One of the ongoing tragedies in fragrance is the slow marginalization of Caron. When I slid down the perfume rabbit hole Caron was one of the first brands I connected with. Recently it has become more difficult to find because of the slow contraction of places to buy them. One of the most well-known is Caron Pour un Homme. If there is a place where my enjoyment of lavender fragrances began it is probably here. As much as that classic is near perfect. In 1985 Caron wanted to make a modern version called Le Troisieme Homme.
This came about when the brand was acquired by new owners. They wanted a new masculine lavender perfume. Perfumer Akiko Kamei was asked to deliver a fragrance that felt current to 1985. These were the days of fougere powerhouses. Mme Kamei wanted to explore other sources of intensity using lavender as the keynote.
It begins with a more substantial citrus accord headed by lemon. This isn’t sunlight through the trees but more focused through a magnifying glass. Waiting for it is the floral heart of geranium and lavender. These are florals which can trend towards the green part of the spectrum. Mme Kamei enhances that trend with tarragon and coriander. Then comes the ingredient that will likely make or break one’s enjoyments of this, clove. She layers in a significant amount of it. Enough that the lavender and geranium have some work to do to keep from being pushed aside. Mme Kamei finds the balance with the clove in the lead. The final bit of intensity comes via oakmoss and vetiver rolling out a soft green carpet to finish with.
Le Troisieme Homme has 8-10 hour longevity and average sillage.
This is a perfume of its time to be sure. It is no wallflower. Your tolerance for this will be another factor in your enjoyment of it. I wear it every summer and really enjoy it as fall approaches. Caron is one of those brands who seems to be fading off the radar screen. Le Troisieme Homme is one of many reasons that shouldn’t happen.
Disclosure: This review is based on a bottle I purchased.
When it comes to the great maisons de parfum if there is one overlooked member of this category it would be Caron. I am not sure why this is the case. They have a history around one of the greatest perfumers of the early days of modern perfumery Ernest Daltroff. The body of work is as impressive as the other great perfumers which shared the timeframe. Maybe it is the urns from which these perfumes are dispensed. When you choose one of the perfumes which make up the collection it is dispensed from a Baccarat crystal urn into the bottle you have chosen. It is one of the best ways to sell perfume in my mind because you can take as little or as much as you want. For those of you who have never considered Caron here are the five I would suggest you start with.
If there is a flagship perfume in the collection it would have to be 1919’s Tabac Blond. Tabac Blond is simply one of the greatest Oriental leather perfumes ever. M. Daltroff working in post-World War I time was looking for something to appeal to the French women who were just taking up smoking. His concept was a sophisticated leather accord matched with orris and ylang-ylang in the heart landing on a classic vanilla tinged Oriental base. The tobacco is an accord of the leather along with vetiver, and linden. I almost always just notice the leather and the tobacco occasionally surprises me. Tabac Blond is one of the most sophisticated leather perfumes you can experience.
Nuit de Noel was released in 1922 for the Holidays. It isn’t particularly evocative of the scents associated with the Holidays. Instead it is a simple construct of jasmine, sandalwood, amber and the base Mousse de Saxe. It is the Mousse de Saxe which makes Nuit de Noel unforgettable. In a time where the bases perfumers devised would make or break a construct Mousse de Saxe was one of the most versatile; somewhere between chypre and leather but not quite either. It has a shimmering quality in M. Daltroff’s hands. The jasmine adds a floral oomph and the sandalwood and amber provide warmth and creamy woodiness. Nuit de Noel is a great perfume no matter whether it is the Holidays or not.
One of my favorite recommendations for a man just starting out in expanding his fragrance wardrobe is Caron Pour Un Homme. Again M. Daltroff keeps it simple using lavender as the focal point and sweetening it slightly with vanilla before amber and musk make sure to give it a manly heft. If you love lavender, no matter what gender you are, Caron Pour Un Homme is one of the best.
When Caron was resuscitated by the Ales Group it commissioned a new masculine take on lavender from perfumer Akiko Kamei. The idea was to make a contemporary lavender as an alternative to Caron Pour Un Homme. Mme Kamei offers a spicy and floral enhanced fougere in Le Troisieme Homme. The lavender is paired with geranium and then coated in clove, tarragon, and coriander. These enhance the herbal nature of the lavender while the greranium adds its green tinted floralcy. Vetiver and oakmoss form the base accord. There was a long time where I thought if I only had to own two fragrances it would have been this and Caron Pour Un Homme.
Parfum Sacre is another of the modern Caron releases. Composed by perfumer Jean-Pierre Bethouart in 1991. It is one of the more comforting floral perfumes I own. It has the ability to be a fragrant version of a Snuggie in front of a roaring fire. M. Bethouart takes a trio of spices in coriander, cinnamon, and black pepper. He then used an expansive rose for them to push against. The base notes are sweet myrrh, vanilla, and ambrette. This is where you take the spicy rose and cuddle in tight while the fire burns.
As I mentioned above Caron is a forgotten brand and it shouldn’t be. If you haven’t considered them these five will show you why you they should be on your list to try.
Disclosure: this review is based on bottles of the perfumes I purchased.