There are always new brands which I am hopeful about which don’t connect with me upon their first releases. One of those is the French brand La Parfumerie Moderne. Owned and creatively directed by Philippe Neirinck it has a stated desire to reach back and revive the classic perfume aesthetics in a modern way. Certainly an effort I am appreciative of and want to support. M. Neirinck even chose a perfumer who I expected would take this concept and run with it in Marc-Antoine Corticchiato. I received my samples of the first three releases at Esxence in 2013. For all that I wanted to be drawn in by this effort I was left unimpressed. There was definite quality here but in a couple of cases these felt like evolutions of perfumes from M. Corticchiato’s own brand Parfum D’Empire. The one which held some promise for me was No Sport which had a classic fougere feel to it but still didn’t capture me fully. I was hopeful that they would try again. That fourth try is called Annees Folles.
Annees Folles is the French term for the Golden Twenties referring to the 1920’s. In the US it was called the Roaring Twenties. In both France and the US it was a time after World War I where the young adults of the day were attempting to rewrite the societal rules. The Great Depression would bring the long party to an end soon enough. This was also a golden time for perfume making as both women and men wore fragrance. If you just do a search for perfume released between 1920-1930 many of the classics are to be found there. The prevailing men’s fragrance type was the fougere. Messrs. Neirinck and Corticchiato had tried to make a Retro Nouveau fougere with No Sport. With Annees Folles they tried again and this time hit the mark.
When a Retro Nouveau perfume succeeds it uses some classic tropes but infuses them with modern flourishes. A brand called La Parfumerie Moderne almost has to do this just to live up to the name. I think that is the biggest difference between No Sport and Annees Folles in that the new release does that job much better.
Annees Folles opens with lavender as the focal point. M. Corticchiato adds in the herbal snap of thyme and the sweetness of nutmeg. The thyme keeps the lavender from being too floral. The nutmeg adds an orthogonal spicy sweet vector. With a bit of vetiver and geranium also along for the ride Anness Folles carries an almost classic barbershop vibe with a twist. I keep thinking of all these grooming lounges for gentlemen which have sprung up and think Annees Folles would be the perfect mix of past and present to represent them. Annees Folles eventually develops further with a nicely balanced trio of benzoin, amber, and patchouli as the final accord.
Annees Folles has 12-14 hour longevity and moderate sillage.
One other aspect of Annees Folles which marks it as contemporary is its weight. In the 1920’s the fougeres were not subtle. In 2016 M. Corticchiato has made a transparent version of a fougere which still has a spine present. With Annees Folles La Parfumerie Moderne has finally lived up to its mission by creating a golden fougere.
Disclosure: This review was based on a sample provided by Twisted Lily.
If there is anything which can make something good seem bad it is expectations. I can tell you my expectations for Star Wars The Force Awakens have me looking forward to it with off the charts exuberance. Every so often there is that voice which asks me, “What if it is just good?” My response should be good Star Wars is still good. Unfortunately because of my expectations good will be bad. I just had a similar experience with the new Parfum D’Empire Tabac Tabou.
These perfumed expectations come about when perfumer Marc-Antoine Corticchiato releases his new Parfum D’Empire for the year, usually in the fall. I receive the press release prior to the perfume and this year for Tabac Tabou was no different. Within that text I was told to expect tobacco, hay, “a green, fresh narcissus”, immortelle, “rough-hewn leather”, and “fur-like animalic notes”. This is like my perfumed version of the return of Luke Skywalker, Princess Leia, Han Solo, and Chewbacca. From a brand and perfumer who has used some of these notes in brilliant ways previously the expectation meter was pegged. Then I received the sample and it wasn’t enough of these things. My wife watched the confused frown on my face and asked me what was wrong. That was the question there wasn’t anything wrong it just wasn’t what I expected. This was well-constructed and contained some really nice versions of the raw materials used. What was wrong with me? This was where some time helped as I stepped away. When I wore it for the first time it was an impulse as I changed my mind on what to wear on the day which I think was a good thing. What happened during that first day I finally started paying attention to what was there instead of what I hoped would be there. What is there is something not quite as feral as I wanted. Tabac Tabou is more interested in the potential for untamed feelings than actually provoking them.
M. Corticchiato opens with hay. I should write that hay in bold text because this is one of the biggest hay notes I’ve smelled in a long time. The tobacco joins it straight away and instead of the heady narcotic quality of the tobacco taking charge it is the dried grassy sweetness of the hay which is what I primarily encounter. There is a bit of some fruit underneath to accentuate the sweeter facets of both of the top notes. The green acerbic nature of narcissus arises out of the warmth of the hay and tobacco. M. Corticchiato uses a grassy herbal accord, horsetail maybe, to sharpen the green lines. The final bit of the heart is a mélange of the white flowers. This is the part which I think initially threw me. It is also the part I have come to appreciate. The deep floralcy that the white flowers add full of indolic charm take the lead and then immortelle provides a different aspect of sweetness. The base is the promised rough-hewn leather with an accord high in birch tar providing the leathery nature. Muskiness is present in support and never rises to the level of the previous release Musc Tonkin.
Tabac Tabou has 10-12 hour longevity and initially very above average sillage for the first five hours before becoming a skin scent for the last half of the days I wore it.
My expectations definitely tempered my enthusiasm for Tabac Tabou. I think it is very good and if you like hay this is absolutely a must try. I have a feeling that in a year or two Tabac Tabou is going to become one of my favorites but for right now my expectations are getting in the way of that.
Disclosure: This review was based on a sample provided by Parfum D’Empire.
Growing up in South Florida I spent many sunsets on a boat in the water. Watching those sunsets I saw a distinct phenomenon called a “green flash”. As the last sliver of sun starts to drop below the horizon you can see a green halo form right at the top of the curve which grows in intensity as the sun drops and just as the sun disappears the sky will light up with a flash of green. I used to love watching this from the bow of my boat as it felt like the sun was building up a verdant charge before letting it flare across the sky. It wasn’t something I would expect a fragrance to remind me of but ever since I sniffed the new Parfum D’Empire Corsica Furiosa it is the image which keeps coming to my mind.
Marc-Antoine Corticchiato hasn’t had a new release for Parfum D’Empire since 2012’s Musc Tonkin. For me that was going to be hard act to follow as I named Musc Tonkin my best new fragrance of 2012. Oftentimes when following up something as good as that perfumers can fall into a number of traps. For his follow-up to Musc Tonkin M. Corticchiato chooses to go away from the deeply animalic and instead explore the nature of green in perfume. Corsica Furiosa is built around a spine of lentiscus, otherwise known as mastic resin, which gives a lemon tinged viscous green nucleus to start from. M. Corticchiato then swirls in all kind of shades of green to interact with the resin and just as it builds in intensity it releases in an olfactory flash of green that fills the senses before finally settling into a leather base to relax.
There is a lime component in the top notes which is perfect to pick up on the lemon tinge of the lentiscus. It makes the early going tarter and I see tart as green so this is where the first layer of green appears. A bit of balsam adds a woody facet of green and turns this more forest glade before another turn and a cut-grass accord turns it into open field. Then here is where a particularly beautiful transition takes place as the green grass dries out into a sweet hay accord where some honey is used to amplify the sweet dried grass aspect of the hay. This is where Corsica Furiosa all of a sudden releases a ball of energy as moss and labdanum seem to cause this perfume to go from tightly focused intensity to diffuse sheerness. It is an arresting transition on my skin and in my mind’s eye the olfactory sky has just gone entirely green. A leather accord forms the base notes and the lentiscus is still very present but now it seems as if it has spent all of its energy and needs to sit down in a leather armchair for a rest.
Corsica Furiosa has all-day longevity and above average sillage.
Corsica Fruriosa is a more than worthy sequel to Musc Tonkin it captivates me in an entirely different way. Corsica Furiosa leaves me on the bow of my boat waiting for the moment of breathtaking beauty to come and knowing it will be there every time.
Disclosure: This review was based on a sample provided by Parfum D’Empire at Esxence 2014.