New Perfume Review Parfums de Marly Cassili- A Fruity Floral of a Different Stripe

It is interesting to watch a brand evolve over time. Parfums de Marly seems to be a recent example that wants to provide luxurious niche alternatives to mainstream styles. Over the past couple of years this has seemingly become a winning formula for the brand. I like it because it has become a place where I can point someone looking for a niche alternative to their favorite commercial fragrance. If there is a style where I wasn’t sure I would be as interested it would be fruity floral. With Parfums de Marly Cassili it turns out I am interested.

Julien Sprecher

The Creative Director Julien Sprecher has chosen to collaborate with perfumers Calice Becker and Nanako Ogi for Cassili. Both women design a top fruity floral accord layered under a heart fruity floral accord. All of this was directed by M. Sprecher to be an “indulgent” “sweet perfume”. His perfume team delivers.

Calice Becker

The top accord is a typical combination for the genre; berries and rose. The perfumers delve a little deeper to create a more satisfying effect. One of my main complaints about fruity florals is the perfumes just assault you with sweet notes. Cassili comes at it in a slightly different way. The berries and rose are intense but the perfumers also found a way to make them more harmonious instead of being two ingredients screaming at the top of their lungs. There is a velvet sophistication to this opening which is not often found. The heart accord is a pairing of plum and mimosa. This is not so common a duo. The perfumers use a restrained greener version of plum which dials back the sweetness. It also makes it a less lush underpinning as the mimosa takes over with its green facets picking up on the same in the plum. Once both were in place the overlap of the two accords was delightful. The base is a typical sweetly woody accord of sandalwood, benzoin and vanilla.

Cassili has 12-14 hour longevity and average sillage.

I applaud the work done here to make a more opulent fruity floral. I think it shows how a more imaginative creative direction can turn the tritest forms into something worth trying. M. Sprecher pointed the way for his perfumers to turn Cassili into a fruity floral of a different stripe.

Disclosure: This review was based on a sample provided by Parfums de Marly.

Mark Behnke

New Perfume Review Chatillon Lux Nefertiti- Ancient Jazz

I enjoy all forms of music. There is one I enjoy but I can’t say I understand it; jazz. I know the basics of variations on themes circling around. If I focus, I can hear it. Unlike almost any other music I listen to I tend to let jazz flow through me. Because of that it is one of the reasons I am not as experienced an enthusiast as I am at other things. I have been fortunate to have seen most of the jazz greats in concert including Miles Davis. No this isn’t a column on jazz, but it does lead to a new perfume.

I became acquainted with a new independent brand earlier this year, Chatillon Lux. The creative force behind it, Shawn Maher, sent me Lamplight Penance. I was impressed with his ability to take his sense of place in Saint Louis and fuse it into perfume. I was so interested I requested a set of samples which Mr. Maher sent to me. I found as I worked my way through what was sent a perfumer who exemplifies his locale with beautifully constructed accords to achieve a well-thought out effect. If you have not discovered this line yet it is one of the best of the young independent perfume lines I have experienced in the last couple of years. Mr. Maher is the real deal. His latest Chatillon Lux Nefertiti confirms that.

2018 Ooh St. Lou Studios

Shawn Maher

Most of the samples have easy to see connections to Saint Louis. As I looked at the one labeled “Nefertiti” I was thinking, “How does that connect to Saint Louis?” Thankfully Mr. Maher is a throwback to the kind of perfumer who takes us inside his creative process through “Scent Notes” posted on his website. As soon as I saw this the connection was made clear; jazz. Specifically the jazz piece named “Nefertiti” by Miles Davis. As he points out in his article this was one of the foremost jazz innovators at the beginning of a new way of doing things.

Of course Nefertiti also refers to the ancient Egyptian Queen Nefertiti who reigned over one of the golden ages of ancient Egypt with her husband, Akhenaten. Their years in charge saw the revolution of moving to a form of monotheism with the worship of the sun god Aten. Mr. Maher wanted to capture these two envelope pushers with a perfume worthy of all that.

The way this is achieved is by looking into the history of Ancient Egyptian perfumery and fusing it with a set of jazz beat accords. That is what Nefertiti becomes.

Where this all begins as a perfume is Mr. Maher found out Queen Nefertiti was said to wear a perfume of honey and orchid leaf. Nefertiti opens on that. The honey comes from beeswax absolute. This gives it a restrained sweetness. To up that quality he uses an indolic jasmine. This is the call back to the jazz as it slides across the beeswax in a glissade-like effect. The orchid leaf accord is constructed of citrus and floral pieces. It provides contrapuntal percussion to the honey while also calling back to the Queen. The heart is an interpretation of the ancient Kyphi incense. Mr. Maher came up with his own idea of what ancient resins should smell like. This produces a kind of rough trade incense. It pushes up against the smooth top accord with an improvisational verve. It meshes with the jasmine and honey as they form a potent trio in the middle of the development. For the final movements we return to a smoky Saint Louis jazz bar. Mr. Maher wants to capture the smoke hanging in the air as the spotlight captures it swirling around the players. He creates an abstract cannabis accord by focusing on the terpenes within cannabis. This becomes complementary to the orchid leaf accord as it draws it through into the latter stages. The final part is to take that honey of the top accord and transform it into a sweetly animalic base accord of Cambodioan oud and immortelle. This is a cruder honey effect given vibrancy by adding in the animal musks of castoreum and civet.

Nefertiti has 14-16 hour longevity and moderate sillage. It is at extrait strength.

Jazz can be described as thoughtful improvisation. Mr. Maher can be described as a thoughtful perfume maker. The improvisation is achieved by making Nefertiti a perfume of Ancient jazz.

Disclosure: This review is based on a sample provided by Chatillon Lux.

Mark Behnke