I am going to reveal a secret which I normally wouldn’t do. Except over the last eight years it has turned into such a happy ending. The first time I met Alessandro Brun and Riccardo Tedeschi at Esxence I thought they were all show, no nose. I had previously smelled their two debut releases Petra and Dolceaqua. I thought they were poorly made. Plus this perfumer, Luca Maffei, who was he? When I saw them at their booth in 2013 and they were talking about operatic perfumes my eyes rolled back into my head. I asked for a sample set and left as quick as I could. It wasn’t until I returned home that I sat down with what I consider the real debut collection that my deep affection for this brand was kindled. Anyone who has read my reviews knows I believe they are one of the best independent perfume brands in the world. My initial assessment was all arrogance, no brains.
What has set them apart has been a willingness to push boundaries. To take younger less established perfumers and give them a freedom to explore their art. The initially maligned Sig. Maffei? Along with Sigs. Brun and Tedeschi they would produce my Perfume of the Year for 2016, L’Attesa. When I received a press release about a year ago from Masque Milano it said they were redoing those first two perfumes. Giving them new names and new perfumers. It has taken a long time for me to finally get an opportunity to try them. What I found is both are prime examples of everything Sigs. Brun and Tedeschi have done well. I am going to review both today and tomorrow. First up Masque Milano Le Donne di Masque Dolceaqua.
I went back to find my sample of Dolceaqua to remind myself what it was. A generic jasmine and rose is the best I can do. Perfumer Delphine Thierry did Montecristo and Terralba from that set of releases after the first two. Asking her to reinterpret Dolceaqua seems natural. The inspiration is a roadside breakfast somewhere in the Mediterranean.
Le Donne di Masque Dolceaqua opens with a fabulously green floral and vegetal accord centered around muguet, ivy and marjoram. The muguet is the core of the opening but the green leafiness of the ivy and the slightly floral woodiness of the marjoram add beautiful facets like sunlight off the water down below. A breeze carries a hint of the ocean up to where we have stopped. This is a love story and it begins in earnest with ylang-ylang holding predominance in the heart. This is a sensual floral carrying a bit of the carnality inherent in the ingredient. Mme Thierry gives it a bit more innocence though the puffy powdery quality of mimosa and rose. We have stopped for breakfast and there is a croissant accord around almond blossom and saffron. This is a delicate gourmand accord cleverly achieved. Our lovers now look deep into each other’s eyes. The passion rises through an accord of benzoin, oakmoss, and cedar. A rich Oriental base to complete the tableau.
Le Donne di Masque Dolceaqua has 10-12 hour longevity and average sillage.
Le Donne di Masque Dolceaqua represents the best of what this brand has come to stand for. I have been looking for a smart version of the transparent floral gourmand. The early moments of this deliver it. It is part and parcel of the intelligence Sigs. Brun and Tedeschi have supplied to their brand. Le Donne di Masque Dolceaqua smells like success as a perfume.
Disclosure: This review is based on a sample I purchased.