New Perfume Review Diptyque Fleur de Peau- Axis of the Spring

There has been a refreshing new trend in spring florals this year; it has been more than rose. What has been amusing is several of this year’s seasonal releases have found a new choice, the classic ambrette-iris-musk axis upon which to have their perfume roll. The origins of this triad come from Chanel No. 18, for 2018 this has become the inspiration for many. One which takes it in a different direction is Diptyque Fleur de Peau.

It has been interesting to see new perfumes look for ways to make classic accords more transparent. I don’t think it works as much as it fails. What sometimes makes a classic accord has something to do with balance. If you’re going to re-interpret one you need to make sure you pay attention to that balance. Perfumer Olivier Pescheux takes this tack for Fleur de Peau.

Olivier Pescheux

One way to do that is to alter the botanical musk of ambrette with the synthetic musks in the base sandwiching the iris. M. Pescheux seemingly does this by reducing the concentration of the ambrette while adding in some fresher musks to the base. The iris in the heart is also a much opaquer version as well. Because M. Pescheux strikes the right proportions Fleur de Peau succeeds.

The opening reminds me of a fine milled soap as the ambrette is matched with baie rose. The baie rose picks up some of the slack for M. Pescheux backing off the concentration of the ambrette. The iris comes forward and it is a powdery version kept on the lighter side. It never intensifies to the Coty lipstick style of iris; it stays as a lighter dusting of floral. Some rose, again, picks up some of the heft for using a more expansive version of iris. It finally ends with the musks. There are some of the animalic musks but M. Pescheux also blend some of the linen musks in. It provides a cleaner accord without losing the growly musks entirely.

Fleur de Peau has 8-10 hour longevity with average sillage.

Fleur de Peau takes the axis of the past and transforms it into an axis of the spring. I’d much rather ride in this car than most of the other rose perfumes this year. If you’re looking for a fresh spring floral Fleur de Peau is worth a spin.

Disclosure: This review is based on a sample provided by Diptyque.

Mark Behnke

New Perfume Review Diptyque Tempo- Patch Triple-Decker

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Over the last fifteen years there has been a revolution in the way the traditional building blocks of perfume have been altered through the different ways of extracting them. Supercritical fluid, headspace, fractional distillation, enzymatic digestion, and a bunch of proprietary effects to each oil house. What this has meant is perfumers have a vast array of effects to choose from for even the most used perfume ingredients. It can make for a new perspective on the familiar. One ingredient which has been significantly differentiated by these processes is patchouli.

Fifty years ago, patchouli was the scent of the hippies during the Summer of Love. Strong, or overbearing, depending on your feeling about it there was one way to get it, as an essential oil. Come to the present day and the shelf which holds patchouli has an array of altered versions. That means the rougher edges can be softened or made more prominent. One of the new perfumes from Diptyque celebrating their 50th year of making perfume, Tempo, is made up of three different extractions of patchouli.

Olivier Pescheux

Givaudan perfumer Olivier Pescheux took advantage of his company’s plantation of sustainable patchouli in Indonesia. By having a consistent source, it allows for the company to experiment with different extraction methods. M. Pescheux has taken three of those methods to be combined as the keynote patchouli accord for Tempo. When I have been exposed to these methods I have always enjoyed comparing it to the original essential oil because they have odd little nooks and crannies for perfumers to insert other ingredients to replace what is missing. M. Pescheux does a wonderful job at choosing some interesting choices for those substitutes.

From the first moment I sprayed on Tempo the patchouli is front and center. Early on it feels like a version where the earthier qualities are minimized. It is soft and to replace that M. Pescheux steps forward with violet leaf. This provides a different kind of grounding through a green type of floral. A fuller patchouli starts to become apparent at the same time I also detect the appearance of pink pepper and clary sage. It is a strengthening but not overwhelming more like half an octave. At this point it is still a soft patchouli. The real strength shows up later as a very green leafy patchouli is made edgy with a shot of mate. Mate when it gets sharp usually bothers me but in this case,  it gives Tempo a bit of bite which I found I wanted after the softer two-thirds of the development.

Tempo has 10-12 hour longevity and average sillage.

Tempo is a perfume for patchouli lovers, I would be surprised to see it change anyone who is not fond of the note into a fan. If you do enjoy patchouli Tempo provides a fascinating effect as the three extractions of patchouli form a kind of triple decker with enough space for other things to make it more complex.

Disclosure: This review is based on a sample provided by Diptyque.

Mark Behnke

Discount Diamonds: Montblanc Legend Intense- Second Bite of the Pineapple

On my latest scavenger hunt at the discount store I was surprised to see the subject of this month’s column, Montblanc Legend Intense, on the shelf. I had always seen this perfume as correcting all the flaws I found in the original Montblanc Intense which deservedly has been in the discount bin for years. Most of the times flankers are either cynical seasonal editions or complete re-workings. Montblanc Legend Intense was something different.

Montblanc Intense was released in 2011 by perfumer Olivier Pescheux. It was a wan attempt at a fruity fougere using pineapple and apple. The whole composition felt thin like it was missing something in support. It wasn’t anything I was going to remember until a couple years later while walking through the mall and being handed a strip. As I sniffed I thought this is very good, I asked the sales rep and she showed me the Montblanc Legend Intense bottle. I realized that this was the new and improved version of Legend. Now all the empty spaces were filled in to create something to remember.

Olivier Pescheux

In the original the opening of pineapple was given no help by the addition of coumarin and verbena. For Legend Intense M. Pescheux switches those out for cardamom and Pepperwood. What these notes do is lift up the pineapple into a crispness which was never apparent in the original. For the heart apple is again the keynote. This time M. Pescheux again goes for a crisp effect around the fruit using cedar, and the rose-apple aromachemical Pomarose. Everything about the opening is better it has clear delineated structure around a set of two fruit notes. The base is even better for the changes. This time M. Pescheux goes all in with a mixture of the most powerful woody aromachemicals mixing a potent cocktail of Ambroxan, Karanal, and Okoumal. These combine to form a long-lasting woody foundation.

Legend Intense has 16-18 hour longevity and average sillage.

I always think of Legend Intense as M. Pescheux’s second bite of the pineapple. I certainly believe it is a much better perfume in every way that I can quantify that statement. I had thought it to be a perennial best-seller but perhaps its days at the mall have passed. So much the better because it makes Legend Intense a Discount Diamond.

Disclosure: This review is based on a bottle I purchased.

Mark Behnke

New Perfume Review Diptyque Vetyverio Eau de Parfum- Back to Earth

Vetiver is one of the more common perfume ingredients. It is hard to find new perspectives when designing a vetiver-centric fragrance. It is one of my favorite ingredients because it displays a wide versatility; which should be obvious if it is used so often. One of the more interesting studies of vetiver was in 2010’s Diptyque Vetyverio.

Perfumer Olivier Pescheux took a solid axis of vetiver and on three different levels spun three sets of notes to shape the vetiver as it developed on the skin. At the time I first wrote about this I mentioned this was a lighter version than most vetivers where the higher harmonics were emphasized over the deeper ones. Vetyverio is one of those that is made for the warmest of days when fragrance verges on becoming an irritant no matter what. It has never made my personal top list because I have come to prefer my vetiver with some more pop to it. Apparently, I am not alone as there is a more concentrated version just released Vetyverio Eau de Parfum.

Olivier Pescheux

Befitting the overall style, the original was released in eau de toilette concentration. M. Pescheux returned to oversee the increase in concentration. As I say every time I review a different concentration it just can’t have the original ingredients modified to fit the new concentration. To be faithful to the original the perfumer must make some important decisions. In this case M. Pescheux has decided to strip the formula down to its essence. The original had twelve listed notes; the Eau de Parfum just four. If pushed to describe the original in a few words I would have said citrus-rose-grass. This time M. Pescheux changes the third part to earth as patchouli is used to take the same Haitian vetiver used before and ground it.

Vetyverio Eau de Parfum uses grapefruit as the citrus on top. The citrus was bright in the original. Here the grapefruit can display some of its sulfurous quality before the same rose as in the previous formulation picks it up. In a lighter formulation, you take rose and lift it up with pother florals. In this formula, you let the rose alone allowing it to radiate in all its Damascene glory. The vetiver concentration being upped means the woodier quality of the Haitian vetiver has more presence. Adding in patchouli drags it away from the fresher greener grassier elements and down towards the ground. This duet changes the comparison between what came before and now.

Vetyverio Eau de Parfum has 10-12 hour longevity and average sillage.

The original formula was never going to really resonate with me because of the lightness of it all. Vetyverio Eau de Parfum does connect because it takes the vetiver and brings it back to earth.

Disclosure: This review was based on a sample provided by Diptyque.

Mark Behnke

New Perfume Review Ex Nihilo Amber Sky- Do Robots Dream of Amber Skies?

I have been interested in the brand Ex Nihilo from when I first became aware of them a little over a year ago. The concept is they make a perfume and through the use of an instrument they call an Osmologue they add in a specific note of the buyer’s request. It creates a personalization similar to having a bespoke perfume made. As I tried all of the perfumes in the line I have always enjoyed the baseline perfume so much that the idea of adding something to it was not appealing. Even when visiting the brand outpost in Bergdorf-Goodman in NYC I tried the variations on some of my favorites in the line; always preferring the basic model. When I received my sample of the twelfth release Amber Sky I think I’ve found one that I might want to try adding something to it.

Ex-Nihilo-Team

Ex Nihilo Creative Team

Amber Sky is the third perfume by Olivier Pescheux under the Ex Nihilo creative team of Benoit Verdiere, Sylvie Loday, and Olivier Royere. It must be an interesting process to create a perfume made to be tailored at the final step to a personal taste. One of the reasons I haven’t been interested in changing from the perfume as bottled is all of the previous releases have distinct top, heart, and base accords I liked. Amber Sky is the first one which seems to have a missing top accord opening up the opportunity to add something in. The heart and base are lovely and so the opportunity to tune this perfume to taste really explores the entire Ex Nihilo hypothesis.

olivier pescheux

Olivier Pescheux

Amber Sky opens with a full geranium showing its greener qualities to their fullest. M. Pescheux support it with a couple of spices in coriander seeds and nutmeg. The nutmeg does a nice job of making the geranium softer; it adds a definite presence. The advertised amber arrives in the base lifted up by a duet of woods in cedar and sandalwood. This starts very dry until tonka and vanilla act, as the nutmeg did previously, as a softener of the amber-centric base accord.

Amber Sky has 10-12 hour longevity and above average sillage.

I enjoyed what was here but I did really want more of a floral presence in the early going. This is where the Osmologue might be able to help me out. Of the choices that are available I would really like to see Amber Sky with orange blossom, rose, and jasmine added. When I visit NYC at the end of the month I am going to try it out and see. Amber Sky on its own is a simple amber perfume well-executed and if that is appealing you might not need anything added. I am interested in allowing the robot to dream of amber skies.

Disclosure: This review was based on a sample provided by Ex Nihilo.

Mark Behnke

Dead Letter Office Lanvin Arpege Pour Homme- Too Powdery Masculine Floral

I was always a fan of the original Lanvin Arpege. The 1993 reformulation even felt very much like a perfume designed for men. It was with a great deal of interest when I found out that there was a Lanvin Arpege Pour Homme. I was wondering what Lanvin would consider a manly Arpege to smell like.

olivier pescheux

Olivier Pescheux

In 2005 perfumer Olivier Pescheux was chosen to compose this perfume. At this time in the brand history Lanvin was deep in the midst of a deep identity crisis. Arpege was one of the great perfume classics but they weren’t sure how to leverage that affection from the consumer into a brand-wide version. I could probably make the case that this is the current state of affairs at Lanvin, as well. I speculate that there was vigorous discussion taking place behind the scenes on how best to position Lanvin as a fragrance brand. One thing is for sure there was never any consensus reached even though the team of Creative Directors; Philippe Benacin and Anne Duboscq have been in place for the entire time. For Arpege Pour Homme it would be M. Benacin collaborating with M. Pescheux.

philippe benacin

Philippe Benacin

For almost forty years there were attempts to make the “masculine floral”. What this generally meant was a floral perfume wrapped up in enough hairy chested notes it wouldn’t be the perfumed equivalent of wearing a dress. The ones which had a little bit of traction were the rose versions because you could load them up with spice and drop it into a sandalwood base. For this time period there was no breakout successful “masculine floral”. This was the tack Messrs. Benacin and Pescheux wanted to take for Arpege Pour Homme. They wanted to use the iris of the original and sandwich it in between citrus and woods. Iris has always been a tricky ingredient to sell to men because it can be so reminiscent of the women in their lives iris scented cosmetic products. It made M. Pescheux’s task that much more difficult.

Arpege Pour Homme opens with a distinct citrus character from bitter orange sweetened just a little with mandarin and pink pepper. M. Pescheux sets the stage for the iris by using a bit of neroli to provide the transition. The iris comes next and it is reminiscent of those powders. M. Pescheux does his best to keep that quality under control with nutmeg and mate providing a sharper edge. It isn’t very successful. The powderiness doesn’t really become modulated until the sandalwood and patchouli of the base get a chance to add some presence.

Arpege Pour Homme has 10-12 hour longevity and above average sillage.

In 2005 Arpege Pour Homme had a bit too much of the cosmetic counter in it to find any real market share among men. The real death knell for this perfume was the release of Dior Homme in the same year. Dior Homme was the breakout “masculine floral” the market had been waiting for. To add insult to injury it was also focused on iris. The Dior Homme iris was paired with lavender and wrapped in chocolate and leather; with not a hint of powder to be found.

I think Arpege Pour Homme is underrated and an interesting counterpoint to Dior Homme. I’ll admit I wear the latter more than the former but there are days I can stand a little powdery iris to be part of it. Arpege Pour Homme is easily found online for pretty reasonable prices.

Sometimes the marketplace given two differing visions postmarks one for the Dead Letter Office which is what happened with Arpege Pour Homme.

Disclosure: This review is based on a bottle I purchased.

Mark Behnke

New Perfume Review Diptyque Eau des Sens- Aloft in an Orange Tree

I am always impressed with the continued excellence shown by Diptyque. They have stayed true to their brand, and what it represents, for forty years. Over the last few years it has been given over to the hands of mainly two perfumers, Fabrice Pellegrin and Olivier Pescheux. That has resulted in one of the stronger runs of releases for Diptyque in their long history. As each new release arrives I look for signs of a downturn. The latest Eau des Sens continues the trend of quality.

One of the earliest perfumes by Diptyque, Philosykos, is a study of the fig tree in its entirety. One of the best orange fragrances I own is L’Eau de Tarocco which was composed by M. Prescheux. Eau des Sens is a study of the orange tree in the same vein as Philosykos with the same perfumer as L’Eau de Tarocco. It makes Eau des Sens a hybrid of two of the best fragrances within the line. It actually lives up to this pedigree.

olivier pescheux

Olivier Pescheux

As a boy who spent way too much time sitting in the branches of an orange tree while growing up in S. Florida that smell is imprinted in my memory. One of my favorite remembered smells of that time is when the tree would be covered with orange blossoms. As the wind would blow through; the softest floral smell on top of the wood of the tree came to my child’s nose. When those blossoms became fruit the smell of the tree would change. M. Pescheux captures both of those transitions within the development of Eau des Sens.

Eau des Sens opens with the fruit, as a bitter orange comes up first. M. Pescheux chooses juniper berry to enhance the bitter quality just a bit. For those who are fans of L’Eau de Tarocco this is that orange made less effusive and a bit more conservative. It sets the stage for the orange blossom to arrive on its own breeze of angelica which plays the part of the tree. After climbing an orange tree I would have the smell of the wood on my hands; which always had a bit of a spicy smell to it along with the smell of my sweaty skin. This is what the angelica imparts to Eau des Sens. The orange blossom is tuned to just the right intensity. Not too transparent and not too concentrated. M. Pescheux balances the orange blossom and angelica just right. A great earthy patchouli provides the soil the tree is rooted upon as the base note.

Eau des Sens has 8-10 hour longevity and average sillage.

M. Pescheux has successfully called back to two of the standouts within the Diptyque brand while making something different enough from both of them to stand on its own. It is a complete experience of being aloft within the branches of an orange tree without a care in the world.

Disclosure: This review was based on a sample provided by Diptyque.

Mark Behnke

New Perfume Reviews Ex Nihilo Rose Hubris and Musc Infini- Haughty or Powdery Rose

As I mentioned in yesterday’s review Ex Nihilo has opened an in-store boutique at Bergdorf-Goodman in New York City. One of the interesting concepts behind Ex Nihilo is the ability to personalize any of the nine perfumes by adding one of six raw materials via the Osmologue. The six materials are iris, orange blossom, sandalwood, vanilla, Rose de Mai, and jasmine. I was skeptical about this process but on my recent visit some of those concerns were allayed a bit. My favorite of the first five Ex Nihilo fragrances I tried was Vetiver Moloko and I’ve worn it enough to know it well. In the boutique we added three of the six ingredients for me to try; orange blossom, sandalwood, and vanilla. Each ingredient was approved of by the perfumer as being able to blend well with the perfume in its unadorned state. What I found was the orange blossom brightened up what is a shadowy fragrance in Vetiver Moloko. The vanilla turned it into a delicious creamy gourmand reminiscent of the A Clockwork Orange moloko. The sandalwood made the vetiver pop as it brought it to an even greater level. I still think I prefer my Vetiver Moloko as the perfumer created it but the idea works.

I am going to finish up my reviews of the Ex Nihilo debut fragrances with two rose fragrances, Rose Hubris and Musc Infini.

olivier pescheux

Olivier Pescheux

Rose Hubris was composed by perfumer Olivier Pescheux. In my review of Oud Vendome I liked the way he pushed the envelope making the most structurally interesting of the Ex Nihilo perfumes. Rose Hubris is a little less adventurous but the opening moments do provide something different in a rose perfume.

Those early moments are where M. Pescheux trots out fenugreek and lychee as his top accord. Fenugreek is one of those perfume ingredients I would like to see used more often. It has an odd dichotomy of earthiness and syrupy sweetness. I think of it as kindred to immortelle in that department. In Rose Hubris being paired with the lychee it thrusts the sweeter character to the foreground but that earthy quality adds a really unique underpinning. A fabulously beautiful Rose de Mai is the rose in the heart. It really does carry a haughty air as it powers through the fenugreek and lychee to take over. It is a more giving partner to the base notes of patchouli and oakmoss where it settles down into more typical rose fragrance patterns.

I adore the opening phases of Rose Hubris and that makes me more forgiving of it becoming a little more traditional in the back half of the development.

Rose Hubris has 10-12 hour longevity and above average sillage.

Louise Turner

Louise Turner (Photo: Rui Camilo Photography)

Musc Infini was composed by Louise Turner. Ms. Turner is one of those perfumers who does not make an impression on many perfume lover’s list of favorite perfumers. She should as she has made some of the best mass-market perfumes to be found. For Ex Nihilo she is afforded the opportunity to have some more latitude in constructing Musc Infini. What she does is to take a very powdery rose and sandwich it between a couple of synthetic musks to form an uber powdery floral perfume.

Musc Infini opens with the botanical musk provided by ambrette seeds leavened with a pinch of citrus. This quickly transitions into a soft powdery rose. This rose is turned even softer as two synthetic musks embrace it and form this incredibly silky smooth puff cloud of powder. Very late on a bit of vanilla cuts the powder but not for a long while.

Musc Infini is for those who love their florals powdery. This is the one perfume of the collection where I would like to see what the addition of iris would do to it. Would it add another layer of powder or shift it into something else? I know on my next visit that is the experiment I want to try.

Musc Infini has 10-12 hour longevity and average sillage.

I am impressed with this initial collection of Ex Nihilo it shows a breadth of styles along with a new way to personalize the perfume to what you like. Definitely worth a visit next time you are in NYC.

Disclosure: This review was based on a sample provided by Ex nihilo.

Mark Behnke

New Perfume Reviews Ex Nihilo Bois D’Hiver and Oud Vendome- Two Faces of Wood

Back in March I wrote about the new perfume brand Ex Nihilo created by partners Benoit Verdier, Sylvie Loday, and Olivier Royere exclusively in their Paris boutique. At that time, I had five of the nine releases and was hoping for another helpful friend to get me the remaining four. Instead those remaining four came to me as Ex Nihilo has opened an in-store boutique at Bergdorf-Goodman in New York. Ona recent trip to New York City I stopped in to get samples of the remaining four and take in the Ex Nihilo experience. I will talk more about that in tomorrow’s review for today I will give quick reviews on two of the woodier offerings in the original collection.

michel girard

Michel Girard

Boid D’Hiver (winter woods) is composed by perfumer Michel Girard. M. Girard has spent most of his career composing mass-market designer fragrances. I am always interested to see what a perfumer who has been so successful in the mass consumer market does when given the opportunity to go with a niche sensibility. In Bois D’Hiver it is clear that M. Girard relishes having the opportunity to add a few more precious raw materials while staying true to his populist aesthetic. It makes Bois D’Hiver the more easily experienced fragrance but no less interesting for that affability.

M. Girard uses a very focused burst of cardamom and pink pepper to lead you into those winter woods. The first of which is cedar wrapped in a floral cloak of cyclamen and heliotrope. The intense florals do an excellent job of making the cedar more interesting and less of a framing device as it so often can be. The real woods come in the base as an oud accord and sandalwood form the real woody heart of Bois D’hHver. A little patchouli and a little musk are here also but it is the sandalwood and cypriol-based oud accord which stand out.

Bois D’Hiver is a smoothly unspooling piece of perfumery. I admired the way M. Girard agilely carried me from one phase of development to the next. Bois D’Hiver is so easy breezy to wear I suspect this is going to be one of the brand’s best sellers.

Bois D’Hiver has 12-14 hour longevity and average sillage.  

olivier-pescheux

Olivier Pescheux

Oud Vendome by perfumer Olivier Pescheux is the opposite of Bois D’Hiver as I think it is one of the more adventurous entries in this inaugural collection. M. Pescheux combines many of niche perfumery’s most challenging notes into a perfume which is fascinating for how they all manage to combine into a perfume more enjoyable despite the envelope pushing going on.

M. Pescheux opens with a very focused ginger swathed in saffron. The ginger here is really tightly controlled making it a concentrated focal point. By making it that tight the saffron has more space to expand into. I think there are going to be people who will be surprised at this opening as it was nothing like I imagined it would be when I saw the note list. The heart is a raw cedar wood made even more vestigial with galbanum making it seem like a freshly shattered branch. Then we get down to a base of real oud matched with incense. The oud is allowed to be oud and some of its more challenging facets are here to be seen. The incense helps keep them from being as strident as it could be.

Oud Vendome is going to be the one Ex Nihilo for those who really want to smell different. I think when it finds its audience it will have a fan forever.

Oud Vendome has 14-16 hour longevity and moderate sillage.

I appreciate the creative team at Ex Nihilo choosing to have two such very different interpretations of a woody perfume. It is a real testament to the variety overall of these first nine releases.

Tomorrow I will review Rose Hubris and Musc Infini as well as give you my impression of how the Osmologue personalized my favorite in the line, Vetiver Moloko.

Disclosure: This review was based on samples provided by Ex Nihilo.

Mark Behnke

New Perfume Review Diptyque Benjoin Boheme- Benzoin in Repose

I’m not sure what it is about the cooler months but there are times I crave simplicity as comfort. As I’ve written over and over again those comfort scents are almost always high in resinous character. Sometimes I crave the less complex I wonder if I shouldn’t just dab some essential oil on and be done. Then a fragrance comes along which reminds me that there is a difference between essential oil and perfume. The latest lesson in this came courtesy of Diptyque Benjoin Boheme.

Benjoin, or benzoin as it is also called, is one of the most versatile notes on the resinous end of the perfumer’s palette. It is so versatile it can be used in almost any style of perfume you can name. It is because it is so prized as a support note that it rarely becomes the focal point of a fragrance. Even if it is the focal point it is usually surrounded by equivalent amounts of other notes. In Benjoin Boheme perfumer Olivier Pescheux trusted in the source of his benzoin that it could be all that was needed to take the lead in this perfume.

olivier pescheux

Olivier Pescheux

M. Pescheux opens with the botanical musk of angelica seeds. The seeds also provide a peppery aspect which is exactly what is needed to announce the arrival of the star. The best benzoin comes from the mountains of Laos and this is what M. Pescheux uses here. What is highlighted first is the cinnamon character of the Laotian benzoin. As the peppery character of the angelica seeds blends seamlessly. As the benzoin warms up, the balsamic vanillaness inherent rises slowly but surely. Benjoin Boheme holds this note for a good long while before sandalwood complements the sweetness. Styrax turns it more familiarly resinous as some patchouli grounds the entire composition.

Benjoin Boheme has 10-12 hour longevity and moderate sillage.

Benjoin Boheme shows why a perfume is not just one note or accord. By using a cleverly assembled ensemble of complimentary notes M. Pescheux shows off everything that is interesting about the best Laotian benzoin. If you love ambery resinous perfumes this should be high up on your wish list.

Disclosure: this review was based on s ample provided by Diptyque.

Mark Behnke