Colognoisseur Best of 2018: Part 3- The Top 25 New Perfumes of the Year

This year I tried 701 new perfumes. To keep that in perspective, it is about 30% of all new perfume released in 2018. The Top 25 below represents the best 3.6% of what I encountered this year

The Top 5 (Perfume of the Year Candidates)

5. Cartier Carat– The best mainstream release of 2018 it is a celebration of the skill of Cartier in-house perfumer Mathilde Laurent. It is simply described as a transparent formula. What Mme Laurent put in the bottle was a faceted floral jewel which changed as you looked at each facet. A kaleidoscopic perfume that helped me embrace the potential of the transparent trend which is here to stay in perfume.

4. Providence Perfume Co. Vientiane– Independent perfumer Charna Ethier fused a jasmine rice tincture to a tower of sandalwood. It resulted in a perfume which gave me new insight into one of the most venerable notes in perfumery. It also is a testament to Ms. Ethier’s skill to shine a light into those spaces.

3. April Aromatics Irisistible– This is the culmination of all of the efforts perfumer Tanja Bochnig has produced over the years for her April Aromatics brand. Each release over the last couple of years has been better than the last. Irisistible will be a perfume Fr. Bochnig will find difficult to top. A floral rainbow with a rooty iris as the most brilliant band of color.

2. Neela Vermeire Creations NiralNeela Vermeire has successfully found the perfume place where her Indian and French sensibilities overlap. It has produced one of the best independent perfume collections on the market. Mme Vermeire has worked exclusively with perfumer Bertrnad Duchaufour. For Niral they undertook the concept of capturing Tussar silk as a perfume. It is something I think could only have been made by a creative director and perfumer who have been working together for years. Niral flows in shimmering silken waves of iris that slither through the air opulently.

1. Arquiste Esencia de El Palacio GuayabosThere is a much longer explanation in Part 2 of the Best of 2018 posts. For this list I’ll keep it short; the best Arquiste along with the best perfume by Rodrigo Flores-Roux.

The Rest of the Top 25 in Alphabetical Order

4160 Tuesdays Freeway– Sarah McCartney had an incredibly creative 2018. Her evocation of LA was the best one.

A Lab on Fire And The World Is Yours– This combination of neroli and cumin captures the morning after when the rising sun signals the end of the party.

Aftelier AlchemyMandy Aftel looked back to her beginning which allowed Alchemy to confirm her vision has never strayed.

aromaM Geisha Botan– Maria McElroy composed a spring floral featuring peony; I wish more did it like this.

Avon Velvet– Best Bang for the Buck perfume on the list. Perfumer Gabriela Chelariu proves it’s the perfumer and not the ingredients in a lush fig-rose-patchouli perfume that smells like it belongs on the top shelf.

Blackbird Y06-S– Nicole Miller produced an envelope-pushing skanky jasmine and banana fragrance which I can’t forget.

Commodity Nectar– This brand has become the most reliable economical brand by allowing perfumers the freedom to create as they wish. Mathieu Nardin used that to create a summery neroli

Dawn Spencer Hurwitz for American Perfumer Colorado Dave Kern commissioned two limited editions for his new American Perfumer store. This one by Dawn Spencer Hurwitz captures the slope of the Rockies right outside Ms. Hurwitz’s door.

DSH Perfumes Summer Cologne– Ms. Hurwitz was also equally creative for her own line as this tomato leaf twist on the classic eau de cologne was the best version of this form in 2018.

Frassai A Fuego Lento– This brand creatively directed by Natalia Outeda debuted in 2018. A Fuego Lento by Rodrigo Flores-Roux is a jasmine-leather stunner.

Hermes Hermessence Cardamusc– In-house perfumer Christine Nagel makes the Hermessence collection her own with an oil formulation of cardamom, in overdose, and musks.

Hiram Green HydeHiram Green puts together a birch tar all-natural leather perfume that grabs you and does not let go.

Jo Malone Jasmine Sambac & Marigold– Creative director Celine Roux has overseen a creative rebirth at Jo Malone. Jasmine Sambac & Marigold, by perfumer Mathilde Bijaoui, is the best example of that in 2018.

Jovoy Remember Me– If you need evidence that gourmand perfumes can be amazing this is it. Perfumer Cecile Zarokian melds delicate florals over strong black tea.

L’Iris de Fath– Creative director Rania Naim believed she could re-formulate Iris Gris. The proof of that belief is in the bottle.

Maison Rebatchi Joyeux OsmantheMohamed Rebatchi is the creative director of a new brand making a splash. Working with perfumer Maurice Roucel osmanthus stands up to tuberose; gorgeously.

Maria McElroy for American Perfumer Desert Flower The second limited edition from Dave Kern and the American Perfumer store. Maria McElroy weaves a story of youth and adulthood on the edge of the desert. All using rare Arabian oils.

Pekji Zeybek– The best new brand of 2018 goes to Pekji from Omer Ipecki. A strong debut collection of five perfumes is headed by this abstract perfume vision of the horse barn.

strangeloveNYC lostinflowers– Creative director Elizabeth Gaynes came home from a trip to India with a champaca extract called “joy oil”. When she asked perfumer Christophe Laudamiel to use it in a perfume it gave me a lot of joy.

Zoologist Tyrannosaurus Rex– There is a part of me that thinks creative director Victor Wong and perfumer Antonio Gardoni came up with the idea of a prehistoric jungle on fire as a joke. The perfume is no joke. It is a completely original perfume.

An extra 3.5%; or the 23 perfumes which just missed being on the list above

A Lab on Fire Hallucinogenic Pearl– the De Laire bases return in a violet and iris perfume.

Acqua di Parma Chinotto di Liguria– Another classic Mediterranean style cologne

Aether Arts Perfume The AI Series– A set of fiercely intelligent perfumes which invaded my thoughts

Blocki Sanrovia– Sandalwood from a heritage brand with an eye on the future.

Britney Spears Prerogative– Best celebrity perfume of 2018

Bruno Fazzolari Fontevraud– A deconstructed chypre that actually was

Chanel 1957– A gleaming glass and metal tower of white musks

Diptyque Tempo– Thoroughly modern patchouli

Editions de Parfums Frederic Malle Music For A While– Who knew I wanted lavender to go with pineapple.

Fath’s Essentials Red Shoes– One of perfumer Cecile Zarokian’s best.

Gucci Bloom Nettare di Fiori– Best flanker of 2018

Heeley Blanc Poudre– The smell of laundered warm cotton

Imaginary Authors Whispered Myths– Josh Meyer tries something different.

L’Artisan Parfumeur Mont de Narcisse– A leather, narcissus, and immortelle beauty.

Louis Vuitton Nouveau Monde– The leather I wanted from LV.

Masque Milano (homage to) Hemingway– A full-spectrum vetiver

McQueen Collection Sacred Osmanthus– Transparent osmanthus soliflore

Terre d’Hermes Eau Intense Vetiver– Christine Nagel brings the vetiver forward

Molton Brown Muddled Plum– Boozy fruity gourmand

Nest Cocoa Woods– A perfume that lives up to both nouns in its name.

Providence Perfume Co. Lemon Liada– A citrus perfume where lemon is front and center with no lemon being used.

Tom Ford Private Blend Lost Cherry– First Private Blend which felt like the early days of the brand.

Zoologist Hyrax– Funkiest, in a good way, perfume of 2018.

That’s it for 2018.

Part 1 Overview of 2018

Part 2 Perfume, Perfumer, Creative Director, and Brand of the Year

Mark Behnke

Colognoisseur Best of 2018: Part 2- Perfume, Perfumer, Creative Director, and Brand of the Year

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Part 1, yesterday, was my look back at the year in broad terms. Today in Part 2 I get specific naming the best of the year in four categories.

Perfume of the Year: Arquiste Esencia de El Palacio GuayabosArquiste Creative Director Carlos Huber and perfumer Rodrigo Flores-Roux began their exclusive collection for luxury Mexican department store El Palacio de El Hierro in 2016. As of the end of 2018 they have released eight perfumes exploring the botany of Mexico in a set of “tree stories”. Both creative minds behind this collection have always put a little bit of their homeland of Mexico in every Arquiste release they have collaborated on. Saying that, this collection feels like there is heart and soul, along with the country, within each of these excellent perfumes.

Rodrigo Flores-Roux (l.) and Carlos Huber

During the summer I received Guayabos which immediately connected with me. I have worn this weekly since I received it. I’ve sprayed my bed with it. The poodles have inadvertently ended up smelling like it. It is one of the very best perfumes ever made by Sr. Flores-Roux.

I scheduled a call with him at Givaudan to find out how this came together. The concept was to create a guava perfume which captured the ripe guava in his house as child. As an adult the perfumer had to undertake headspace analysis of green guava, ripe guava, and guava blossom. This would lead to a layered effect which captured the esencia of guava. Jasmine and osmanthus provide the perfect floral companions over a clean woody base accord.

Guayabos is my perfume of the year because it was an obra de amor (labor of love) for Srs. Flores-Roux and Huber.

Charna Ethier

Perfumer of the Year: Charna Ethier– 2018 is going to be memorable for the excellent independent perfumer releases. The independent perfumer who had the strongest year was Charna Ethier of Providence Perfume Co. She has been one of the most consistently innovative perfumers I encounter. 2018 is the year where that quality overflowed in three spectacular releases. The first was Vientiane a study in sandalwood which was elevated by a jasmine rice tincture. Next came Lemon Liada an abstraction of lemon eau de cologne with no lemon used as an ingredient. Sedona Sweetgrass captures the scent of the American desert southwest in a photorealistic manner.

The breadth of these three perfumes is not only testament to why the indies rocked 2018 but more specifically why Charna Ethier is my Perfumer of the Year.  

Runner-Ups: Rodrigo Flores-Roux, Dawn Spencer Hurwitz, Maria McElroy, Cecile Zarokian, and Sarah McCartney

Rania Naim

Creative Director of the Year: Rania Naim– How about this for a to-do list for 2018? Take on the reformulation of one of the great historic perfumes. While doing that create four new contemporary perfumes honoring that history. That would sink most creative directors. That Rania Naim succeeded makes her the easy choice as Creative Director of the Year.

The first part of the year was given over to completing the new formulation of Jacques Fath Iris Gris. Mme Naim oversaw a painstaking effort to achieve something amazing in L’Iris de Fath. She would end up trusting a young creative team to accomplish this; which succeeded spectacularly. The decision to trust in young creative perfumers extends to the Fath’s Essentials releases where perfumers Cecile Zarokian and Luca Maffei produced two perfumes each under Mme Naim’s direction. All four exemplify the creativity still able to be found in the niche sector.

Capturing the past while living in the present means the future is all that is left to Rania Naim; my choice for Creative Director of the Year.

Runner-Ups: Carlos Huber (Arquiste), Victor Wong (Zoologist Perfumes), and Celine Roux (Jo Malone)

Brand of the Year: A Lab on Fire– If other brands weren’t going to show me something different Carlos Kusubayashi allowed perfumer Dominique Ropion to capture “The Morning After” winning an Academy award in And The World Is Yours. A long night into day encapsulated by neroli and cumin. This was followed up by perfumer Emilie Coppermann combining violet along with the De Laire base of Iriseine in a gorgeous purple flower melody called Hallucinogenic Pearl. Mr. Kusubayashi has never been afraid to release what comes of giving perfumers the space to create freely. In 2018 it makes A Lab on Fire my Brand of the Year.

Runner-Ups: DSH Perfumes, 4160 Tuesdays, Arquiste, Jacques Fath, and Jo Malone

Part 1 was my broad overview of 2018

Part 3 is my Top 25 New Perfumes of 2018.

Mark Behnke

2018 First-Half Recap

Before I plunge into the fall releases starting to show up in my mailbox I want to recap the world of perfume for the first half of 2018. Especially here in the Poodlesville HQ of Colognoisseur.

For those who have followed my writing for the over ten years I’ve been doing reviews I am sure you’ve tired of my whining about too many spring roses. Guess what? This year I got my wish. I’m not sure what caused the change but even a perfume called Miu Miu L’eau Rosee was not a rose. That one was a very nice lily perfume. I got Bvlgari Magnolia Sensuel. I got Nest Wisteria Blue. I got the neroli of Commodity Nectar. I got the crazy blackberry of Gucci Guilty Absolute Pour Femme. I got Jo Malone Jasmine Sambac and Marigold. Yes, there were plenty of pretty roses, but the spring of 2018 found new perfumed ways of celebrating the season.

One of those ways was the return of the classic ambrette-iris-musk so embodied by Chanel No. 18. There were many of these, most of which I liked. There were two which stood out for taking this classic accord in a modern direction; Diptyque Fleur de Peau and A Lab on Fire Hallucinogenic Pearl. Perfumers Olivier Prescheux and Emilie Coppermann, respectively, found a way to freshen this triad up. In Mme Coppermann’s case it was by incorporating the De Laire base Iriseine; which made this one of my favorites of the first half of 2018.

Christine Nagel

Christine Nagel continued her strong showings for Hermes. If there was a last question left for her it was, “How would she make the Hermessences her own?” She released five in the spring. They were all good, but it was her move towards an “essence de parfums” oil-based formulation where she confirmed her stamp on this collection. Cardamusc is another favorite of 2018, so far.

The independents also thrilled me in the first six months of the year. Dawn Spencer Hurwitz finished her Haiku Series for DSH Perfumes with Tsukimi and Shimotsuki. Among the very best work of hers I have experienced.

Hiram Green Slowdive was a textural marvel as a tobacco accord traverses a viscous mixture of honey and others.

Sarah McCartney’s 4160 Tuesdays Freeway is So Cal car culture in search of an exotic sorbet. Sounds odd but it is fabulous.

Andy Tauer provided a contemporary version of the “golden age” in Tauer Les Annees 25.

There were three other perfumes which really caught my attention so far in 2018.

A Lab on Fire And the World is Yours by perfumer Dominique Ropion is perhaps my favorite from the brand ever. The opening bergamot, neroli, and cumin accord is spectacular.

Louis Vuitton Nouveau Monde is the leather perfume which should have Louis Vuitton on its label. I may be a bit let down by the others in this collection, but Nouveau Monde, and perfumer Jacques Cavallier, gives me the leather I wanted.

The leader at the midway point of 2018 is Neela Vermeire Creations Niral. The collaborative energy between creative director Neela Vermeire and perfumer Bertrand Duchaufour has always produced excellent perfume. Niral is better than that. The iris shimmers over a subtle leather accord. I still haven’t got enough.

This covers what I was able to write about in the first six months. Just in the next couple of weeks I have some reviews coming which are also among the best of 2018.

As always, thanks for reading.

Mark Behnke

New Perfume Review A Lab on Fire Hallucinogenic Pearl- Bringing Back De Laire Bases

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One of the more exciting things to a perfume nerd like me has been the final acquisition of the De Laire perfume bases by Symrise. Unless you read a lot of history that sentence probably underwhelms you. Let me see if I can get you interested. De Laire was a producer of perfume bases in the first half of the 20th Century. The concept was to take the new synthetic fragrance molecules and make them into pleasant accords meant to provide the foundation for a perfume to be built upon. Edmond Roudnitska began his career at De Laire making bases. One of the most famous De Laire bases, Prunol, is married to his use of it. Others you might have heard of are Mousse de Saxe, Amber 83, or Coroliane. These are the foundations of many of the most famous vintage perfumes. Now that Symrise has cleared all the legal hurdles to put these bases back into their perfumers’ rotation I was waiting for someone to use it in a modern perfume. A Lab on Fire Hallucinogenic Pearl is the first I am aware of to do this.

One of the great things about A Lab on Fire is the creative freedom granted their perfumers. Creative Director Carlos Kusubayashi has elicited some of the most innovative work from some of our best-known perfumers. Hallucinogenic Pearl freed Symrise Master Perfumer Emilie Coppermann to look for one of the classic De Laire bases to incorporate. She decided to use Iriseine.

Emilie Coppermann

Mme Coppermann opens with the botanical musk of ambrette paired with baie rose. The gentle herbal nature of the baie rose provides just the right amount of texture to the light musk. One of the things about ambrette is it can be so light as to be too fleeting. By adding in the baie rose it adds more presence. Then the heart begins with a fabulous violet which is everything I enjoy about this in a fragrance. This is where Iriseine comes forward providing iris as the leading edge of the base. What is also here is gorgeous depth courtesy of using a base instead of the iris by itself. For those familiar with the vintage perfumes like L’Heure Bleue which feature the same duo of violet and Iriseine this is many levels softer. It is what I mean when I say I want to see what a modern perfumer can do with a classic base like Iriseine. It is a modern evolution of what a De Laire base can achieve. It finishes with light woods and some synthetic musks recapitulating the ambrette from on top.

Hallucinogenic Pearl has 10-12 hour longevity and average sillage.

The use of this historical base in a modern composition delighted me on every level. Just the shading of the Iriseine and violet would have made the perfume nerd happy. What really made me happy was in the hands of our most talented perfumers it seems like the De Laire bases are back to be used.

Disclosure: This review is based on a sample provided by A Lab on Fire.

Mark Behnke