New Perfume Review Jo Malone Green Almond & Redcurrant- Nuts and Berries

I’m beginning the process of looking back over the year as I start to consider my end-of-year lists. Part of the fun of this is as I look back at specific brands some of them sneak up on me with the quality of their releases for the year. One of those that I’ve realized has had an awesome 2017 is Jo Malone. One of the reasons is creative director Celine Roux has taken the brand in some new directions this year. It started on an auspicious note with one of my favorite perfumes of 2017 Myrrh & Tonka by perfumer Mathilde Bijaoui. In a nicely symmetrical way the Holiday release for 2017, Green Almond & Redcurrant, is also by the same team.

Celine Roux

Jo Malone is known for their floral perfumes. This year Mme Roux has spent more time exploring new ingredients which are at the darker end of the perfumer’s palette. Oak, whisky, hazelnut, and tobacco have all been keynotes in releases this year. There has also been a trend towards gourmand-y styles within this year’s collection. Green Almond & Redcurrant removes the modifying “y” and goes full gourmand for this seasonal release.  

Mathilde Bijaoui

Green almond is another of these accords of something that cannot be extracted. It gives the opportunity for a perfumer to fine tune the effect they are going for. In Green Almond & Redcurant, Mme Bijaoui accentuates the contrasting textures of tart and milky so that the green is supplied by an accompanying note.

Before we get there Mme Bijaoui takes the other note in the name and sandwiches it between mandarin and petitgrain to form a very rounded fruity accord. It can seem slight but it is worth focusing on the first few moments. These kinds of fruity accords are seemingly commonplace but this one meshes seamlessly. Which then sets up the green almond accord as the tarter quality of the accord resonates with the petitgrain. The mandarin slides into the milky aspect. Then blackcurrant buds provide a more primitive version of the redcurrant. Which is a nice connection but it is those buds which provide the real green in the green almond heart. The buds have a slight acerbic quality to them, here they provide the rawness that the green in green almond refers to. It all comes together beautifully. Tonka comes to give this the rounded toasted vanilla nature to make it feel like some exotic Holiday confection from a far-away place. The base is straightforward cedar and amberwood.

Green Almond & Redcurrant has 8-10 hour longevity and average sillage.

In my press materials it is mentioned that Green Almond & Redcurrant should be layered over Myrrh & Tonka. This is not something I am fond of but in this case with the same perfumer behind both it seems to create an even more festive fragrance. Green Almond & Redcurrant brings 2017 to a close with the same quality with which Jo Malone opened it. A combination of nuts and berries seems appropriate.

Disclosure: this review was based on a sample from Jo Malone.

Mark Behnke

New Perfume Review Jo Malone Myrrh & Tonka- Opaque Oriental

Light is one of the words frequently used to describe the perfumes of Jo Malone. There is an easy-going nature about almost every release from the brand. It is their definitive brand aesthetic as well as a reason for their success. I know it is a place I take many who are wanting to take a step away from the mass-market fragrance offering. One of the reasons is the fragrances are simpler constructs using ingredients less seen in the best sellers. After twenty years of releasing these kind of perfumes, in 2010, a new sub-collection was created; Cologne Intense. This was a group of Jo Malone fragrances which would explore the idea of taking even the deepest notes and making them lighter while not necessary making the journey all the way to light. The releases in this collection are among some of my favorite from the entire brand because sheerer versions of classic perfume combinations are appealing when I want my lighter fragrances to still have some spine. The latest member of this collection, Myrrh & Tonka is the best example of this kind of perfume design.

 

Mathilde Bijaoui

The perfumers who have worked on the Cologne Intense has been impressive. The perfumer behind Myrrh & Tonka is Mathilde Bijaoui who is composing her first Jo Malone perfume. Celine Roux the Fragrance Director for Jo Malone gave her this brief; “Namibia, with its sand dunes and warm desert colors”. Mme Roux also believed that the collection was missing an Oriental and she felt Myrrh & Tonka could be that Oriental. Those might have been conflicting missions for some but Mme Bijaoui manages to capture both by turning Myrrh & Tonka into an opaque Oriental.

Celine Roux

Lavender is the keynote whose name is not on the label and where Myrrh & Tonka begins. This is a lavender which has more of its herbal nature on display. Mme Bijaoui keeps it that way with a judicious use of cinnamon which has an effect of drying out the lavender and constricting its natural expansiveness. The same technique will be used with the myrrh in the heart. Usually myrrh is an exuberant sweet resinous ingredient. Mme Bijaoui uses some cypriol to make it less sweet. The cypriol also sets the stage for the tonka. This is that toasted version of tonka where the hay-like coumarin has a little more of the scent profile. A tiny bit of vanilla brings it back some of the sweetness while guaiac wood provides the woody frame for all of it.

Myrrh & Tonka has 10-12 hour longevity and moderate sillage.

On the days, I was wearing Myrrh & Tonka it was a like an old friend relating a quick story of travel to the East. There was only time for the highlights but together it makes for one amazing trip.

Disclosure: This review is based on a press sample provided by Jo Malone.

Mark Behnke

Etat Libre d’Orange 101- Five to Get You Started

One of the perfume lines which lives up to the ideals behind niche perfumery is Etat Libre d’Orange. There is almost no other niche brand which so fearlessly pushes the boundaries. Owner and creative director Etienne de Swardt is audacious in the perfumes he oversees for his label. Right from the first eleven fragrances released in the fall of 2006 he laid down a marker that Etat Libre d’Orange was going to be very different. In those first releases is the perfume widely regarded as the worst smelling perfume ever, Secretions Magnifiques. Just do a search and you will see videos of people pulling horrified faces and blog or forum posts plumbing new depths of verbiage trying to describe the experience. I, personally, think it is a masterpiece of perfumery but it is really only for those ready to approach it on its own terms instead of as a rite of passage.

etienne_de_swardt

Etienne de Swardt

Because of Secretions Magnifiques there are many who are wary of exploring the other fragrances in the line and that is a shame because I believe Etat Libre d’Orange is one of the best niche lines on the market. There is not a boring fragrance in the collection and many of them are exciting for the singularity of their existence. If you’ve been wanting to give Etat Libre d’Orange a try and want to sort of slowly expose yourself to the aesthetic and attitude of the line I have five suggestions which might make things a little easier.

Fat Electrician was released in 2009 and was composed by perfumer Antoine Maisondieu. M. Maisondieu created a fantastically nutty vetiver by combining chestnut cream with the vetiver. It is bracketed by fulsome olive leaves on top and sweetly resinous myrrh and opoponax in the base. This is vetiver given a new twist.

Fils de Dieu was released in 2012 by perfume Ralf Schwieger. Hr. Schwieger created a Technicolor fragrance which pays homage to all things Southeast Asian. It percolates early with a palpable humidity which contains lime, ginger, shiso, cardamom, coconut and rice. By the end it turns into a sensual accord of leather, vetiver, and castoreum. One of my top 5 new fragrances in 2012.

Tilda-Swinton-ELO

Like This was released in 2010 by perfumer Mathilde Bijaoui. Like This was Tilda Swinton’s celebuscent and she chose to collaborate with Etat Libre d’Orange. If every celebrity labeled fragrance was as good as Like This that segment of the market would be less looked down upon. Mme Bijaoui uses immortelle as the core of Like This and then proceeds to swaddle it in layers of ginger, tangerine, neroli, pumpkin, vetiver, and musk. This all comes together gloriously and Like This has been my Thanksgiving fragrance for the last three years.

Noel au Balcon was released in 2007 also by Antoine Maisondieu. Based on the name this is supposed to be for the Holiday Season but I wear it year-round because it is an easy to wear honey focused fragrance. M. Maisondieu uses the honey as a matrix to trap apricot and tangerine along with labdanum and cinnamon. It all eventually releases to vanilla, vetiver, and musk base.

Rien was released in 2006 by perfumer Antoine Lie. Of all of the very challenging Etat Libre d’Orange fragrances I think Rien is the most approachable. M. Lie created a dynamic intense fragrance which starts with the fizz of aldehydes which reveal a cumin and pepper-laced rose before ending on a leather and frankincense base. It is sharp and piquant and resinous and animalic and completely gorgeous. Of all of the first releases it was Rien which really sealed my enjoyment of the line.

M. de Swardt has a very arch sense of humor which plays itself out over the labels and names of the fragrances but if you can put aside your wariness because of Secretions Magnifiques and your raised eyebrows at the names and imagery an exploration of Etat Libre d’Orange is as good as it gets in niche perfume.

Disclosure: This review is based on bottles of these perfumes that I purchased.

Mark Behnke