and the tart never take the lead. They are there as a way of enhancing the inherent citrus in the cardamom. The balance achieved here is beautifully realized. Neroli rises out of this. it is the greener neroli which has been appearing a lot this year in perfume. The chilly effect is provided by the titular snow drop although this remains more neroli than snowdrop on my skin. This is the kind of connective note which captures the transition from top notes to base notes. Those base notes are surrounding a key note of white moss. I wanted to determine if this white moss was the same ingredient used in Estee Lauder Private Collection Jasmine White Moss. After many days of comparison my answer is I’m not sure. I also think the comparison maybe overshadows what is here. The moss note in White Moss & Snowdrop has that pillowy green effect of moss but continues the slight chill carried on from the top and heart. Mme Labbe uses a bit of tonka and amber to leaven the white moss a bit but this is where things come to an end.
White Moss & Snowdrop has 8-10 hour longevity and moderate sillage.
The overall effect from this perfume is that of green holly garland wrapped in white lights on the fireplace mantel. It is an ideal Holiday style of perfume. So much so I felt like my sample of White Moss & Snowdrop was like an early present under my tree.
Disclosure: this review was based on a sample provided by Nordstrom.
I delight in finding new perfume brands. It is part of what makes me enjoy writing about perfume. Like an olfactory Lothario I am always looking for a new relationship. The bad part of that behavior is the possibility to ignore one of the longer-lived brands when it is doing something extraordinary. I hope that I am a better correspondent than that, but it is human nature to put the new over the old. One point in my favor is I have been very impressed with the current direction at Jo Malone overseen by creative director Celine Roux. 2018 is shaping up as a prime example. The new Jo Malone Honeysuckle & Davana continues a fantastic year.
I often write about how a strong creative director paired with a strong aesthetic is a formula for success. Mme Roux has placed her very distinctive direction upon one of the more recognizable perfume aesthetics by not being afraid to explore the fringes of that. Jo Malone is a classic British line which honors that in every perfume. Mme Roux has embraced that in the best releases over the last few years. Honeysuckle & Davana shows all of that.
The press materials for almost every new Jo Malone release offers quotes from Mme Roux and the perfumer about the creative process. For Honeysuckle & Davana the collaborator is perfumer Anne Flipo. Honeysuckle is not a flower which can be extracted easily. The alternative is for a perfumer to undertake headspace analysis where they capture and analyze the material in its natural state. By seeing the chemical makeup of the natural scent, they can then undertake an effort to produce that scent in the lab. The press release tells of Mme Roux and Flipo spending a full day at The National Arboretum in Gloucestershire. They took headspace samples throughout the day including one at midnight. They discovered an ever-altering scent profile. It was the late-night version which captured their attention as they felt it fit into a chypre construction. This effort pays off.
I didn’t speak about the other ingredient on the label; that one shows up right away. The top accord is rose oxide and davana. Both ingredients bring a fruit-tinted green to things. The rose oxide also has some earthiness from which the honeysuckle can spring. The honeysuckle accord comes next. It starts off very bright but Mme Flipo really turns it into an after dark version with osmanthus to contribute its leathery floral quality. There is the movement from innocent farmgirl to femme fatale. That is deepened as Mme Flipo uses the classic patchouli, moss, and sandalwood chypre base. Innocence is gone as the bad girl comes forward. It is this final stage of the perfume which impressed me. Even using the low-atranol oakmoss it is one of the few times I have not missed the bite of full octane oakmoss. The honeysuckle accord struts right through it all.
Honeysuckle & Davana has 10-12 hour longevity and average sillage.
Honeysuckle & Davana is my favorite Jo Malone release of 2018. It is also one of my favorite new releases overall in 2018. Mme Roux is making this Lothario take another look at the one he left behind; gloriously so.
Disclosure: This review is based on a sample provided by Nordstrom.
I have been laudatory of the recent releases from Jo Malone. The creative director Celine Roux has found the ability to re-energize the brand in new ways. Because of the recent success when I receive a new release lately I am excited to give it a try. Except when I saw the name on the bottle my expectations dropped. The name was Jo Malone Rose & White Musk Absolu; I probably stifled a yawn looking at it.
One of the things I have been pleased with over the last three years is Mme Roux has pushed the envelope at the brand more than retreating to safer constructs. Which was what I thought looking at the name; safe. It turned out once I actually tried the perfume it falls somewhere in-between. The ingredients are crowd pleasing but the perfumer, Anne Flipo, was given some leeway to move it towards something less generic. I found there were a couple thorns among the roses which is why I liked it. Mme Flipo says in the press materials this is meant to be a single linear accord. She is correct for the most part although I did find the places where a sharpness hid among the petals. Which was where Rose & White Musk Absolu was at its best.
Mme Flipo has combined some different rose sources for the core rose effect. There is something which makes it feel a bit like a debutante rose being escorted by her femme fatale sister. That sexier sister is a Turkish rose which is given a dewy shine by the lighter rose ingredients. In the early going this is a deeply sharp rose. Mme Flipo hones that with the white musk and oud accord. These are my thorns. The white musk pierces the floral character like a knitting needle. The oud accord does the same from the other side of the scent spectrum. The rose rises above it all before Mme Flipo adds in more white musks, softening that effect and providing a slow diffusion over the hours the perfume remained on my skin.
Rose & White Musk Absolu has 12-14 hour longevity and moderate sillage.
This is something much more typical of a Jo Malone perfume than almost anything released so far this year. What surprised me is even when trying to be safer the brand is still interested in finding a way of adding in some thorns which makes it better.
Disclosure: this review is based on a sample provided by Jo Malone London.
I write often about how growing up in South Florida in the 1960’s and 70’s was such an advantage. As a melting pot of many different Latin American cultures it also was a gateway for me to experience culinary delights from the region, too. Most of that came through my friends’ mothers who would serve us different snacks when visiting. When I was at my friend Herbie’s home his mother, Sra. Lopez, brought out this hard-looking scaly fruit. I was too young to make the comparison at the time but as an adult it looked a bit like one of the dragon eggs from Game of Thrones. Sra. Lopez cut it in half and scooped out the flesh. The taste was amazing. Sweet, tart and a hint of milkiness. It is that latter quality which gives it the name of “custard apple”. Whenever they show up in my local market I always buy a couple because there is nothing like it.
I was very interested when I received my sample of Jo Malone Tropical Cherimoya if they could capture the kind of multi-sensorial taste of cherimoya in a perfume. Creative director Celine Roux teams up with perfumer Sophie Labbe to make the attempt.
The perfume opens with a very crisp and green pear. It captures the tartness of cherimoya. A set of sweet fruity notes provide the main cherimoya accord in the top. Mme Labbe uses a thread of passion flower to pick up both the green and to accentuate the tropical character. The base opens with a bit of tonka bean standing in for the “custard” although it feels more toasted on my skin. it all ends on a soothing copahu balm base.
Tropical Cherimoya has 10-12 hour longevity and average sillage.
I enjoyed this perfume interpretation of cherimoya quite a bit. I thought Mme Labbe succeeded by not trying to make a photorealistic recreation but by using a set of ingredients to form a similar set of layers as in the real thing. Tropical Cherimoya is going to be an ideal summer beach bag spritz.
Disclosure: This review was based on a sample provided by Nordstrom.
When I received my sample set of the new Jo Malone English Fields Collection a couple months ago I was instantly enthralled by Oat & Cornflower. It is still my favorite of the five releases in the collection. I also think the other four are quite good and thought I’d do a quick take on each of them. Creative Director Celine Roux collaborated with perfumer Mathilde Bijaoui on the entire collection which lends to a cohesion throughout this exploration of a different kind of gourmand fragrance type.
Green Wheat & Meadowsweet is a nicely realized version of those moments in the spring as the green shoots of new growth appear. Mme Bijaoui uses one of the grassy aromachemicals along with a healthy dose of grapefruit. That concentration of that citrus allows for its slightly sulfurous facets to blend with the fresh grassy part to form an accord which captures that early spring moment of the return of the green. Over time this warms, as if the sun is rising, making it slightly sweeter sort of hay-like by the time it reaches the base accord. It is an alternative to all the florals as a perfume to celebrate spring.
In Crocus & Honey it starts off with a hay-like quality as Mme Bijaoui uses broom flower and coumarin in the top accord. Lavender matched with sage provides an herbal floral heart which fits in with the top accord pleasantly. The honey is then drizzled in at the same time almond and vanilla are also used to form a kind of honey butter accord. It is this final accord which I found the best part of Honey & Crocus.
Poppy & Barley is my second favorite mainly because of the floral not listed, violet. Mme Bijaoui uses a blend of violet and fig in the early going. That is a combo which appeals to me quite a bit. Blackcurrant bud turns it greener before the floral interlude of poppy accord carries you through to what really stands out here. The base accord is a texturally grainy affair made up of bran and barley. It is like running your hands through a filed of grains and bringing them to your face. A set of white musks leave you under the clothesline with linens drying in the sun.
Primrose & Rye seems like it comes from an English Field on one of the Caribbean Islands. The reason it seems like it comes from that part of the world is the use of coconut in the top accord along with sweet corn. It is a unique combination closer to sunscreen than gourmand. As it gives way to the florals in the heart the primrose is equally matched by an effervescent mimosa. The grain comes forward as the rye is leavened with a bit of vanilla. It reminds me of the smell of freshly baking rye bread. There is a slight sweetness paired with the graininess.
I found all five of the English Fields perfumes to have 10-12 hour longevity and average sillage.
I think what Mme Roux has been bringing to Jo Malone has been a sense of adventurousness. She has overseen several perfumes for the brand over the last couple of years which really stand out. English Fields is part of that trend.
Disclosure: this review is based on samples provided by Nordstrom.
Over the last couple of years Jo Malone creative director Celine Roux has been doing an outstanding job at expanding the overall aesthetic at Jo Malone. Last year’s English Oak collection. The previous Bloomsbury Collection and the recent English Fields collection have all shown her penchant at pushing beyond what you think of when the brand is spoken of. Of course, that kind of risk taking will naturally appeal to me. It can’t go on unabated which is why Mme Roux has sprinkled in several classically designed Jo Malone florals in between the collections. While those were steeped deeply in the brand aesthetic I was wondering if the more adventurous spirit might make it into that side. I think Jo Malone Jasmine Sambac & Marigold is my answer.
Jasmine Sambac & Marigold are part of the Cologne Intense collection within Jo Malone. I think this is one of the more underappreciated group of perfumes in the niche sector. I own most of them because they have always seemed to reach for a slightly more artistic vibe from the beginning. With Mme Roux overseeing some more adventurous attempts in the main brand it is not surprising that Jasmine Sambac & Marigold fits right in.
Mme Roux has been collaborating extensively with a perfumer for a few months lately. We are currently in the middle of her partnership with perfumer Mathilde Bijaoui. They have been producing some memorable perfumes starting with the Holiday release, Green Almond & Redcurrant, and the aforementioned English Fields set of five. Those all had subtle takes on a gourmand style. That is not the goal here. This is meant to capture the beauty of spring in full bloom as heralded by the two flowers on the label.
Marigold, also called tagete, is one of my favorite flowers in perfume meant to evoke spring. It has a pungent green aroma which also carries a fruity character along with it. It always reminds me of green growing things pushing up through the dirt. Mme Bijaoui starts this with the marigold out front given some depth with ylang-ylang. That is what allows it to stand up to the jasmine in the heart. The jasmine here Is lush without fully deploying its indoles. They are there but attenuated. Mme Roux was inspired by jasmine fields she saw at dawn in India. Mme Bijaoui threads through a watery accord to capture dew speckled petals of jasmine. The marigold is an excellent contrast forming an enjoyable duo for those spring mornings which start cold and end warm. It all settles on a cozy benzoin and amber base.
Jasmine Sambac & Marigold has 10-12 hour longevity and average sillage.
Mme Bijaoui and Mme Roux are having one of those serendipitous collaborations which produce special results. I don’t know what comes next, but I’ll spend my spring in Jasmine Sambac & Marigold awaiting it.
Disclosure: This review is based on a sample from Nordstrom.