It will come as no surprise to anyone that the chemist loves aldehydes in his perfumes. I like the versatility they bring. I like that they make an impression and then get out of the way for the rest of the perfume to develop. Like an opening act sometimes it sets the stage and sometimes it steals the show. When I received my sample of the latest perfume from Bruno Fazzolari, Seyrig it was right there in the intro; “inspired by the aldehydic motifs of the late 60’s and early 70’s”. This was going to be fun.
Those motifs that Mr. Fazzolari is trying to capture was the perfume industry trying to be mod during the era when being that was desired. I think the aldehyde behemoths of those years came about because perfumers could use them to give a kind of counterculture riff to a traditional construction. Like looking back over forty years later what was once edgy is now dated. Miniskirts and hippies seem like the latter half of the twentieth century companion to flapper dresses and the lost generation. In the eye of time it just seems quaint.
Mr. Fazzolari did have an aim in mind when wanting to go big with his aldehydes. He wanted to make Seyrig an “artistic impression” of the Syringa flower which can’t be extracted. Syringa is a lilac variant and its natural smell is also similar to what we think of as lilac. It carries a more metallic edge than traditional lilac and that’s where Mr. Fazzolari probably decided to go round up the aldehydes to provide that character. Aldehydes have many faces to show and the ones in Seyrig are very soapy early on before settling down to the more hair spray-like version most often associated with the era Mr. Fazzolari is trying to emulate. Underneath is a mix of florals to help assemble the Syringa accord.
Seyrig opens with those aldehydes sizzling off of my skin. Underneath is a pretty rose de mai and red mandarin. For the first half an hour this smells like a sophisticated French milled rose and citrus soap. It isn’t until that time passes that the soapier aldehydes are gone and what is left now encases the rose and mandarin in a cloud of Aqua Net. This is what I like my aldehydes to be. As this accord settles in ylang ylang and orris join it. Then like an apparition a lilac accord arises which with the top accord still present creates the Syringa facsimile. It is exceptionally done as Mr. Fazzolari gets it just right. The base notes are the greenness of oakmoss in contrast to the aldehydes and a musk cocktail which complements the aldehydes.
Seyrig has ridiculous longevity. It lasted well over 24 hours and I think without a shower it might have lasted another day. The sillage is also prodigious.
Seyrig is not perfume for the masses it is a fragrance for those who are already converts to the unusual. It delivers on capturing that late 60’s early 70’s vibe. It equally delivers on creating a different kind of lilac accord. Finally it delivers as another example of Mr. Fazzolari’s artist’s eye as applied to the olfactory. It makes Seyrig one of the most interesting perfumes of the year.
Disclosure: this review was based on a sample provided by Luckyscent.