One of the aims of this series will be to allow me the opportunity to put the spotlight on perfumers I think are underrated.Sidonie Lancesseur has been releasing perfume since 2006. She is one of my favorite perfumers because she can create special effects within her perfumes. What I mean by that is she creates accords which do things any perfume lover is familiar with. What sets it apart is she does it while bending ingredients you don’t normally think of as having that characteristic. The brand which exposed her name to me, and most others, is By Kilian. She is another perfumer where I could use her work just for that brand to write this column. I limited myself to one because her work for other creative directors is also worth knowing about. Here are five perfumes which I think represent Sidonie Lancesseur.
By Kilian Cruel Intentions (2007)- I remember being in New York City trying the perfumes in the debut collection of Kilian Hennessy. M. Hennessy was debuting a collection of luxury niche perfume. I was enticed by all of them but there was one I kept going back to; Cruel Intentions. What struck me was Mme Lancesseur managed not to go overboard with the oud. At that point in time it seemed like perfumes were in a race to see who could have the oudist oud. Mme Lancesseur used it so the other ingredients could interact with that. What it means is violet, rose, sandalwood, vetiver, and castoreum can find space. Each tease out different pieces of the oud. Cruel Intentions was my favorite By Kilian on day one and remains so to this day.
Frapin L’Humaniste (2009)– This begins what I think of as the “sunlight trilogy” of Mme Lancesseur’s perfume portfolio. When you think of perfume ingredients which capture light it usually starts with citrus. In L’Humaniste she uses a palette of herbal notes wrapped around a gin and tonic core. This is a perfume that reminds me of sitting on the deck with a clear sweaty glass of gin and tonic as the sunlight reflects off the drops of condensation with the smell of freshly cut grass from the neighbor mowing their lawn. It is a staple summer perfume for me.
Olfactive Studio Lumiere Blanche (2012)- Creative director Celine Verleure would ask Mme Lancesseure to interpret a photograph by Massimo Vitali. The photo shows white sands reflecting off still water. Mme Lancesseur would translate the heat of the sun with a set of simmering spices. The whiteness of it all with a milky accord of iris and almond before warming it back up with sandalwood. All of this carries an intensity of summer sunlight via warm perfume notes. I return to this perfume often because of the sunny warmth it exudes.
Amouage Sunshine Woman (2014)– Under Christopher Chong’s creative direction Sunshine Woman is a perfume which lives up to its name. What is amazing is Mme Lancesseur does this with ingredients like almond, magnolia, patchouli, and cade. Cade is the ingredient most commonly used to add smoke; the furthest thing from sunlight. What she does here is she uses it as the far-off edge of a thunderstorm; the definition of the end of the sunlight. This is one of the most solidly constructed perfumes of her career.
Jul et Mad Nin-Shar (2015)– Creative Directors Madalina Stoica-Blanchard and Julien Blanchard wanted to take their brand in a darker direction. It is here where Mme Lancesseur shows she know the dark as well as the light. It opens with a fantastic accord she calls “rose liquor” that reflects a boozy powerful rose. She then throws in a very indolic jasmine into the mix to create even more depth. This might sound blaring and monotonic. It isn’t. there is so much to see here in the swirling darkness that this accord shifts like a wraith over the early hours. There are few perfumers who can make the dark kinetic in the way Mme Lancesseur does.
Disclosure: This review is based on bottles I purchased.
Once again I tried to smell every new perfume that was released in 2014 and like Wile E. Coyote chasing The Road Runner, I failed. I did smell more this year than I ever have, 614 new perfumes. Unfortunately as of this writing there were 1614 new releases in 2014. I only missed by a 1000. I think we can all agree that there is just too much new product which just smells too similar. The 25 perfumes I highlight below managed to stand out from everything I tried this year.
Top 5 (Fragrance of the Year Candidates)
5. Amouage Sunshine Woman– Creative Director Christopher Chong and perfumer Sidonie Lancesseur have created the most un-Amouage Amouage perfume in Sunshine Woman. With Mr. Chong’s hand on the creative wheel Mme Lancesseur guided Amouage into sunnier places than Amouage usually travels. That they accomplished this without using the typical sparkling ingredients from the perfumer’s palette makes it all the more remarkable. I still don’t think I do justice describing this in words other than it is one of the best perfumes of the year.
4. Maria Candida Gentile Leuco– When I attended Pitti Fragranze I must have tried thirty tuberose perfumes each more boringly generic than the next one. Until Maria Candida Gentile handed me Leuco. As part of her Il Volo del Calabrone (Flight of the Bumblebee) collection she has made a tuberose that does not seek to club you over the head. In Leuco, Sig.ra Gentile has combined it with French beeswax to create a shimmering powdery tuberose perfume.
2. Bogue Profumo Maai– The absolute best surprise of all of 2014 for me. I had heard a little bit of independent perfumer Antonio Gardoni. I didn’t expect such an assured piece of perfumery from a self-taught artist on his third release. Maai feels like a perfume of yesteryear that could be found in the glove compartment of a Tesla. When I speak of Retro Nouveau, if you need an example, try Maai and I think you’ll instantly understand what I mean.
Here are the rest of the Top 25 in alphabetical order:
Aftelier Palimpsest– Natural Perfumer Mandy Aftel is a national treasure as she continues to branch out. Her book Fragrant is the best volume on perfume in years. She also released a transcendent perfume named after the technique used in medieval times of writing over already used parchment. Palimpsest the perfume also has layers upon layers which reward my attention every time I wear it.
Ann Gerard Parfum Rose Cut– Ann Gerard came to perfumery from designing jewelry. Her fourth collaboration with perfumer Bertrand Duchaufour is a bright shining diamond that smells like a rose.
aromaM Camellia– Indie Perfumer Maria McElroy makes what I think is her most personal perfume to date. Camellia takes you more than skin deep right to the soul of a geisha in a subtle floral constructed around the titular note.
Arquiste The Architects Club– My Creative Director of the Year Carlos Huber obviously had a great 2014. The Architects Club is the crown on that year as a clash of uptight architects and flappers in 1930 London turns into a citrus, gin, and vanilla laden party. I keep going back to perfumer Yann Vasnier’s fragrant soiree for more.
By Kilian Intoxicated– If you felt that By Kilian has been off on a bit of a tangent you should come back and try the perfumes in the new Addictive State of Mind Collection. Intoxicated is a perfumed take on Turkish coffee by Calice Becker. She combines green cardamom and coffee into something I never want to see in a Starbucks cup but I want to wear over and over.
Comme des Garcons + Stephen Jones Wisteria Hysteria– There was no sequel I was more wary of than the second collaboration between Comme des Garcons and milliner Stephen Jones. Perfumer Nathalie Feisthauer created something akin to a new hat. You have to wear it a few times before it really fits. If you give Wisteria Hysteria time you will find a perfume with more subtlety and nuance throughout than almost any other release in 2014.
Dawn Spencer Hurwitz
DSH Perfumes Seve de Pin– Dawn Spencer Hurwitz finds inspiration in so many places. Once she found Eric Bresselsmith of House of Aromatics and his 50-year old resin crystals in pure pinion oil she turned it into a photorealistic pine perfume like nothing I have ever smelled in this genre. Rocky Mountain high, indeed.
Etat Libre D’Orange Rien Intense Incense– Creative Director Etienne de Swadt asked perfumer Antoine Lie to create an “intense” version of the already intense 2006 release Rien. This could have gone wrong in so many ways but M. Lie created a flanker that is better than the original.
Hiram Green Shangri-La– Hiram Green was inspired by the alpha chypre, Chypre de Coty, to make his own version. His version may not be as groundbreaking as to create a whole new fragrance category but it as good as modern chypres get. Mr. Green has established himself as a new perfumer to watch in just his second release.
Le Labo Geranium 30– I wanted to not like this. A limited edition of only 100 bottles by perfumer Barnabe Fillion in collaboration with lifestyle store Opening Ceremony with added creative direction from floral designer Thierry Boutemy. I wanted to dismiss this, I really did. I can’t. It is the best Le Labo floral since Rose 31. There is no reason for this to be so limited because of some rare ingredient so maybe the new masters at Estee Lauder can release it widely in 2015, y’know as a goodwill gesture.
Map of the Heart Black Heart v.2– If you, like me, have wondered just how dark a perfume can get and still remain wearable this will test that. Perfumer Jacques Huclier makes a perfume that has not even one tiny point of light. If you’ve craved an olfactory heart of darkness, here it is.
Masque Milano Russian Tea– I’ll admit I wasn’t as big a fan of the initial three releases from Masque Milano in 2013. It couldn’t be a more different story in 2014. The second release for 2014, Russian Tea, is fabulous. Perfumer Julien Rasquinet, in the last perfume of his independent career, realized creative directors Alessandro Brun and Riccardo Tedeschi’s brief of having a potent cup of tea on a winter’s day in St. Petersburg.
Naomi Goodsir Or du Serail– Naomi Goodsir and Renaud Coutaudier are two of my favorite creative directors because they are uncompromising in waiting until they get the modification they want. For Or du Serail they pushed perfumer Bertrand Duchaufour into creating one of his best and most textural perfumes of the last couple of years.
Neela Vermeire Creations Mohur Extrait– Neela Vermeire let me have a tiny taste of this over a year before it was finally released. It was a very frustrating secret to keep because Mohur Extrait is the best of this line to date. Mohur Extrait is a quantum leap better than the very good parent Mohur EdP all while staying very personal.
Olfactive Studio Ombre Indigo– The blue liquid in the clear flacon is visually striking all by itself. The photographic inspiration by Gustavo Pelizzon is a study in shadow. The perfume by Mylene Alran under owner Celine Verleur’s creative direction is a study in chasing perfumed shadows cast by tuberose and vetiver. I still haven’t tired of it.
Olivier Durbano Promethee– Experiencing Olivier Durbano’s development as a perfumer for nearly ten years didn’t prepare me for this fully realized creation based on the mythological character Prometheus. It feels like M. Durbano has offered a smoldering firebrand announcing his arrival as one of our best perfumers.
Parfumerie Genrale 7.1 Grand Siecle Intense– Pierre Guillaume has been going back and making variations on his earlier Parfumerie Generale fragrances. This re-working of Cologne Grand Siecle felt like he finally completed that perfume, adding in a proper heart and base to what was, and in 7.1 still is, one of the most brilliant lemon accords I have ever smelled. This was my favorite perfume of the summer of 2014. I really hope he keeps making it.
Roja Parfums Nuwa– There are sometimes I want my perfume to be big as it can be. Say what you will of Roja Dove but he has no fear of going as big as you can. Nuwa is that philosophy applied to a classic chypre.
slumberhouse Sadanne– Perfumer Josh Lobb released this in the summer and I have spent the rest of the year enjoying every time I wear this. Mr. Lobb has created a perfume of abrupt tonal shifts from gourmand to prickly floral to feral beast. This is probably too much for many. I can’t get enough of it.
Tauer Perfumes Cologne du Maghreb– Andy Tauer decides to take cologne and make it something completely Tauer-like. Hr. Tauer challenged himself to create an all-natural, all-botanical cologne. The result was a wonderful bit of inspiration and imagination.
Ulrich Lang New York Aperture– Ulrich Lang has been making a habit of flying below the radar. If I had an award for most underrated perfume brand his would be one of the front runners. Aperture is another example of why this brand should be more lauded. Hr. Lang was inspired by an amazing photograph by Olivia Bee. The perfume captures all that the picture promises. This might be one of the harder perfumes on this list to find. Make the effort, you will be well-rewarded for it.
The Final Cuts: The 18 Which Just Missed the Top 25- Aedes de Venustas Oeillet Bengale, Atelier Cologne Blanche Immortelle, Bottega Veneta Knot, Comme des Garcons Pharell Williams Girl, Dior La Collection Privee Cuir Cannage, Grandiflora Magnolia Grandiflora Sandrine, Jardins D’Ecrivains Junky, Jo Malone Wood Sage & Sea Salt, Juliette Has a Gun Moon Dance, Le Galion Whip, Masque Milano Tango, Mona di Orio Myrrh Casati, Ormonde Jayne Black Gold, Parfum D’Empire Corsica Furiosa, Parfums de Nicolai Cuir Cuba Intense, Parfums DelRae Wit, Providence Perfume Co. Violet Beauregarde, and Richard Luscher Britos 14oS48oE.
That’s it for 2014. Most of you will be reading this on New Year’s Eve and I want to wish all of the readers of Colognoisseur a happy and healthy 2015. I’ll be here exploring fragrance with you throughout the upcoming year. ACME just delivered my rocket-powered sneakers so maybe I'll be able to keep up this time.
Where I am living now we get these very intense thunderstorms throughout the summer. The sky is covered in angry dark clouds and the rain lashes down punctuated by bolts of lightning and the rumble of thunder. Then after about twenty minutes of this it passes through and quite often leaves behind the most brilliant blue sky and a vivid rainbow in its wake. I have always been enchanted with the sudden change from dark to light within minutes. The new Amouage Sunshine Woman has me thinking that this is very much a perfume like those moments after a thunderstorm has passed.
My admiration for Amouage Creative Director Christopher Chong is well-known. He has always imparted a clear artistic vision to Amouage which has led to a consistency which is unmatched in perfumery over the last five years. I have also admired the slow evolution of Amouage from thunderous powerhouse perfumes prior to Mr. Chong’s creative stewardship to one of the most complex collections of fragrance on the market. It has been like watching that figurative thunderstorm move on and now with Sunshine Woman the sun shines on a crystal blue sky with an arc of prismatic color through the middle of it. The perfumer Mr. Chong chose to work with was Sidonie Lancesseur who is signing her first perfume for Amouage. These are two of my very favorite people in all of perfume and the perfume they collaborated on creating is simply amazing.
When I use words like sparkling, bright, sunshine, or brilliance; that usually means citrus, bergamot, maybe some of the higher register florals. What Mme Lancesseur has accomplished with this composition is to create something which lives up to all those adjectives I mentioned without using any of those notes I mentioned. Sunshine Woman is an expansively bright young thing in liquid form. It is also brilliant in the way that word means when used to describe creativity.
Mme Lancesseur opens Sunshine Woman with a trio of notes davana, almond, and blackcurrant liqueur. The woody nuttiness of the almond forms the core for the herbal fruity quality of the davana and the straight up syrupy fruity of the blackcurrant liqueur to converge upon. You read that and you think, how can that be light? It can be because the almond is the lead in the early moments and the davana and blackcurrant are used in such restrained quality that they add contrast and texture more than a distinct fruity presence. The almond segues into a floral heart of magnolia supported by jasmine and osmanthus. If the top notes were mainly almond with some support. The heart notes are a meeting of equals although the magnolia is a little more out front. Osmanthus and jasmine are becoming a favorite combination among florals as they complement each other almost perfectly. Here the magnolia adds a slightly woody aspect. Together this is crystal blue sky in vivid crisp tones. The figurative rainbow is supplied by an arc composed of papyrus, patchouli, tobacco, and cade wood. Mme Lancesseur uses these notes to etch a bold slash of olfactory color across the sky of Amouage Sunshine Woman. Her use of cade especially in this grouping is amazing. Cade usually adds smoke and deep black facets to a fragrance. Mme Lancesseur has used it in such a way to have it seem like it comes from a far distance as if you see the back edge of that line of thunderstorms as it moves away. The papyrus is an opaque green which is misted in smoke from the cade and given roots in the earth by patchouli. Finally a vanilla and tobacco accord add a bit of sweet narcotic air after the maelstrom has passed.
Amoauge Sunshine Woman has 10-12 hour longevity and above average sillage.
It is rare that I say this but my description of this perfume does not do it justice. As you can see by the list of notes up there this should not be a fragrance which gets compared to a sunbeam. Except it is and I have spent days trying to dig deeply inside of it to find a way to communicate this. I finally have to admit failure and tell you of any new perfume release in 2014 you simply have to try Amouage Sunshine Woman and then you will understand.
Disclosure: This review was based on a sample of Amouage Sunshine Woman provided by Amouage.
Editor’s note: Currently Amouage Sunshine Woman is only available at the 17 stand-alone Amouage boutiques around the world. As of February 2015 it will be available elsewhere.