There are certain inspirations which seem to resonate with specific perfumers. It is not necessarily the only thing which get them excited but it seems when they can match that inspiration to a project it often produces something worthwhile. In numerous interviews perfumer Bertrand Duchaufour has mentioned his fascination with Japan. The creative team behind Nomenclature, Karl Bradl and Carlos Quintero, give him the opportunity to explore green from a Japanese perspective in Shi_so.
Carlos Quintero (l.) and Karl Bradl
The place where Mr. Bradl and Mr. Quintero start every Nomenclature perfume with, is a specific aromachemical. For Shi_so the choice is Glycolierral. The most predominant use of Glycolierral has been as a green vegetal component reminiscent of ivy. It has the colloquial name of “ivy dioxolane”. By itself it reminds me of crushed sharp green leaves. I have never found it reminiscent of ivy so much. When I saw, it was being used as the focal point in Shi_so I realized I found it closer to the shiso leaves I use to cook with. By itself Glycolierral is probably too sharply green to be pleasant. M. Duchaufour’s task is then to surround it with modulators to enhance the shiso vibe while making it wearable. What comes out is an evolutionary interpretation of Eau de Cologne where the traditional citrus-floral-herbal tripod is replaced with green, greener, greenest.
Shi_so opens with a combination I didn’t expect to work well when I saw it listed, cardamom and spearmint. The green cardamom here is becoming my favorite version of the ingredient because it adds this significant green character to the freshness inherent to it. Spearmint often adds an oily fresh sweetness that I thought would obliterate the subtlety. M. Duchaufour enhances that green in the cardamom I like so much by keeping the spearmint on the herbal side of its spectrum. The spearmint provides only a hint of its cool minty face. That hint is the way Glycolierral is drawn into the mix. There is a chilly component of the aromachemical which the spearmint bridges to. The base accord is the sticky green of blackcurrant bud matched with verbena. These amplify the Glycolierral into a sparkling emerald jewel.
Shi_so has 12-14 hour longevity and above average sillage.
It has been a while since M. Duchaufour has produced a perfume which pushes the envelope as much as Shi_so does. It feels like he is offering his interpretation of Japanese green as a new style of cologne. It is a gorgeous summertime fragrance.
Disclosure: This review is based on a sample provided by Nomenclature.
Drug discovery and perfumery share a similarity in the scientific approach to trying to improve on what is known. In both fields, it is down to the chemists in each discipline to find a new molecule which does the same thing but better than what is currently on the market. In pharmaceuticals, it is a little easier to define “better”. In perfumery “better” is more often in the hands of the perfumer using the newer material. Which is why the Nomenclature brand is so much fun for me to wear. The brand creatively directed by Carlos Quintero and Karl Bradl seeks to highlight the new aromachemical raw materials as the key components in the perfumes they oversee. The first collection of four did an excellent job of this. Which is why when I received my sample of the fifth release lumen_esce I was ready to be introduced to another aromachemical.
Carlos Quintero (l.) and Karl Bradl
For lumen_esce the new aromachemical is called Violettyne. Violettyne was discovered by chemists at Firmenich who were looking to improve the violet leaf molecules which were typically esters attached to triple-bonded carbons. The chemists replaced the esters with chains of carbon which did and did not have some double bonds. Violettyne was the structure which added a five-carbon chain containing two double bonds in place of the ester. The effect was to enhance the galbanum-like qualities of violet leaf while also adding a grace note of fruitiness. Perfumer Frank Voelkl was asked to incorporate this molecule in to lumen_esce.
The typical use of these kind of substances is as top notes and so Mr. Voelkl sets up his top accord as a “compare and contrast” between Violettyne and violet leaf itself. The Violettyne provides a much greener quality than the violet leaf. In this case Mr. Voelkl tunes the violet leaf to give off the slightly metallic nature which it seems Violettyne uses as a conductor on which to come to life upon. This all develops through a freesia and jasmine heart. The green intersects with the florals cutting through them. Then in the base Mr. Voelkl introduces another modern innovation in raw materials Patchouli Prisma. This is a sort of reconstruction of patchouli after it has been fractionated via distillation. By combining a few of the fractions back together you get a patchouli which has been broken down as if it has been shined through a prism. The effect is to make the patchouli cooler which makes it a better partner for the Violettyne. In lumen_esce it provides a place for that violet leaf energy to ground itself. Over time the warmer facets of patchouli become more prominent as lumen_esce comes to an end on my skin.
Lumen_esce has 10-12 hour longevity and average sillage.
So far all the Nomenclature releases have been great examples of the versatility of chemistry as it pertains to perfume. Lumen_esce shows the energy a straight-chain can add to a molecule.
Disclosure: this review is based on a sample I received from Nomenclature.
Perfume is a timeline of unique materials being used. Many of the trends within perfumery start with the introduction of a new tool for the perfumer to use. Easily one of the most influential of these since 2000 is Iso E Super. Iso E Super is actually a mixture of three closely related molecules called isomers. Depending on the concentration of the isomers the overall scent profile can be tweaked. As a result each aromachemical producer has their own version. For Takasago theirs is called Orbitone and it was the starting point for one of the inaugural new releases for the brand Nomenclature called orb_ital.
Orbitone provides a slightly more floral aspect along with the transparent dry woodiness. Perfumer Patricia Choux, working with creative directors Karl Bradl and Carlos Quintero, would take that nature and pair it with another Takasago ingredient Hindinol. Hindinol provides a sandalwood with the creamier attributes enhanced. Mme Choux makes a few smart choices on what to use which complements, and contrasts, each of the synthetics on display.
For the Orbitone Mme Choux brings out black pepper and it shows that at least in Orbitone the more mineralic aspect of this aromachemical family has been tamped down a bit. By using pepper to bring it back to life it sets the stage for violet and rhubarb to provide an appropriate vegetal floral contrast. The sharp green of the rhubarb and the silvery floralcy of violet almost set the Orbitone apart as something not natural. The Hindinol comes in about this point and it is like a fractionation of sandalwood as it carries most of the creamy rich qualities of sandalwood. The pepper now acts as the contrast with its nose-tickling nature. The complement is a cool resinous olibanum providing a very nice partner for the Hindinol.
Orb_ital has >24 hour longevity as the Orbitone and Hindinol will still be present after a long night’s sleep. The sillage is deceptive as these large molecules sometime seem to be close to the skin on the wearer but are more projecting than you think.
Orb_ital is a really beautifully interpretation of a pair of modern synthetic woody notes. Mme Choux has combined them in such a way that it is easy to understand their popularity. If you have love Iso E Super fragrances orb_ital provides a nice new alternative. If you are anosmic to Iso E Super or are one of those who find it unpleasant then this is a perfume to avoid. I like orb_ital quite a bit because I feel Mme Choux has given a well-known molecule a makeover for the better.
Disclosure: This review was based on a sample provided by Nomenclature.
Let me admit this up front; I am the bullseye on the target audience for the new fragrance brand Nomenclature. Any perfume which is going to be bottled in a stylized Erlenmyer flask and feature a specific synthetic aromachemical has my full attention. When I was at Pitti Fragranze this brand was high on my list to experience.
When I finally worked my way to the booth where co-founders and creative directors Karl Bradl and Carlos Quintero were displaying the four debut releases I was delighted with what they are attempting to do. Working with perfumers Frank Voelkl and Patricia Choux, who each composed two of the initial four, each Nomenclature shows off the beauty of chemistry in perfume. Over the next few weeks I will eventually review all four because not only are all pretty good but they will be good jumping off points for a couple of Olfactory Chemistry columns. I am going to start with my favorite Efflor_esce.
The featured aromachemical in Efflor_esce is Paradisone. Paradisone is the culmination of thirty years of research at Firmenich in trying to improve one of the most important materials in all of perfumery Hedione. If you are interested in the chemistry you can read my Olfactory Chemistry post from a few months ago. Hedione is used primarily because of the diffusive jasmine-like quality it adds to a fragrance. Paradisone is like Hedione on steroids as it is orders of magnitude stronger on every level. If Hedione is candlelight, Paradisone is a halogen spotlight. In point of fact it can become too much of a good thing as it can muscle out everything around it in a poorly constructed fragrance. Just sticking it an alcohol base and exclaiming “Voila!” is not going to make a perfume. Mr. Voelkl had to find some complementary and contrasting notes which displayed Paradisone to its fullest without becoming overbearing. Efflor_esce does this extremely well.
For the opening of Efflor_esce it has a sunny citrus vibe as bergamot and bitter orange provide the sunshine. As the Paradisone begins to make its presence known it takes those citrus notes and allows them to ride on the expanding bubble of the expansive synthetic. If you wonder what I mean when I write about the expansiveness of a synthetic aromachemical the early moments of Efflor_esce are as good an example as I could mention. As the Paradisone expands until that imaginary bubble pops it releases two other florals captured inside as tuberose and osmanthus now combine with it. The tuberose is all complement as it amplifies the intense floral quality. Osmanthus provides contrast with its apricot and leather nature providing a lighter application of dried fruit and animalic facets. This is where Efllor_esce spends the majority of its time on my skin.
Efflor_esce has greater than 24 hour longevity as Paradisone is one of the more tenacious synthetics out there. It also has above average sillage.
If you have enjoyed previous perfumes which featured synthetic ingredients the entire Nomenclature line is going to scratch the same olfactory itch. As I said at the beginning for the chemist all of these lift me to different levels of bliss. Efflor_esce takes me the highest of all of them.
Disclosure: This review was based on a sample provided by Nomenclature at Pitti Fragranze 2015.