There are moments when I just feel that a creative project is going to be magnificent. I’ve recently received the proof that one of those has come to fruition. When I first met the creative team behind the Naomi Goodsir fragrance brand, Naomi Goodsir and Renaud Coutaudier, I felt like they were artists who had a real vision. Not only the vision but the determination with which to keep working at something until that vision was achieved. The other thing happened at that first meeting was they were telling me what they were working on. From the moment, I heard the name and the perfumer I knew this was something I could not wait for, but I would wait for over three years. The name was Nuit de Bakelite and the perfumer was Isabelle Doyen.
Just the name was going to draw me in because we had a whole stack of old Bakelite cooking dishes. The smell of those dishes all stacked up was fascinating to me in the way other industrial smells were. Bakelite was also used as costume jewelry from the Art Deco period until the mid 1970’s. It was in those later years that a group of free spirited women I was spending time with wore each wore a set of matching Bakelite bracelets which I associated with a certain type of experimental thinking. The sound of the bracelets coming together fell in between plastic and metallic. It was another unusual sound in which I found beauty.
Mme Doyen has been a pillar of the artistic niche perfumery sector since its beginning. She has been known mostly for her work with one brand, Annick Goutal. It is a body of work which shows what niche perfume can be. What has always set Mme Doyen apart for me is the more artistic experimental work she has done. Nowhere was that more evident in the three vetiver variations she produced for The Turtle Project. Those three perfumes are some of my favorite for the complete creative freedom they showed.
I also must mention Ms. Goodsir and M. Coutaudier. There are only a few creative teams in the niche perfume world who do not bow to the pressure of making perfume on a timetable. In many discussions with them they stress to me that they won’t release a perfume until they feel it is what they both want it to be. As a result, the entire Naomi Goodsir collection stands out for this dedication. Heaven knows I bugged them enough times about when Nuit de Bakelite was going to be released.
When I finally received my sample in the mail I was a bit afraid to tear in to the package and try it. There was so much that could be wrong. It sat on my desk for a full day before I finally did. What greeted me was a green tuberose. Once I sprayed it on I understood what Mme Doyen when she said, “Nuit de Bakélite evokes to me, a tuberose sap, peeled tuberose, tuberose in a cage made of green and leather, a focus on the small peduncle that connects the flower to the stem, the sound of plastic when several stalks of tuberose tangle, the wild majesty of the Persian tuberose.” I have always found there to be a strong plastic undercurrent beneath tuberose. That is captured here, it is the Bakelite part of Nuit de Bakelite. The tuberose here is not the flower, per se, it is the stem and sap primarily. You can’t really keep a note like tuberose down but you can find a way to display it differently which is what the creative team has done here.
Nuit de Bakelite opens with a strong green pairing of angelica and galbanum. It leads to an accord which evokes the green camphoraceous nature of tuberose along with the Bakelite plastic note. Bakelite is made from a reaction including aldehydes. There is an almost faux-aldehydic lift happening in this transition from the sharp green of the top to the more floral heart. Here Mme Doyen chooses a source of tuberose essentially scrubbed clean of the indoles. That has the effect of enhancing the buttery aspects of tuberose a skillful use of orris provides depth in place of the indoles. Over time a base of leather and tobacco provide the final brushstrokes. Most often these can be afterthoughts, not here. The tobacco softens the floral accord while doubling down on the natural narcotic quality of tuberose. The leather is a playful reminder of the vintage tuberoses which finished with a swaggering version. This is a hipster version hanging on the sidelines only interacting intermittently; when it seems right.
Nuit de Tuberose has 12-14 hour longevity and above average sillage.
Although I’ve just spent a lot of words writing about Nuit de Bakelite I could go on and on. This is a concept which has been brilliantly realized using a focal point in a modern retelling of a vintage era. There are a few brands I point to when I want to exemplify all that artistic perfume can be; Naomi Goodsir continues to hold that place as Nuit de Bakelite is artistry rewarded.
Disclosure: This review was based on a sample provided by Naomi Goodsir.