I grew up on the James Bond films. I’m pretty sure there was a time in my adolescence I believed I could be James Bond. Throughout the 1960’s there was only one James Bond, Sean Connery. Mr. Connery did the first five 007 movies. Then he quit for 1969’s “On Her Majesty’s Secret Service” only to return to do 1971’s “Diamonds are Forever”. After that movie was released he said emphatically that he would never play James Bond again. Until he did in 1983’s “Never Say Never Again”. One should always be careful about using the word never especially when speaking to people who will record those things. Certainly Sylvie Ganter-Cervasel co-owner and creative director at Atelier Cologne probably regrets the time she told me there would “never” be an oud perfume at Atelier Cologne.
Sylvie Ganter-Cervasel and Christophe Cervasel
That assertion was made in the very earliest days of Atelier Cologne’s existence. One of the things I’ve admired about Mme Ganter-Cervasel and her partner in life, and business, Christophe Cervasel is the consistently evolving vision which has become a brand characteristic. Two years ago one of those evolutions was the creation of the Collection Metal. The idea was to work with rare materials and again re-define what it means to call something a “cologne”. It is only natural that an oud perfume fits in with this definition. The newest release is just that, Oud Saphir. If the brand has been ever-creating itself one thing which has remained a constant are the perfumers who create for Mme Ganter-Cervasel. Ever since the original five releases they have only used two. For this “never” perfumer Jerome Epinette signs his 15th perfume in the Atelier Cologne collection.
Oud Saphir opens with the slightly twilight kind of citrus opening which has become a hallmark of the Collection Metal. In this case bergamot is given depth with ambrette and bite with pink pepper. It is shaded beautifully by M. Epinette as it sets you up for a deeper cologne experience than normal. Jasmine cut with the metallic green of violet leaves come next and they are placed on a plush leather accord. M.Epinette uses one of the most transparent leather accords I regularly experience and in Oud Saphir it is just the right amount of heft to support and not overwhelm the jasmine. This transitions into a base where M. Epinette wisely chooses to use an oud accord instead of the real thing. Honestly this is more the norm than not. In the case of trying to form a cologne around oud too much of the real stuff would have trampled this construction underfoot. By using an accord M. Epinette was able to again find the appropriate shading of oud to match the volume of the rest of the development. A bit of birch wood provides some of the more characteristic rough edges of oud without being oud. It all finishes with a light flight of vanilla over all of it.
Oud Saphir has 12-14 hour longevity and above average sillage.
As I wore Oud Saphir I started to realize it had some connection to my James Bond analogy. Oud Saphir is the most formal of the Atelier Cologne creations to date. When I’m looking at the perfume vault for something to wear underneath my tux during gala season I never even think about one of the Atelier Colognes. Oud Saphir has now filled this gap as I can definitely see myself wearing this under my formal wear, sipping a martini as I scan the crowd for enemy agents. I am very pleased that “never” has turned into Oud Saphir it is everything Atelier Cologne stands for.
Disclosure: This review was based on a sample provided by Atelier Cologne.
Regular readers know that if there is one category of fragrance I have the most difficult time appreciating it is fruity floral. My biggest issue is that the fruit and the florals are usually layered with all the finesse of a jackhammer. They tend to meld into a syrupy sweet mess that I just find irritating. The ones that work for me are perfumes which accentuate fruit or floral and let the other support the leader. One member of this class of fragrance which has done this recently has been Brecourt Off to Ibiza.
Brecourt is the line founded by Emilie Bouge in 2010. Mme Bouge’s grandparents ran a perfume business in Grasse but would eventually close it down before she could continue. Mme Bouge would make her return to the family perfumery business with the founding of Brecourt. There are fifteen fragrances in the line and they cover an impressive spread of styles. All of them have been composed by Mme Bouge. In her bio on the website she mentions that she is looking to create a fragrance with contours. I have enjoyed the shapes of many of her earlier releases with the deep darkness of Farah my favorite. Off to Ibiza is the complete opposite of that perfume. Mme Bouge wants to create a bit of happy fun in a bottle capturing that anticipation as one prepares for a trip to Ibiza.
Off to Ibiza opens with the fruit as raspberry and watermelon act their roles. Mme Bouge keeps them on the light side. She also captures some of the watery nature of the watermelon with a bit of an aquatic accord. That aquatic accord provides the interstitial tissue to bridge to the single floral in Off to Ibiza, peony. Peony is not used nearly enough in perfumery. What Mme Bouge does with it in this fragrance makes me wonder why. Peony has a dewy floralcy similar to rose de mai. It also has a simplicity to it which also appeals as its fragrance manages to be enticing and buoyant. The peony in Off to Ibiza picks up on both the watermelon and the aquatic accord to combine into a larger accord that feels beachy to me. It all ends with a wash of white musks and sandalwood for a clean finish.
Off to Ibiza has 8-10 hour longevity and above average sillage.
I really was surprised at how much I liked Off to Ibiza. I think it is because Mme Bouge keeps it extremely simple but uses some less used members of the fruity floral fragrance community. It all adss up to a very pleasant olfactory trip.
Disclosure: This review was based on a sample provided by Campomarzio 70.
When I got to Esxence this year there were a couple of new lines which were high on my list to try. I am usually drawn to these new brands because of the perfumer they are working with. In the case of the new Orlov Paris line that was the case. Dominique Ropion is one of my favorite perfumers especially when he is working for a niche brand. Orlov Paris was premiering five new perfumes by M. Ropion at Esxence. I think the collection as a whole is very strong but there is one which I just couldn’t wait to spend some more time with, Star of the Season.
Star of the Season Diamond
Each of the perfumes in the Orlov Paris collection is based on a famous diamond which is also the name of each perfume. The diamond Star of the Season is a 100.10 carat diamond which was bought for a record price of $16,548,750 at auction in 1995. That is still the world-record for the highest amount paid for a single piece of jewelry at auction. When I think of diamonds I think of brilliance and sparkle. When I look at the picture of the Star of the Season above I see something which has mutable shades of blue much the way the ocean changes color in relation to the sky. I think M. Ropion looked at this diamond and also saw the deep violet color captured within and decided to make a crystalline iris perfume. I find Star of the Season to be sort of like gazing into a huge cut diamond and each day I wore it I was drawn by different facets and nuances as I allowed the olfactory brilliance to draw me in.
Star of the Season opens on a bold rose note as a sort of traditional harbinger of luxury. This is a dewy pure rose with the spicy core kept deep in the background. The orris comes next and it is a rich rooty iris. This also has its more common powdery elements dialed way back. It is earthier and M. Ropion adds patchouli to keep it tilted that way. Over time the earthy qualities fade and just the iris remains in all of its glory. It has a shine to it like it is those violet colors diffused through its namesake jewel. There is a quality of being captured in a crystal lattice which is what has made Star of the Season stand out for me. This all eventually settles onto a base of creamy sandalwood and warm vanilla.
Star of the Season has 10-12 hour longevity and average sillage.
As he has done with all of the perfumes in the debut collection for Orlov Paris M. Ropion has discovered shades of brilliance to display. Star of the Season is the deepest of those shades and perhaps that is why it has captured so much of my initial enthusiasm. I can easily say that Star of the Season is the star of the inaugural Orlov Paris collection.
Disclosure: This review was based on a sample provided by Orlov Paris at Esxence.
Editor’s Note: Orlov Paris will be available starting in July 2015. For those attending the upcoming Sniffapalooza Spring Fling. Orlov Paris is going to exclusively debut the collection at a champagne, caviar, and perfume reception on the evening of Saturday May 16 at the end of day one of Spring Fling.
There is a group of independent perfumers who I adore for their ability to poke and prod at the common perfume tropes. Natural perfumer Charna Ethier of Providence Perfume Co. is one of those unafraid to take the banal and try to make it something less so. I have to admit I forgot this when I opened my package from her with her latest release in it. As I finally revealed my sample from within its bubble-wrapped cocoon the name, Provanilla, made me groan a little inside.
Vanilla is low on my list of favorite featured notes because it is used so often in such an obvious way. It is either the sweet confectionary type. Or the evocation of the vanilla orchid carrying a more floral sweetness tinged with green. It has the ability to overwhelm anything around it and that’s what turns it boring. That was my frame of mind as I sprayed a bit of Provanilla onto a strip. That’s when I was reminded not of the hundreds of boring vanilla perfumes out there but Ms. Ethier’s skill at bringing me around to seeing something new.
Provanilla is a mix of five different sources of natural vanilla which provide the spine of Provanilla. What Ms. Ethier does is to tie up her five vanillas and throw then overboard to wash up on an isolated tropical island. The two components which create the Cast Away vibe are coconut pulp and a melon-based aquatic accord. Provanilla is a fantastic example of Ms. Ethier’s adventurous aesthetic.
Provanilla opens with the rich mix of the five sources of vanilla. This is a unique blend of vanilla because Ms. Ethier uses her own vanilla tincture to bind the vanillas she is using together. It makes it different but it is still vanilla. It is the melon-based aquatic accord which completely transforms Provanilla. It adds an incredible watery quality to everything. The vanilla accord bobs along on top of the water and once it finds shore it lands on top of a lovely bunch of coconuts. More specifically the pulp of the coconut which provides both complement and contrast to the central vanilla. The watery aquatic accord is still here too. I loved this tropical watery vanilla and it wears so easily without being uninteresting. Only in the base do things return to a sense of normalcy as eventually myrrh and balsam provide the base notes.
Provanilla has 6-8 hour longevity and very slight sillage.
I don’t know how many times it will take for Ms. Ethier to show me something different from that which I think I know well. Provanilla has perhaps provided the strongest proof yet of Ms. Ethier’s ability to completely change my thinking about a note.
Disclosure: This review was based on a sample provided by Providence Perfume Co.
One of my favorite discoveries at Esxence in 2014 was the revival of the Le Galion line of perfumes. Owner Nicolas Chabot has done an amazing job of restoring these perfumes to life so a new generation of perfume lovers can discover them. The perfumer who was behind the original Le Galion was Paul Vacher. M. Vacher is one of those ghosts from the time when perfumers were not spoken of. Once he formed Le Galion he was no longer quite as hidden. Le Galion eventually went out of business. Until a couple of years ago when M. Chabot stepped in. Last year at Esxence he premiered nine perfumes, all re-interpretations of M. Vacher’s originals. They were one of the most buzzed about brands at Esxence in 2014. Which made me wonder what the follow-up would be.
Nicolas Chabot (Photo: Sylvie Mafray)
The answer is six new releases, five of which are brand new creations. As it was a year ago I was very impressed with the continued evolution of the Le Galion brand. I will be reviewing all of the new perfumes over the next few weeks but before heading into the new there was one last nod to the past, 1968’s Vetyver.
M. Chabot’s partner for much of this olfactory architectural restoration has been perfumer Thomas Fontaine. M. Fontaine is becoming the best modern perfumer at finding a way to use contemporary materials to retain the feel of the past which is what he does very well with his re-work of Vetyver.
Vetyver was definitely a product of its time. When I entered the booth at Esxence this year the poster above greeted me on one wall. The very 60’s woman holding a pistol and a bottle of Vetyver are like a visual time capsule. Vetyver thankfully is not as mired in the past. It does have a bit of that Austin Powers-like Shagadelic vibe very early on. As it develops the 60’s get left behind especially when Vetyver moves into the middle and end phases of development.
The early moments of Vetyver are like an homage to the classic men’s powerhouse fragrances of the 60’s and 70’s as bergamot and mandarin are blended with nutmeg and coriander. The opening moments of Vetyver will remind you a lot of those perfumes. It has such a strong evocation of the time that I was worried the rest would feel as dated. Instead it uses the same ingredients which might have made up the next phase of those dated fragrances and instead re-balances them for a much different effect. Petitgrain, verbena, and lavender were also normal running partners to spicy citrus openings. M. Fonatine takes those ingredients and instead of ramping up the intensity into a knockout punch he turns it into a caress. The lavender forms the first light touch with tarragon and clary sage used to accentuate the herbal nature. Verbena is also kept feather light and is bolstered slightly by a precise amount of petitgrain to accentuate the lemon nature. This all leads to one of the more interesting appearances of vetiver I’ve tried recently. M. Fontaine brings the vetiver forward and allows it to have the next part of the development to itself. With a grouping of notes only slightly more intense than the ones used in the heart he shades Vetyver darker but more twilight than midnight. Sandalwood and tonka bean provide some depth and sweetness. Musks go for that slightly earthy effect that goes so well with vetiver as a note.
Vetyver has 10-12 hour longevity and average sillage.
Vetyver is a good example of the care M. Chabot and M. Fontaine have taken in updating M. Vacher’s perfumes into the 21st century. As I wore Vetyver over these first few warm days I noticed how different it was than many of my other vetiver fragrances. This speaks volumes about how to effectively bring the past into the present. Le Galion has done that extremely well.
Disclosure: This review was based on a sample provided by Le Galion at Esxence 2015.
It brings a smile to my face that the scion of one of the greatest names in cognac is making perfumes around different liquors. What doesn’t bring a smile to my face is these perfumes are city exclusives. Owner and creative director of By Kilian, Kilian Hennessy, released Apple Brandy for the opening of his New York boutique. This was followed by Vodka on the Rocks for the Moscow store. I liked both of them and they are good takes on the liquor named on the label but I only try to write about city exclusives when I think they are truly exceptional because of their limited availability. The reason you’re reading this is the latest release for Harrod’s in London, Single Malt, is one of the best in the By Kilian line in years.
For much of the last four years M. Hennessy has been broadening his brand by adding in very specific styles of perfumes. At this point in time it is probably safe to say there is a By Kilian perfume that should appeal to anyone. That is good business. What I have been missing over the recent releases has been the deeper slightly dangerous vibe of the original releases. The most recent Addictive State of Mind collection sort of returned to that but Single Malt really feels like the one that hearkens back to the origins of the brand.
For most of the perfumes in the line M. Hennessy has worked with two perfumers. For the olfactory liquor cabinet he turns to one of them Sidonie Lancesseur. Mme Lancesseur has a great understanding of what M. Hennessy wants. It has led to her making some of my favorites in the line. For Single Malt she is constructing a whisky accord from a disparate group of notes. This is another characteristic of some of the best By Kilian scents. I like being able to pick out the individual raw materials and then all of a sudden, like magic, they all snap together to form something that is recognizable.
Single Malt starts off like a typical fruity floral as plum is the first thing I notice. It is a restrained plum not juicy but maybe a day or two from being fully ripe. It is restrained but it is a sweet fruity beginning. What comes next is a rich wheat absolute. This is the core upon which Mme Lancesseur will build her whisky accord. Right away the plum seems to be wrapped up in the wheat and altered. The clean woodiness of cedar and the resinous quality of tolu begin to refine the accord. Then the last piece, vanilla, comes and just like the way a drop of water releases the best single malt the vanilla zips all of this together into the promised whisky accord.
Single Malt has 10-12 hour longevity and above average sillage.
Single Malt is reminiscent of what I think is the best fragrance in the line Back to Black. Where that perfume was all about tobacco this one is all about whisky. Both of them are fascinating studies in the art of capturing an effect. Hopefully this one will eventually be released more widely than just in London. I think it is worth the effort to try and acquire now especially if you are a fan of the early By Kilian releases. I am going to sit back with a glass of Balvenie 12 yr Doublewood and breathe deeply, surrounded by some of my favorite odors in the world.
Disclosure: This review was based on a sample I purchased.
If you’re looking for the creativity in perfume you have to look no further than the very excellent Christian Dior La Collection Privee composed by Francois Demachy. Starting in 2009 with Ambre Nuit M. Demachy has curated and composed a collection which represents everything Christian Dior stands for. There is no shortage of imaginative perfume making going on throughout the fragrances in this collection. It is also seems to be relatively unknown. I know at every Sniffapalooza when I introduce some one to the line in its in-store boutique at Bergdorf Goodman they also walk away impressed and usually with a bottle in their bag.
The latest release Feve Delicieuse is the first real gourmand in La Collection Privee. Even as I type that I hesitate to call it a gourmand because while it is a vanilla fragrance it is mostly a tonka bean perfume. M. Demachy keeps it very simple but he also uses some really beautiful raw materials. This means that Feve Delicieuse relies upon the ability of those materials to all take their place in the proper order without taking over. M. Demachy ends up turning Feve Delicieuse into a vanilla that is not cloying or syrupy. It has an unusual delineation and a snap to it instead of the more typical treacly kind of vanilla more common within the gourmand family.
Feve Delicieuse starts off with a patina of Calabrian bergamot. Bergamot is such a ubiquitous ingredient in the opening of perfumes it is easy to overlook it. M. Demachy found a bergamot which makes sure you pay attention. It has that lively bright citric tartness but this also has a subtle undertone of crisp apple. I’m not sure if there is another ingredient which helps focus that grace note into something crisp and green. It is almost a palate cleanser as the main course of tonka bean from Venezuela is next. Tonka is one of those versatile notes in perfumery because it has a transparent vanillic character paired with a coumarin-laden nutty hay-like quality. Usually a perfumer picks one side or the other to accentuate. Because the tonka is the star M. Demachy does both. In the early moments of the tonka appearing, there are richer sweet gourmand notes of caramel and chocolate. The nutty part of tonka sinks in to the sticky matrix and forms an abstract hazelnut accord. If that was all there was to Feve Delicieuse I would have been happy. M. Demachy had some more to show me. The vanilla side of tonka starts to become more pronounced because M. Demachy adds in Madagascar vanilla. This is where Feve Delicieuse becomes something more than gourmand. As the tonka and the vanilla combine instead of heading for full-on gourmand territory it finds a lightness of being which then turns almost golden like diffuse sunlight. It is an immensely satisfying place to spend the final hours with Feve Delicieuse.
Feve Delicieuse has 10-12 hour longevity and modest sillage.
M. Demachy on the Christian Dior website talks about how he wanted Feve Delicieuse to portray the “love of harmony” that is the Dior aesthetic. In the case of Feve Delicieuse I have to agree that the harmonies are all spot on as they sing an intricately layered song.
Disclosure: This review was based on a sample I purchased.
There may be no designer collection which holds more interest for me than the Cartier Les Heures de Parfum. Starting in 2009 Cartier in-house perfumer Mathilde Laurent kicked off Cartier’s exclusive perfumes with five entries on her thirteen-hour clock face. Ten of the thirteen hours have been released but there hasn’t been a new one since 2012. Mme Laurent works at her own pace and so after a nearly three year wait the latest entry has arrived, XI L’Heure Perdue.
L’Heure Perdue translates to “lost time” and this time it seems like a bit of non-sequitur for a name. Mme Laurent was very conscious of creating a specific effect with L’Heure Perdue. In an interview with Thomas Dunckley on his The Candy Perfume Boy blog Mme Laurent was quoted on the creation of L’Heure Perdue, “I wanted to create a perfume that did not rely on natural ingredients. It’s totally molecular or ‘synthetic’.” The more I talk to perfumers the more I am hearing this slight irritation with the perception that natural is better by default. For these artists natural or synthetic they are all components for them to comprise a specific effect. The effect Mme Laurent is going for here is sci-fi milk.
Mme Laurent, also in The Candy Perfume Boy interview, mentions that she uses vanillin as the keynote for L’Heure Perdue precisely because it has been the source of the smell of vanilla for 100 years and it is completely synthetic. By using vanillin and its familiar vanilla as her foundation she forms a kinetic kaleidoscope of other aldehydes. It makes L’Heure Perdue one of the boldest explorations of aldehydes in recent memory as Mme Laurent goes to her organ and sweeps it clear except for the shelf holding these ingredients.
The first aldehyde which comes out is heliotropin. Heliotropin besides smelling like heliotrope also carries with it a slightly sweet almond-like nuttiness and a vanillic undertone. This is where I would tell anyone who tries L’Heure Perdue to stop and really experience the first moments. It is almost a heliotropin solo act. If you stop and smell the heliotropin I think you will see there is incredible depth and nuance in this synthetic component. It doesn’t take long for a sirocco of many aldehydes to sweep in and lift the heliotropin up on their shoulders and carry it toward the vanillin in the base. This middle phase has all of the kineticism I associate with aldehydes as they fizz and pop around the heliotropin. Eventually they arrive where the vanillin is waiting. Once L’Heure Perdue comes together it is like a digital version of milk. It definitely has the smooth creaminess of milk but the other aldehydes twist it into something a 3-D printer would produce. I have spent days trying to find a way to describe this and still words fail me.
L’Heure Perdue has 8-10 hour longevity and average sillage.
L’Heure Perdue’s embrace of the synthetic over the natural feels a bit like a statement from one of our best perfumers that you ignore the synthetics at the peril of your own creativity. What L’Heure Perdue displays is if you embrace the right synthetics you will produce something as breathtaking as anything nature can produce.
Disclosure: This review was based on a sample I purchased.
It can be difficult to have a recognizable surname and yet forge your own path, especially when you choose to work in the same field. It is why since 2006 when Romano Ricci started his own fragrance line called Juliette Has a Gun it took some time for him to create his own brand DNA. By 2015 that aesthetic has been refined and perfected. I think it is an important component of success to create a recognizable brand identity in the ever more crowded niche perfume sector.
M. Ricci has always presented his fragrances as chapters in a story following his contemporary version of Shakespeare’s Juliette. In this fragrant story Juliette has never been demure about inserting herself into the action and shunting Romeo, or anyone else for that matter, to the stage apron. Assertiveness in a heroine is often confused with masculinity. For this thirteenth chapter of Juliette’s story, Gentlewoman, she has embraced the characterization and re-cast herself as the “neo-dandy”. What would a neo dandy wear? Why a neo-cologne of course.
Gentlewoman is M. Ricci’s exploration of that most classical of perfume architectures, eau de cologne. Like his Juliette it is also a modern re-telling of something deemed classical. It also takes eau de cologne and makes it softer around its more traditional spine. There has always been a visual component to M. Ricci’s releases. For Gentlewoman he chose photographer Sonia Sieff to lend some pictures of this thirteenth version of Juliette. The three I’ve chosen to illustrate this show her as she slowly transforms from tuxedoed neo-dandy into seductress. Gentlewoman also does the same kind of deconstruction from classically appointed to musky enticement.
Gentlewoman opens on the typical eau de cologne ingredients of bergamot, petitgrain and neroli. There are many colognes which start this way but in the case of Gentlewoman I think the neroli is a little more opaque which forms a less percussive cologne opening than is expected. The person in the tuxedo looks like a woman, is she? The heart of this is where the lavender which often makes up the heart of a cologne is now surrounded by different choices. For Gentlewoman it is the twin choices of coumarin and almond which turn this cologne onto a different path. The almond provides a slightly sweet nutty quality. The coumarin adds a slightly sweet hay-like quality. Together the subtle sweetness over the more substantial nutty and hay qualities is really enticing. Again as in the top notes orange blossom is added to soften the potential rough edges. This is when the bow tie is loosed. The jacket thrown over the top of a chair. Juliette looks appraisingly at you, are you game? The base notes answer that question with a mix of three synthetic musks: ambroxan, muscenone, and ambretolide. Together these form that very sexy skin accord with a bead of sweat rolling tantalizingly down it. Juliette has made her choice clear and you will be forever lost to her charms.
Gentlewoman has 8-10 hour longevity and average sillage. This might be a modern eau de cologne but it definitely is at a much higher oil concentration than the typical eau de cologne and as a result lasts much longer.
M. Ricci has continued to evolve his brand while staying true to his titular heroine. Gentlewoman takes her into a new place; one which any lover of cologne should enter.
Disclosure: This review was based on a sample provided by the US distributor Europerfumes.
All photographs, except package shot, are copyright Sonia Sieff for Juliette Has a Gun.
If I was asked to name a perfume trend of the last six months I would unhesitatingly reply, “green”. Not green in the sense of being eco-friendly but green as in the combination, and dominance of, green notes and themes. It is an interesting hive mind kind of thing to think about; when perfumers working all over the world all begin to converge on a similar theme. You might easily believe in New York and Paris where there are higher numbers of perfumers some of that might form organically. How do you explain it finding its way to Montreal? Owner and perfumer of Monsillage, Isabelle Michaud, has produced one of the more unique green perfumes I’ve smelled called Eau de Celeri.
Isabelle Michaud (center) with her 2015 Art and Olfaction Award in the Artisan Category
Based on the name you might expect Eau de Celeri to evoke the vegetable crisper drawer in your refrigerator. Let me assure you right at the top that is not the case. The celery in the title is meant more to give you a sense of the hue of green Eau de Celeri represents. It isn’t a pale transparent wispy green. It also isn’t a galbanum sledgehammer either, although there is galbanum here. Mme Michaud works some of the more familiar green sources but she finds something crisp about them. If there was anything about celery this perfume reminded me of it was that snap of a fresh stalk.
Mme Michaud opens with a very fresh citrus mélange of lemon and grapefruit. This is a tart snappy beginning. It segues into a cut-grass accord but there is one additional note Mme Michaud adds which gives that cut-grass a makeover. She uses coriander leaf as a co-conspirator. The rough green quality of coriander itself is instead made diffuse placed inside a leafy matrix. It adds an herbal edge as well as subtly shading the grass slightly darker. It allows for an extremely smooth transition to a base of vetiver on top with galbanum providing support. If galbanum can clobber you like a caveman’s club; in Eau de Celeri Mme Michaud employs it more like a scalpel. She allows it to fill in the gaps that the vetiver and the cedar in the base leave for it. It makes it more of a ghost floating in and out between the other two more prominent notes. That kind of wispiness caused me to keep tuning back into Eau de Celeri on the days I was wearing it. It acted like an olfactory tap on the shoulder saying, “Hey you’re wearing a pretty nice perfume buddy.”
Eau de Celeri has 14-16 hour longevity and above average sillage.
On the days I wore Eau de Celeri I had a few people ask me what I was wearing. It is really a very genial perfume that can be worn for almost any occasion. Mme Michaud plugged into the perfumed gestalt around green and came up with one different than all the rest.
Disclosure: This review was based on a sample provided by Twisted Lily.
Editor’s note: Eau de Celeri recently won a 2015 Art and Olfaction Award in the Artisan Category.