New Perfume Review Jorum Studio Part 1- Arborist, Carduus, and Medullary-ray

As much as I grumble about the dearth of new releases in January it does have an upside. Over the past few years it has allowed me the time to explore a new young perfumer’s line. For 2020 it is the work of Scotland-based perfumer Euan McCall for his own brand Jorum Studio.

Euan McCall

I became acquainted with Mr. McCall last year for the work he produced for Senyoko. I was quite impressed with his ability to make perfume of subtlety or power. Many independent perfumers find a single key to compose in. Based on the Senyoko releases I was wondering if Mr. McCall was producing his own perfumes. I had a feeling under his own creative eye there might be something worth learning about.

I contacted him and he graciously agreed to send me a sample set of the latest collection Progressive Botany Vol. 1. I had an idea these were going to be fascinating before I ever got a whiff of any of them. It was because through the process of connecting to Mr. McCall I began to follow him on Instagram. I wake up most mornings to a photo of the Scottish flora. These pictures showed me an artist’s eye who sees beyond the broader strokes to find the grace notes which make for a compelling aesthetic. The perfumes live up to that. I am going to spend the next two days reviewing all six perfumes in the Progressive Botany Vol. 1 collection.

Arborist is “an ode to enchanting woodlands”. When I saw the name it made me think or Mr. McCall’s Instagram photos. This is the fragrance of perfumer as arborist as he walks through the Scottish landscape. It opens on a leathery osmanthus which is provided an acerbic tart contrast via quince. Arborist then finds the woodlands promised as Mr. McCall forms a powerful woody accord of fir balsam and spruce resin. This reminded me strongly of the Florida pine trees I grew up with including the sap. That stickiness is enhanced with a precise use of honey. It becomes particularly interesting over the final stages as malt and myrrh provide grain and resin to the final construct. I can’t put my finger on what comes together to form a clean sweat accord, but it reminds me of a fall hike when I remove my sweaty flannel shirt.

Carduus is an homage to the Scottish Order of the Thistle. I have a bramble thicket where I walk once or twice a week. It has a fresh herbal natural scent to it. Mr. McCall finds that same quality in Carduus. Before describing it, I want to mention how tonally different it is from Arborist. Arborist is a burly Scotsman building in power as it goes. Carduus goes the opposite direction; its most intense at the beginning before finding a lovely light touch at the end. The intensity of the opening is all from a mixture of herbal ingredients. Primarily chamomile, clary sage, Bengal pepper, and clove. This is the green slightly woody quality of the bramble patch. It then does a fantastic pivot through Mr. McCall’s use of a cocoa absolute which doesn’t come off as gourmand. It provides a divider of sorts as a set of tobacco infused woods of cherry and mahogany form a platform for the top accord to spread out upon. Woven throughout are subtle florals, rose and tuberose find purchase among the vines. Over the latter stages Carduus is a delicate herbal woody reverie.

Medullary-ray is one of the most unique interpretations of fig I’ve encountered in a long time. Mr. McCall was trying to catch the scent of a woodworker shaving down a plank in the Tuscan sunshine. The location of this woodworker is on the edge of a grove of fig and olive trees. Mr. McCall re-interprets the concept of a fig-centric Mediterranean fragrance as he combines the fig and olive. The fig is the creamy green of the fig leaf wile the olive is the oleaginous viscosity of the pressed fruit. Cardamom provides lift to the fig leaf as juniper and frankincense provide the borderlines for them to interact within. I adore this accord. It has an odd decadence to it I just wanted to immerse myself in. It gets better as orris provides the rooty transition to the woodworker in this tableau. There is a rich mixture of woods here. Sandalwood, guaiac, cedar, birch, and papyrus. You might think that last would get lost. Instead it provides the glue which holds all the woods together. It closes with a sweaty castoreum reflecting the person doing the woodworking.

All three perfumes have 14-16 hour longevity and average sillage.

I’ll conclude tomorrow with the remaining three perfumes in Progressive Botany Vol. 1 at this link.

Disclosure: This review is based on a sample set provided by Jorum Studio.

Mark Behnke

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