New Perfume Review Bruno Acampora Azzurro di Capri- Mediterranean to the Max

When I attend Esxence I am usually focused on new brands and the new releases of brands I have liked in the past. This can be a hindrance because if I have made a judgement in the past a brand doesn’t often get a chance to make a new impression. At this year’s Esxence a brand did have that chance because it was right next door to some long-time friends. While I was talking to them I kept smelling this really fascinating aquatic coming from the stand next to theirs. My friend remarked to me how much he liked it and got me a strip to smell. At that moment I found I needed to give Bruno Acampora Azzurro di Capri a try.

Bruno Acampora started a presence in the niche perfume world when they started releasing alcohol based perfumes starting in 2012. Previously the constructs had all been oils from 1974-1980. Because of that history the more recent releases have carried an intensity to them which I didn’t care for. As a result, they never got the opportunity to really grab my attention. With Azzurro di Capri they took an aquatic and applied that kind of focused construction. In this case by driving up the concentration and releasing it as an extrait it turns out that it was exactly this intensity I was missing from this class all along.

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Like many Italian aquatics Azzurro di Capri is a classic Mediterranean variation on the theme. That means lots of citrus, some orange blossom, and some clean wood. That is the framework of most scents claiming this part of the world as inspiration. Azzurro di Capri has all of the necessary ingredients. It is what they add in besides the required curriculum which really makes it stand out.

The citrus opening of Azzurro di Capri comes courtesy of a juicy orange. The citrus is matched with jasmine. Right from the top the amplification of certain notes let me know this was going to be a bit different. The jasmine actually takes the lead and the orange tucks in underneath. This sets up the arrival of orange blossom to form a white flower duet in which they let muguet sing some harmonies. This willingness to give over to the white florals and let them drive the middle part of the development was unexpected and delightful. Things take a turn for the darker as a rich patchouli begins the transition to the base. Cedar provides the requisite woodiness. Amber and musk form the base accord. Usually in these kind of perfumes the musk is kept to a whisper. Not here. The musk is sultry picking up on the patchouli while allowing the amber the opportunity to provide warmth. More than anything it is this drydown which has made me enjoy Azzurro di Capri so much.

Azzurro di Capri has 12-14 hour longevity and has above average sillage.

In the past I have found the power of Bruno Acampora to be a detriment to my sampling the line. With Azzurro di Capri it is almost the entire reason why I am impressed. It turns out I wanted my Mediterranean maxed out. Azzurro di Capri delivers.

-Disclosure: this review was based on a sample provided by Bruno Acampora at Esxence 2016.

Mark Behnke

Colognoisseur Esxence 2016 Final Wrap-Up Part 2- The Top 10 New Fragrances I Tried

This year Esxence 2016 was bigger than ever. As a result, I felt like I was constantly running around trying to get to everything new. I tried 103 new perfumes over the three days. I’m almost certain I left some unsniffed. I’ve spent the 48 hours since being home giving a few of them a second sniff without being in an exposition hall full of fragrance. The list below carries the usual caveats. These are the ten fragrances new to me. There were some premieres, like Olfactive Studio Still Life in Rio, that would have made the list if I had experienced it for the first time at Esxence 2016. The other thing to remember is these are snap impressions off of smelling on strips and having them on a small patches of skin. Here is my list in alphabetical order.

Bruno Acampora Azzurro di Capri– I have been surprised at how much I have been drawn to new aquatics after ignoring the class over the past few years. Azzurro di Capri has all the reasons I have come to reconsider the category. It is at first a typical Mediterranean riff of citrus and jasmine. When it arrives at the musk, patchouli, and amber base this all gains some presence which I found very appealing.

Gabriella Chieffo Maisia– I think a good fig perfume will always capture my attention. Maisia is much better than good. Using fig leaves as green contrast to lemon in the top notes it is in the heart where the fleshy fig bursts to life swathed in spices. What really makes Maisia stand out is the use of broom and narcissus which twist the fig beautifully.

Homoelegans Quality of Flesh– One of two new brands which made a big impression on me. Quality of Flesh is inspired by Francis Bacon. Perfumer Michele Marin composed this as a triptych of triptychs to represent Mr. Bacon’s artistic style. The central note of the top, heart, and base are juniper berry, narcissus, and leather. This has only gotten better the more time I have spent with it.

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Le Galion Cologne Nocturne– My most anticipated perfume of Esxence 2016 did not let me down. Perfumer Rodrigo Flores-Roux working in collaboration with creative director Nicolas Chabot created a cologne for the evening. What Sr. Flores-Roux has dubbed an “amber water”. It is a fascinating construction which surrounds traditional cologne components with an overload of wood and amber. I love the way this develops on my skin.

Maria Candida Gentile Rrose Selavy– Following up the unique Elephants & Roses perfumer Maria Candida Gentile delivers a densely layered rose. Dedicated to Marcel Duchamp, RRose selavy does not suffer that comparison. Every part of the plant is represented and there are multiple different extracts of the flower itself. If you can’t get enough rose in your perfume Rrose Selavy might be your new favorite.

Masque Milano L’Attesa– The creative team behind Masque Milano, Alessandro Brun and Riccardo Tedeschi, have been giving some of the most creative young perfumers an opportunity to impress. Luca Maffei is the perfumer for L’Attesa. He uses three extracts of iris to elongate its development from first moments until the last. What shows his originality is a fermenting champagne accord. This has a yeasty sour wine aspect which is much better in conjunction with the iris than it might be sound. The key to creating the champagne accord, CO2 extract of beer. Masque Milano is becoming a reliable brand encompassing originality and quality.

Mendittorosa Nettuno– Last year I hit this brand late in the day and did not give it a proper assessment in my rush. This year I stopped by when I had time to chat with creative director Stefania Squeglia. Working with perfumer Amelie Bourgeois again Nettuno is an otherworldly paean to the planet Neptune. I enjoyed the slight chill it opens with before warming up considerably as it folds in leather and rum. This is before bringing the chill back with some white musks in the base.

Nishane Istanbul Fan Your Flames– If you’ve ever wanted a perfume to capture a day smoking tobacco, holding a snifter of fine rum Fan your Flames is it. Creative directors Mert Guzel and Murat Katran have captured their desired shisha experience in this opulent perfume.

Sammarco Bond-T– I’ve been chronicling the lighter gourmands coming out in 2016. It was a pleasure to find a new brand going for an old fashioned deep chocolate gourmand. Owner and perfumer Giovanni Sammarco rolls out a 70% Cacao dark chocolate bar infused with osmanthus. I enjoyed the fearless intensity with which Sig. Sammarco composed Bond-T with.

The Different Company Adjatay– Last alphabetically but first on my list as best in show Adjatay’s brief came from a real life moment from creative director Luc Gabriel. After returning from a trip he left some tuberose flowers in an old leather suitcase. When he returned to it he realized he wanted perfumer Alexandra Monet to capture that smell. Mme Monet has made a mesmerizing perfume of tuberose encased in leather refined and roughened as a well-used suitcase should be. Her leather accord is just right to ensnare the boisterous tuberose. The more I wear it the more I fall under its spell.

This concludes my coverage of Esxence 2016. Longer reviews of everything on the list are forthcoming as well as many others not mentioned here. Thank you for following along the last few days on Colognoissuer.

Mark Behnke

Esxence 2016 Day 1 Wrap-Up- A Tale of Two Mediterraneans

First day of any of the big perfume expositions is a time for renewing friendships in fragrance. My day started out being introduced to a new aquatic perfume from Bruno Acampora called Azzurro di Capri. When it was presented to me I again had my skepticism of this genre front and center. What I found was a typical Mediterranean seaside opening but the drydown to a base of musk, patchouli, and amber is what elevated this above others within this style.

After surveying the layout of the fair I headed to the first panel of this year’s Esxence. Moderated by Professor Claus Noppeney of the Scent Culture Institute it was on the way perfume is judged and criticized. On the panel were Dr. Marlen Elliot Harrison Managing Editor of Fragrantica, Saskia Wilson-Brown of The Art + Olfaction Awards, and Dr. Bodo Kubartz. Dr. Harrison eloquently described the personal connection bloggers provide via their writing. By giving regular readers that context it allows for the concept of perfume as an art form worthy of this kind of judgement. The flip side of that was explored with the idea of judgement as the end goal within the framework of awards. There, by necessity, for a fair judgement to take place as much of the context and surroundings of a perfume being assessed needs to be removed. It was a spirited discussion among the panelists making it a great way to start conversations that I would have for most of the rest of the day as I walked the show floor.

bruno acampora azzurro di capri

After the talk it was time to get back on to the hunt for new releases from some of my favorite brands.

I stopped in at Atelier des Ors and was presented with a sneak preview of their upcoming iris and musk release. This is a brand that has quickly developed a distinct aesthetic. What I smelled in its preliminary forms looks to me like this next release is going to be another winner.

I then stopped by to meet the team behind Coolife Carole Beaupre and Pauline Rochas. I am a big fan of the most recent release Le Quatrieme Parfum. Perfumer Yann Vasnier turned in a beautifully realized Oriental. For Le Cinquieme Parfum the communication chakra is represented, again by M. Vasnier, in a really vibrant and kinetic composition.

Of course the chemist was excited to stop by Nu_Be to try the latest elemental release Curium. I also found the name of the brand is also undergoing a change to One of Those. The brand name may change but the new perfume by perfumer Evelyne Boulanger is an extension of the Elemental series. Opening with a fantastic ambrette into a vetiver focused fragrance. It isn’t radioactive but it sure does glow.

As the day was drawing to a close I collapsed on a couch in front of Carner Barcelona. They saw my tired look and brought to me the new release from them, Costarela. Perfumer Shyamala Maisondieu added little twists to this classically constructed Mediterranean-style aquatic. The use of saffron along with the more typical bergamot in the opening is what revs things up for the eventual sea breeze and amber finish.

Day 1 opened and closed with two very different yet enjoyable interpretations of Mediterranean aquatics. For Day 2 I’ll start diving in to the new brands while catching up to some other new releases from established ones.

Mark Behnke