This column is often dictated by my digging through the discount bins while Mrs. C is shopping elsewhere. While digging a few weeks a go I ran across some gold bars in the bin. Those bottles meant to look like gold ingots is Paco Rabanne 1 Million. Especially for this time of year it is a real Discount Diamond.
Paco Rabanne has been making perfume since 1969. Prior to the 2000’s those early perfumes were some of the best of their kind. After we entered the new century Paco Rabanne became a more aggressive mass-market fragrance producer. A pillar perfume followed by multiple flankers. While most of the flankers are easy to dismiss the pedigree of the brand shows up in the pillars. In 2008, 1 Million was the new pillar which illustrates the point. 1 Million was the fall release for the year. A team of three perfumers, Michel Gerard, Olivier Pescheux and Christophe Raynaud would combine for a rich Oriental style.
1 Million opens with a chilled citrus accord composed of mandarin and spearmint. The mint is where the frost comes from. It is given a blast of spicy heat as cinnamon removes that icy coating. The cinnamon citrus accord is deep and satisfying. The perfumers then add in rose and leather. The leather is a soft driving glove type. It creates a trapezoid of animalic floral spicy citrus. This is where 1 Million smells as good as the name promises. It fades to a typical vanilla sweetened amber base accord.
1 Million has 10-12 hour longevity and average sillage.
1 Million is the kind of fragrance that shines in the colder weather. It is versatile while adding a classic Oriental aesthetic to any dresser. If you come across a bottle in your local discount bin it is worth its weight in….well you know.
Disclosure: This review is based on a bottle I purchased.
We’ve just had our first cold mornings here. Which means I reached into the closet for my leather jacket. I’ve owned it for over twenty years. I don’t remember exactly when I purchased it, but it is old and I’m happy it still fits. When I slip it on the first time two things always happen. I smile at the history that jacket and I have lived through. Then I walk back to the perfume collection and find my bottle of Knize Ten.
Knize Ten is the one of the original leather perfumes, created in 1925. Joseph Knize was a Viennese tailor who had royalty for clients. He wanted to offer a fragrance for his male clients which was not the typical floral constructs favored by the dandies of the day. He enlisted perfumers Vincent Roubert and Francois Coty to formulate that alternative. They landed on leather as the style of perfume they would create. This time in modern perfumery it was the birch tar laden Cuir de Russie-type leathers which were in vogue. Messrs. Roubert and Coty had a different vision while creating Knize Ten. What they made was a mannered leather fit for Hr. Knize’s clients.
Knize Ten opens with a bracing citrus focused top accord around petitgrain. The perfumers use tarragon and rosemary as herbal interrogators of the green within petitgrain. It turns decidedly spicy as cinnamon and clove enter the picture. All of this is prelude to the leather accord. At first it has a powdery effect enhanced by iris. It is an interesting part of the development. It seems like the perfumers maybe wanted to entice the dandies in with iris before unloading with a full leather. That full leather comes next. Early on I read someone’s description of this as the smell of an oil change in a garage. Every time I wear it, I see this. There is a greasiness to the early stages of the leather. It continues to intensify at the same time sandalwood arrives. As it settles in for the long haul it is the scent of my well-worn leather jacket.
Knize Ten has 14-16 hour longevity and average sillage.
I have always considered Knize Ten as a timeless leather perfume. Almost one hundred years after it was first released it still holds up. Just like my leather jacket.
Disclosure: this review is based on a bottle I purchased.
One of the major scents of October for me is the smell of apples. I will be spending a lot of time in local orchards picking apples for use in making pies. When it comes to perfume apple is one of several fruits common to the fruity floral genre. For this edition of My Favorite Things here are five apple perfumes which fit in with my October activities.
I have been asked over the years for apple pie perfumes. Until 2015 my answer was Boss Bottled. After 2015 it was Boss Bottled Intense. In one of the rare occurrences where the flanker was much better than the original. Annick Menardo, who did the original, created a more fully rounded apple pie effect using orange blossom as a floral contrast that fits surprisingly well. I’ve been on a visit to the orchard and walked by someone who remarked, “ooh I can smell the pies out here.”
Another staple of the fall are caramel apples and there is a perfume for that too; Nina by Nina Ricci. This is a forerunner of the current floral gourmand trend as perfumers Jacques Cavallier and Olivier Cresp create a caramel apple central accord given a fresh floral contrast in peony. It is a little more substantial than the current transparent floral gourmands, but it makes it nice to wear in the fall.
When you just want your apples straight no pie spices or caramel covering. In that case DKNY Golden Delicious is for you. If there is a reason apple is a featured ingredient it is probably due to this DKNY Delicious collection. Each and every one features apple. Why I appreciate Golden Delicious is it captures the richness of the real thing. Perfumer Jean-Marc Chaillan puts the lush juicy apple out front and surrounds it with a bouquet of florals.
There are a few niche examples of apple perfumes both of which evoke apple pie in different ways.
Creed Spice & Wood uses apple as the crisp fruit in the top accord before delving into the spices. The lead spices are allspice and nutmeg. It reminds me of when the apples are all freshly sliced and tossed in the spice blend before being put in the pie shell.
Hermes Hermessence Ambre Narguile is another abstraction form perfumer Jean-Claude Ellena. It is a swirl of the steam rising from fresh baked apple pies. It is made more compelling because it is so transparent it is like you want to lean into the pie you think is nearby.
Disclosure: This review is based on bottles I purchased.
This month’s Flanker Round-Up I look at new releases from two masculine fragrance lines. One which has become a big seller and another which I consider to be an underappreciated mass-market gem.
Dior Sauvage Parfum
The original Dior Sauvage Eau de Toilette was released in the fall of 2015. It has become one of the perennial men’s fragrance best sellers ever since. Its appeal lies in the way perfumer Francois Demachy smooshed together most of the popular masculine perfume tropes into a monolithic whole. It works because there is something to appeal to everyone. The only thing I didn’t care for was the wall of Ambrox at the end of it all. With Sauvage Parfum M. Demachy remedies that.
Sauvage Parfum is a much sweeter fragrance without having that sledgehammer of Ambrox waiting at the end. A juicy mandarin and cardamom comprise a citrus top accord which moves toward a creamy sandalwood heart. This finishes with vanilla and cedar providing twin amplifiers of the sweet and woody aspects of the sandalwood. I can see Sauvage Parfum becoming an excellent winter alternative for fans of the original. It isn’t exactly the same, but it is recognizable as a kissing cousin.
Kenneth Cole Mankind Legacy
I think the Kenneth Cole Mankind series of perfumes is better than most of what is found on the men’s fragrance counter in the mall. In 2014 perfumer Claude Dir was ahead of the curve using some of the more contemporary men’s trends before they became trends. For Mankind Legacy perfumer Stephen Nilsen creates an herbal green woody fragrance.
It opens with a pairing of nutmeg and clary sage. The sweetness of the nutmeg is a nice contrast to the dry green of the sage. Baie rose and rosemary shade the herbal quality a bit deeper. A rich fir and cedar provide the woody foundation for a bridging vetiver to unite the herbs and the woods. I like Mankind Legacy as a weekend hiking kind of perfume. Almost feels like a flannel shirt should come as a gift with purchase.
Disclosure: This review was based on samples provided by the manufacturers.
Ever since I moved away from S. Florida I have come to enjoy the northern beaches in the early fall. Gone are the sunscreen and fruity drinks. Instead I walk the boardwalks in a sweater while the ocean carries more weight. For the most part the aquatic genre of fragrance wants to trend towards the summer party than the dour days of fall. There are exceptions, Nautica Voyage is one of them.
Nautica is one of the better discount lines of perfume. There are more than a few interesting takes on the aquatic genre. I have happily picked up many Nautica bottles out of my local discount shop without disappointment. One of the reasons I think they do a better than average job is they use some of the best perfumers. They allow them to move in unique directions. For Voyage it is perfumer Maurice Roucel at the wheel.
If you’ve spent time on a New England beach in autumn, you will know there is a deep green scent to it. M. Roucel captures that in the early going as he has a green accord match with what is listed as a “sailcloth accord”. It reminds me of the canvas awnings of the boardwalk shops as a stiff breeze fills them from off the water. Instead of the typical suspects to create the water-like accord M. Roucel uses lotus and mimosa. This is the grey swells of the ocean after the summer crowds have left. It is a weightier water scent. Voyage finishes on a warm amber accord with hints of the green from on top in cedar and moss.
Nautica Voyage has 8-10 hour longevity and average sillage.
Voyage is a nice iteration of a popular fresh aesthetic. M. Roucel makes it enough different without completely breaking with the form. We are headed to the beach next weekend for the first weekend of fall. Nautica Voyage will be in my overnight bag.
Disclosure: This review is based on a bottle I purchased.
I was busy queuing up my Labor Day weekend binge viewing when a delivery truck arrived. Little did I know the next two weeks I would be binge reading what was in the box.
For perfume to be fully embraced as the art form I believe it to be we need to have the history of modern perfumery chronicled somewhere. I have always known it existed within the mind of Michael Edwards. Having had the fortune to hear him speak as well as spend time with him he has been the conduit to much of what I understand about the art of modern perfumery. I have spent hours listening to him and always left wanting more. He has now granted my wish by publishing “Perfume Legends II”.
If you are wondering where “Perfume Legends I” is you missed it, most likely. Mr Edwards published the first edition in 1996. It came out right as the independent niche perfume trends were arriving. Publishing “Perfume Legends II” twenty-three years later has allowed for the perspective of that growth of independent perfumery to also be included. All the content from the first edition has been further researched and elaborated upon. Along with the addition of the more recent legends.
“Perfume Legends II” covers the entire history of modern perfumery from the first modern perfume 1886’s “Fougere Royale” through to 2010’s “Editions de Parfums Frederic Malle Portrait of a Lady”. Sandwiched in between are fifty more perfumes. Each chapter covers the time of when the perfume is released, the composition of the perfume, and the creation of the bottle as well as the reason it is a legend.
It is a remarkable collection of the history of perfume in one place. Each chapter feeds off what came before. It displays the evolution of perfume as a commercial product as well as a reflection of society. One of the most fascinating parts of the book was the history of the bottle. I have said many times I don’t care about the bottle just give me the perfume. After finishing the book I have a new appreciation for the container.
The most fascinating of these was the fraught creation of the bottle for YSL Opium in 1982. Bottle designer Pierre Dinand would be challenged to accommodate changes requested by Yves St. Laurent as they were nearing release. Once you read the story you will never look at a bottle of Opium the same way. It is true of most of the bottles written about. I still care more about the perfume but I have newfound respect for the bottle.
If there is a drawback it is that the volume is focused on French perfumes. It really isn’t one because Mr. Edwards is able to make his larger point within the smaller dataset. It also becomes less French and more global as the Legends reach the 1970’s and beyond because of the global reach of the brands.
I presume anyone reading this blog is a perfume lover. You need to put a copy of “Perfume Legends II” on your bookshelf. It will give you a deeper belief in the artistry behind modern perfumery.
Disclosure: this review is based on a copy provided by the publisher.
For most people their perfume choices are split into warm-weather and cold-weather fragrances. A perfume dork like me has to create more categories than that. One part of the year I look forward to is what I call “shoulder season”. This comprises the transition between summer-fall and winter-spring. More practically it means days which start out cool become pleasantly warm at midday to return to cool after sunset. I have a group of perfumes which have a dynamic evolution on my skin which makes them ideal shoulder season perfumes. One of those is Jardins D’Ecrivains Orlando.
In 2013 Anais Biguine debuted her new brand Jardins D’Ecrivains, garden of writers, with five singular perfumes based on famous authors, or their works. The original debut collection of five is exceptional in the way Mme Biguine successfully realized her vision. This wasn’t a brand which played it safe as each fragrance had a few twists and turns to them which made them stand out. Orlando was perhaps the twistiest of the original releases.
Based on the novel by Virginia Woolf and further made familiar by the 1992 movie starring Tilda Swinton it tells a story of gender roles. Elizabethan Lord Orlando falls asleep only to wake up as Lady Orlando a century later. Book and movie have lots to say about the fluidity of gender which seems particularly apt today. Mme Biguine produced a perfume which captures her subject matter in three accords.
The top accord is a vibrant concoction of ginger, baie rose, and orange. This is an unsettled opening much like the protagonist it is meant to portray. The perfume leans into its inspiration as each ingredient pinballs off the other not finding a harmony. It is something I find unusually beautiful when I wear Orlando. The heart is amber and patchouli containing a touch of clove which represents our Elizabethan Lord in act two. The final act of lighter woods transforms it into something more contemporary with gaiac, musk, and peru balsam. As our heroine wakes up in a new time.
Orlando has 14-16 hour longevity and average sillage.
Orlando is a bit of an acquired taste, but it is my favorite of the Jardins D’Ecrivains perfumes. Especially in my shoulder season. If Orlando sounds a bit too challenging for you there are others within the collection worth exploring that are less experimental. In any case this is a brand that deserves to be on any perfume fan’s radar.
Disclosure: This review is based on a bottle I purchased.
When it comes to summer flankers it usually means adding something tropical to the DNA of the brand. The majority of the time it feels awkwardly placed as well as being redundant or inconsequential. Of the flankers for summer 2019 I found two which did a nice job of adding a tropical attitude to their respective lines.
Jean Paul Gaultier Le Male Le Beau
Jean Paul Gaultier adds a summer flanker to their Le Male line every year. As a whole this is one of the better summer flanker collections with many more successes than misses. For 2019 they created Le Male Le Beau by crossing the fresh aesthetic of the original through a fantastic coconut at the heart of it.
Perfumers Quentin Bisch and Sonia Constant collaborated on Le Male Le Beau. What they’ve produced is a perfume version of a summer book as a perfume. The freshness is provided by bergamot and they then use what the notes call coconut wood. It seems more like a mixture of coconut and wood. Tonka bean is also present to make that coconut sweeter and fleshier. So many coconut fragrances goo too far to the sweet. By using the wood to keep things drier the coconut has a better effect.
One caveat the name I gave you is what I was supplied by the brand. There are also other flankers which are Le Beau or Le Male. If this perfume interests you look for the exact bottle in the picture above.
Bulgari Rose Goldea Blossom Delight
The original Bulgari Goldea is one of the best commercial releases nobody talks about. The unfortunate upshot of that is Bulgari has become a flanker machine over the last decade. Their success rate is surprisingly low for all the effort they put into it. When they released Rose Goldea three years ago I thought it was a nice summery companion to Goldea which had some personality. For Rose Goldea Blossom Delight I can say the same thing.
Perfumer Alberto Morillas has been responsible for all the Goldea releases. Rose Goldea Blossom Delight is distinctly different from either of its predecessors. M. Morillas sets that difference right from the start with a green top accord made up of papaya and violet leaves. Papaya is a naturally musky fruit and M. Morillas uses that faux-muskiness to create a lightly fruity musky opening. It dovetails nicely into the rose in the heart and the amber in the base. This is a delightful end of summer choice that will also do well as the weather cools post-Labor Day.
Disclosure: this review is based on samples provided by the manufacturers.
Apple is one of my favorite top notes in perfumery. I like the crispness it usually adds. Early on in my fragrance journey I began searching out any fragrance with apple listed in its note list. This led me to Nicole Miller for Men.
Nicole Miller for Men was released in 2004 a year after the first fragrance for the brand Nicole Miller. These would be the only perfumes for the brand for a long time. By the early 2000’s Nicole Miller for Men was discontinued. This was where I first found it buying a bottle off someone looking to sell theirs. At this point it was most definitely not a Discount Diamond. The scarcity made it a desirable perfume to have. Then in 2006, Nicole Miller for Men returned and has stuck around ever since. Now it is widely available at the discount bargain bins and online for $10-15 a bottle; squarely in Discount Diamonds territory.
As I mentioned I was drawn to it for the apple. Perfumer David Apel floats it on top of a beautifully constructed boozy accord. I am always reminded of a green apple martini when I first spray it on. What always makes me enjoy this is the shift from fun-loving cocktail to dark leather and oakmoss in the heart. Mr. Apel again puts together a compelling leather accord which is given a green shadow courtesy of the oakmoss. It sticks here for a few hours before developing into a warm amber and sandalwood base.
The current version available at the discounters is slightly different than my first bottle. The biggest change is the oakmoss has less of a presence in the heart. Mr. Apel has altered the leather accord to give it a slightly rougher texture to make up for the loss of full-spectrum oakmoss. The other noticeable change is less longevity. It is my belief they reduced the amount of perfume oil because it lasts about half the time of my older bottle.
Nicole Miller for Men in its current formulation has 6-8 hour longevity and moderate sillage.
Even with the caveats on the current formulation this is a great bargain for the price. I will always enjoy this boozy apple.
Disclosure: this review is based on bottles I purchased.
When perfume nerds get to talking about the most influential brand of the niche age of perfume; I have a very strong opinion. My choice is Comme des Garcons. From its beginnings in 1993 it would help define and refine what a niche aesthetic was in fragrance. It has been overseen by one incredible creative director in Christian Astuguevieille for the entire time. That longevity and consistency should not be taken for granted. Many of the early niche pioneers have lost their way. It seemed like it was part of the natural process. Keeping a high level of creativity was just not something that should be sustainable. Especially as we entered the second decade of the 2000’s it was happening with frustrating regularity. Comme des Garcons had seemingly fallen prey to the same issue with a streak of one mediocre release after another in 2012. I was thinking this was the final exclamation point on the first age of niche perfumery. Then M. Astuguevieille showed me in 2013 that the previous year was just an anomaly. Comme des Garcons bounced back with a new set of perfumes which recalibrated their aesthetic to be relevant for the now. At the center of these releases was Comme des Garcons Blue Santal.
One of the things which Comme des Garcons has done well is to have releases for the wider mass-market next to the more exclusive releases. Blue Santal was one of a trio of the former released in the summer of 2013. The other two Blue Cedrat and Blue Encens have been discontinued leaving Blue Santal as the only reminder of the sub-collection.
Perfumer Antoine Maisondieu would compose a perfume which creates a push and pull between the green of pine and the dry woodiness of sandalwood. It is the kind of perfume I wear on a warm day because of that vacillation between cool pine and warm sandalwood.
Blue Santal opens with the terpenic tonic of that cool pine. M. Maisondieu adds in the sharp gin-like acidity of juniper berries as the bridging note. The base is one of the early uses of the sustainable Australian sandalwood. It is one of the first fragrances to accentuate the drier character of this newer source of sandalwood. It still carries the sweetness with the creamier character less prominent. It presents the right counterweight to the pine. Then over the hours it lasts on my skin it is like a set of scales with the pine on one side and the sandalwood on the other pivoting on a fulcrum of juniper berries.
Blue Santal has 12-14 hour longevity and average sillage.
You might think it unusual to choose a release from such a well-known brand as Comme des Garcons as an Under the Radar choice. From a brand pushing towards a collection of one hundred releases I think it is easy for even the best ones to fall off the radar screen. I thought it was time to put Blue Santal back on it.
Disclosure: This review is based on a bottle I purchased.