While there are many independent perfume brand success stories who use many different perfumers; I am a big fan of the monogamous approach. When a creative director and a perfumer work together over the life of a brand I believe it helps create a definitive aesthetic. It also allows for explorations of different keynotes from altered perspectives. That in turn leads to some special subsets within a brand. This has been happening at Atelier des Ors as the latest release Musc Immortel provides a third look at iris.
Jean-Philippe Clermont has chosen to work exclusively with perfumer Marie Salamagne since the founding of Atelier des Ors in 2015. In the original collection Aube Rubis was a fabulous warm iris which was supported by vetiver and patchouli. In 2016 they would continue using the same trio with Iris Fauve. Musc Immortel takes it in a new direction. This time the patchouli becomes the primary counterweight to the iris through the heart before sinking into the titular notes.
Marie Salamagne (Photo: Jerome Bonnet)
The citrus and herbal duet of grapefruit and clary sage announce the arrival of the iris. As it was in the previous two releases this is the rhizomal version of iris; earthy instead of powdery. It is my preferred version of iris in perfume. The same heart accord as existed in Iris Fauve makes a return in Musc Immortel but the concentrations have changed. In Iris Fauve the vetiver has the upper hand with the faux-oud of cypriol. In Musc Immortel those two notes appear first but the patchouli builds into a wave which eventually rises over the iris near exclusively. This is where the base accord becomes critical. Left with iris awash on a sea of patchouli this becomes less interesting. Mme Salamagne uses immortelle to capture the iris in a lifesaving embrace as the earthiness has the maple syrup quality of immortelle to stick to. It holds fast forming a deeply pleasing accord. A mixture of botanical and synthetic musks carry this to softly a animalic finish.
Musc Immortel has 10-12 hour longevity and average sillage.
Musc Immortel has been around as an exclusive at Harrod’s since early 2017; it is now ready to expand to where Atelier des Ors is sold. I think it is great that this is getting a wider distribution because it fits so well within the Atelier des Ors Collection. If you’ve been a fan of Aube Rubis or Iris Fauve I suspect you will enjoy Musc Immortel. I look forward to the fourth movement of the iris-vetiver-patchouli symphony because the third movement was so inspiring.
Disclosure: This review was based on a sample provided by Atelier des Ors.
Over the years I’ve been writing about perfume there have been many things which have evolved. In the early days I loved getting special little peeks into upcoming projects. I thought it was one of the perks of the job. Until it went sideways on me a couple of times. Someone would show me a version of an upcoming release which I thought was perfect. I was already thinking about how I would be framing the imminent glowing review. Then I would receive the final version and it was not the same as the one I was infatuated with. There were often very good reasons behind the change but I knew there was a version I liked better. That made me stop allowing perfume brands to show me things early because I always wondered if I had experienced the fragrance for the first time after release whether my reaction would be different. I know it confused some who saw the glee on my face before turn into this line in the sand. I have done pretty good since I made the decision except at Esxence this past March.
When I was there I stopped by the Atelier des Ors stand to chat with owner and creative director Jean-Philippe Clermont. Atelier des Ors was one of my favorite brand debuts of 2015 so it was natural to drop by and say hello. When I arrived M. Clermont was showing the line to a pair of retailers from Australia and New Zealand and he invited me to sit in. Before I settled down he sprayed something on my wrist. Drawing it to my nose I expected to be greeted with something familiar. Instead I was surprised by a warm musky iris I fell instantly for. After talking with M. Clermont he told me that was one of two possible version of a new iris focused release coming at the end of the year. I smelled my wrist for the rest of that day surrounded by many excellent new perfumes but none were better to my nose. I knew the wait was going to be interminable to see if the version I liked so much would be the one which made it in to the bottle. I received my answer a couple weeks ago, with the arrival of my sample of Iris Fauve.
One of the things I approve highly of is the idea of a new brand working exclusively with a perfumer, or two. I believe it helps hone a brand’s identity while also allowing the creativity to build upon the foundation of the earlier work. So far M. Clermont has worked only with perfumer Marie Salamagne. The foundational scent from the initial five releases for Iris Fauve was Aube Rubis. In that fragrance Mme Salamagne explored the iris, patchouli, and vetiver triptych found so often in other constructs. It was a warm iris but there were slashes of fruit and sweet on the periphery. Iris Fauve is a complete evolution of Aube Rubis while still retaining the warmth of the iris; Mme Salamagne found some very new ways to illuminate the same trio.
The orris arrives right away and the heat also comes with it in the form of cinnamon. The spice is a true supporting note as it helps tamp down the powdery facets allowing the earthy rootiness of the rhizome to rise. The patchouli and vetiver return but this time Mme Salamagne adds in cypriol which forms a lilting kind of faux-oud accord which the iris inserts itself in to. This all becomes quite transparent as Mme Salamagne really brings the warmth in the base. The key note is an ingredient called Carolina Vanilla. More commonly known as deertongue, Carolina Vanilla was used as an additive to tobacco because it has a sweetly vanillic nature as the name portends. What it also has is that dried toasty nature you find in tonka bean. This provides a sweet underpinning to the animalic musks and myrrh Mme Salamagne uses in her base accord. As the iris and the oud accord settle into the warm embrace of the base notes it as good as perfume gets for me.
Iris Fauve has 12-14 hour longevity and moderate sillage.
Even though it wasn’t officially released at the time Iris Fauve was the perfume I carried the strongest memory of home from Esxence. Now that the same perfume has shown up in the bottle on the shelf I can confirm Iris Fauve is one of my very favorite perfumes of 2016.
Disclosure; This review was based on a sample provided by Atelier des Ors.
There are a few notes in fragrance which are kind of Goldilocks notes. These are notes which really test the patience of a perfumer to get it “just right”. One of the more crowd-pleasing notes is also one of the more difficult notes to find the sweet spot with. That note is vanilla. Too much and it is oppressive and cloying. Too little and it becomes an afterthought. Even with that warning a perfumer who wants to work towards the edge of the too much barrier really has to be sure to pull back just enough. Perfumer Marie Salamagne has displayed that kind of precision in the new perfume Atelier des Ors Lune Feline.
Atelier des Ors is a new brand founded and creatively directed by Jean-Philippe Clermont. The brand has released five fragrances this year all composed by Mme Salamagne. The ethos of the line is to reinvigorate the French style of perfume making. There is also a kind of throwback elegance as each bottle contains flakes of gold inside which turn the bottles into decadent snow globes with golden highlights.
Lune Feline is the gourmand representative of the debut releases. Mme Salamagne chose to go for a spicy green shade of vanilla. She also decided to let the vanilla carry some more presence than might have been wise. The end result is an encompassing vanilla but not an overwhelming one.
The opening of Lune Feline is the sizzle of spices as cardamom, baie rose, and cinnamon heat up the early going. The cinnamon is the focal point with cardamom and pink pepper providing a bit of cool on one side and bit of snap on the other. The heart gets green and woody as cedar frames a set of verdant notes. A touch of ambergris adds an interesting grace note to the straight-forward cedar accord. The vanilla begins to rise. At first it has some delicacy but it doesn’t take long for it to become more insistent. A bit of Peru balsam and some musks try and restrain the vanilla from getting out of control. It is a battle which they will fight all the way to the end as the vanilla stays intense but not overly so.
Lune Feline has crazy longevity I detected it 36 hours after application. The sillage is moderate.
Mme Salamagne managed to make a vanilla perfume that was more than “just right”. She made a vanilla perfume with real strength but without being irritatingly sweet. If you are a vanilla fan this should be on your sample list.
Disclosure: This review was based on a sample I received at Esxence 2015.
Header Photo via Fragrantica.com