New Perfume Review Arquiste Esencia De El Palacio Azahares- Mexican Flower Power

When I first moved to the Washington DC area I had the opportunity to attend a fantastic event at the end of October 2012. There was a reception for two of the men behind the perfume brand Arquiste; owner-creative director Carlos Huber and perfumer Rodrigo Flores-Roux, at the Mexican Embassy. The night was about how these proud Mexicans love to add a little of their home country to every perfume they collaborate on. That sentiment is best represented by a quote from Sr. Flores-Roux on that night, ““Maybe I can cite a Mexican poet, Carlos Pellicer, who always praised the beauty of the Mexican tropics: the Mexican people have two obsessions: we are interested in death and we are in love with flowers. And as a Mexican flower lover, I always like to put a bit of Mexico in every perfume I make. It's not an accident I studied biology, specifically botany, and understand the secret language of flowers. It's also my last name!”

Carlos Huber (l.) and Rodrigo Flores-Roux at the Mexican Embassy October 2012

Ever since that night I have always looked for that bit of Mexico in the perfumes Sr. Huber and Sr. Flores-Roux have composed for Arquiste. At the end of last year Sr. Huber told me of a new collection Arquiste was releasing in conjunction with an upscale department store in Mexico; El Palacio de Hierro. Three perfumes all composed by Sr. Flores-Roux. This was something I very much wanted to try but I couldn’t buy it off the website. I then had to cast a wide net to find someone who could bring me back a bottle of the one I was most interested in, based on the description, Esencia de El Palacio Azahares. I was successful towards the end of the year with the bottle arriving soon after the New Year.

The concept behind the perfumes was for them to represent the past, present, and future of Mexico. For more about that you can follow this link to the website in Spanish. Magnolio is meant to be the past. Vetiveres is the future. Azahares is meant to be modern-day Mexico. The concept is nice and I have no idea about the success of the other two at evoking the desired feel. I do know that Azahares is a fabulous contemporary floral full of the flora of Mexico.

Rodrigo Flores-Roux (l.) and Carlos Huber collaborating in the lab

Sr. Flores-Roux is an extremely versatile perfumer and I believe he can make a perfume out of paste, vinegar, and yeast; if he had to. Yet as the quote I used above illustrates there often seems to be a more intimate style of composition when he works with flowers. Azahares is Sr. Flores-Roux working at the top of his game with the ingredients of a “Mexican flower lover”.

Azahares is made up of three phases all with a floral at the core of the accord. In the top it is orange blossom which he swaddles in a blanket of lemon balm, orange, and lemon leaves. The citrus is present without becoming overwhelming. This allows the orange blossom a chance to peek out and assert a bit of its indolic core. Also, a bit of its green which the lemon leaves amplifies a bit. As Azahares transitions to the heart cassis forms the connection as the green facets from the top are carried forward to a deep lavender. That floral is accentuated with clary sage which with the cassis provides a stronger green but as with the citrus in the top Sr. Flores-Roux makes sure the flower does not get obliterated. The final accord is a deeply beautiful iris which Sr. Flores-Roux grounds in a botanical musk accord of ambrette and angelica. That natural musk opens up the earthy quality of the iiris.

Azahares has 10-12 hour longevity and average sillage.

As I wore Azahares I realized that it is the culmination of the pride of two Mexican artists which has overflowed into a beautiful representation of the country they love.

Disclosure: this review was based on a bottle I purchased.

Mark Behnke

New Perfume Reviews Arquiste El and Ella- Mirror Ball Fragrances

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Perfume has a habit of triggering memories of places, to be sure. Sometimes it can even pull you back to a specific time, too. Carlos Huber the owner and creative director of Arquiste is one who regularly does both. His career in architectural restoration has combined with his passion for fragrance to make sure the brief for his perfumes come from a specific time and place. Up until now those times and places have not been during my lifetime. The newest pair El and Ella become the first.

Sr. Huber grew up on the stories his parents told him of the Acapulco disco Armando’s Le Club. In the early 1970’s Acapulco was the hip destination in Mexico and where the jet set could be found was dancing the night away at Armando’s Le Club. It was a resort version of Studio 54. The only difference here is the party moved from the pool in the daytime on to the dance floor at night. Disco and Acapulco were meant to be together and Armando’s Le Club was its intersection.

Sr. Huber wanted to capture a feminine and a masculine take on this particular setting. He enlisted regular collaborator Rodrigo Flores-Roux to complete this vision. They decided to name these creations El and Ella (he and she in Spanish). They are each meant to pick up on a part of the experience in 1972 at Armando’s Le Club. Sr. Flores-Roux creates two distinctly gendered personalities in each of these perfumes.

arquiste ella

Ella is the scent of the woman who has finished her sunbathing for the day and has nipped up to her room to slide into a Halston sheath. The neckline plunges as the sheen of perspiration forms droplets which disappear further down. Ella is this woman who stalks the pool deck imperiously only to prowl the dancefloor looking for her equal.

Ella opens with that scent of clean sweat beaded skin. Sr. Flores-Roux uses angelica root and carrot seed to form this accord. We then follow one of those beads of sweat as it coalesces at the waist. Rose coated with cardamom and honey. This is the scent of seduction as Ella puts out her lure. It all heads into a magnificent animalic chypre base composed of patchouli, vetiver, and civet. The last little bit of dazzle is a cigarette smoke accord which swirls very lightly throughout the base. This is so perfectly balanced to not disrupt the overall mood but to capture a time when smoking was what was hip.

arquiste el

El is the scent of that man who also enters Armando’s Le Club. He is dressed for the evening wearing a Nik-Nik shirt unbuttoned down to his navel. There is gold around his neck, more than one, but not too many. There is also a sheen of perspiration underneath his chest hair. He is an El looking for his Ella and across the dance floor that might be her standing there.

El opens with a 1970’s power herbal chord of laurel, clary sage, and rosemary. This is so typical of powerhouse men’s fragrances of the time it is almost the equivalent of “I am Man hear me roar”. It would have been so easy to let that beast out. Instead Sr. Flores-Roux works at making this a man of intellect as he uses cinnamon leaves to twist that herbal opening into something fantastically satisfying. Cinnamon leaf is an ingredient almost used as an afterthought. Not here. Sr. Flores-Roux uses it as a harness to keep the rampaging herbs from being too strident. It has to be done because the same cardamom and honey that we met in Ella are also here. This is the heart beating underneath the hirsute chest and gold chains. For El, Sr. Flores-Roux fashions an animalic fougere base. Vetiver and patchouli are transformed with a double dose of animalic as castoreum and civet provide the fur. Oakmoss provides the toothy smile. It is that moment when El sees Ella and passion takes over the night as the music and lights swirl around them.

Both Ella and El have 12-14 hour longevity. El has a little more sillage than Ella but neither is something I would consider quiet.

In every disco of the 1970’s a mirror ball held central position over the dance floor. The ability to reflect the light in many directions feels very similar to what El and Ella achieve. Through their collaborative efforts Sr. Huber and Sr. Flores-Roux have made two fragrances which contain a mirror ball of cardamom, honey, and civet within. The reflection of the other notes in both El and Ella are what makes them distinctive. El and Ella have reached a new pinnacle for Arquiste. These are both amongst the best this brand has to offer.

Disclosure: This review was based on samples provided by Arquiste.

Mark Behnke

Colognoisseur 2014 Year-End Review Part 2- Perfume, Perfumer, Creative Director, & Brand of the Year

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One of the reasons I think 2014 was a very good perfume year was I had so many candidates to choose from for what I think are the best perfume, perfumer, creative director, and brand of the year. I have changed my mind numerous times, revisited the perfumes all had created this year, and considered other metrics. In the end I finally settled on a list I think shows off why this year has produced some great perfume.

rozy vde

Perfume of the Year: Vero Profumo Rozy Voile d’Extrait– When I sat down with independent perfumer Vero Kern in Milan she had had a bad fall and was sporting a black eye hidden behind, her always stylish, trademark eyeglasses. As she handed me the strips of her newest creation my mind was not on sniffing but concern for one of the truly great people I have met in perfume. I was still asking her if she was okay as I lifted the strip to my nose. From the moment I inhaled my focus shifted immediately to what I was smelling.

Mark and vero

The Very Moment I Describe in the Paragraph Above (Photo: Sarah Colton)

There have been a lot of perfumes which have professed to be a post-modern rose. Rozy Voile d’Extrait lives up to that description better than any other which has made that particular claim. By using honey as a sticky bit of texture to pull in all of the other notes it creates unbelievable expansiveness at the same time. Rozy VdE also has some rough edges courtesy of a brilliant addition of labdanum. This rose has not been stripped of all of its thorns. Inspired by Italian actress Anna Magnani, Rozy VdE reminded me of the throaty laugh of a beautiful intelligent woman much like the perfumer who made it.

vero-kern

Perfumer of the Year: Vero Kern– Yeah it seems obvious if Vero Kern made the perfume of the year she should be perfumer of the year. That’s generally not the way I work as I look for a body of work when making this particular decision. One of the things I admire about Ms. Kern is she takes her time perfecting her creations and that has resulted in what I consider to be one of the greatest overall collections by an independent perfumer. Which usually means one release per year and heading into the final part of the year I did not have Ms. Kern on my short-list.

Then I received my sample set of the Richard Luscher Britos Terroir Perfumes. Ms. Kern was responsible for the one called 14oS48oE which were the coordinates of an ylang-ylang plantation in Madagascar. For the second time in 2014 a perfume demanded every bit of my attention as the heart of this perfume has what I would consider a near perfect heart accord consisting of ylang-ylang, evergreen, pink pepper, and mimosa. I had an inkling that Ms. Kern had a bit of a challenge working with an entirely natural palette and in some correspondence after I reviewed it she confirmed that to me. This is exactly what does comprise a perfumer of the year one who is willing to work outside of their comfort zone and still be able to produce something instantly gorgeous. For Rozy Voile d’Extrait and Richard Luscher Britos 14oS48oE Vero Kern is my Perfumer of the Year for 2014.

Runner-ups: Maria Candida Gentile, Rodrigo Flores-Roux, Josh Lobb (slumberhouse), Dawn Spencer Hurwitz, and Cecile Zarokian.

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Creative Director of the Year: Carlos Huber of Arquiste– I was given the opportunity to introduce Carlos Huber on Sunday of Sniffapalooza Fall Ball 2014 in October. Part of that introduction was my lauding Mr. Huber at creating a distinctive brand identity for his perfume line Arquiste. I believe that too many new brands skip this step to their detriment. From the beginning Mr. Huber has had a clear vision on what he wanted his brand to be. He has worked exclusively with perfumers Yann Vasnier and Rodrigo Flores-Roux on putting this vision into a perfume bottle. That process resulted in two outstanding additions to the Arquiste line in L’Etrog Acqua and The Architects Club. Lots of Creative Directors had multiple good releases.

What elevated Mr. Huber to Creative Director of the Year was the collaboration he did with J. Crew. He created two perfumes for J. Crew which also carries the Arquiste brand; Arquiste for J. Crew No. 31 and No. 47. By working with J. Crew’s Creative Director Jenna Lyons they made two perfumes which were not wholly of either brand but an excellent introduction to each brand to those who like one or the other. Only a Creative Director confident in the concept of his brand can easily do that. Confident and assured describes Carlos Huber my Creative Director of the Year for 2014.

Runner-ups: Christian Astuguevieille (Comme des Garcons), Karl Bradl and Robert Gerstner (Aedes de Venustas), Alessandro Brun and Riccardo Tedeschi (Masque Milano), Christopher Chong (Amouage), Sylvie Ganter-Cervasel and Christophe Cervasel (Atelier Cologne).

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Brand of the Year: DSH Perfumes– As I was looking back over the list of things I reviewed this year there was one brand which kept popping up time and again, DSH Perfumes. Independent perfumer Dawn Spencer Hurwitz had a prolific year as she released two collections The Cannabis Culture Collection and The Brilliant Collection. A very personal re-interpretation of Jacques Fath Iris Gris called Scent of Peace. A masculine perfume, Metropolis. Her Holiday release, Vanilla Bourbon Intense. Three perfumes for The PLP Project. Finally, my favorite of all of these Seve de Pin.  There was so much here that reviews of The PLP Project and The Brilliant Collection will be coming early in the New Year. Normally this kind of profligacy leads to less than thrilling results. One of the things I have come to realize about Ms. Hurwitz is when she is inspired she is a force of nature. I think 2014 saw her as inspired as she has ever been. She is also inspired by so many different influences but yet manages to make each new release another brick that fits in the entire DSH Perfumes brand pantheon. For all of that DSH Perfumes is my Brand of the Year for 2014.

Runner-ups: Aedes de Venustas, Arquiste, Comme des Garcons, Etat Libre d’Orange, and Masque Milano.

Tomorrow in Part 3 I’ll reveal my top 25 new perfumes of 2014 and give a little love to the perfumes that were runner-ups to Rozy VdE.

Part 1 was my overall take on 2014’s trends and news.

Mark Behnke

ComicSniffaConPalooza 2: The Wrath of Kilian

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If you’ve been following along you have figured out that I have many things I am interested in. Over the weekend of October 9-12, 2014 two of them combined to give me one gigantic weekend of immersion into my passions. Over these four days I attended New York Comic-Con and Sniffapalooza Fall Ball. Two years ago the same confluence of events happened and I dubbed the weekend ComicSniffaConPalooza. I would spend Thursday and Friday at Comic-Con (Comic). Saturday would be a day of perfume in the morning and comics in the afternoon (SniffaCon) finishing on Sunday by spending the whole day with my friends downtown sniffing new releases (Palooza). Since this is the sequel to the first one it needed a catchy subtitle which really makes no sense except Kilian really was there.

Comic

I awoke at 3:30AM to catch a 5:00AM bus to NYC from DC. By Noon I was walking on to the show floor at the Javits Center headed for the Marvel booth to get an NYCC exclusive Rocket Raccoon plush doll. Others around me were dashing for their particular obsessions as well as Green Power Rangers sprinted to the BanDai booth for a statue. Others headed to the Hallmark booth for the exclusive Star Wars holiday ornaments. Others actually headed to comic brands to pick up exclusive printings of specific titles. It is fascinating to see what each person really wants because you can only really get one and the way everyone spreads out is a fascinating exercise in consumerism and the desire to have something exclusive.

With my bag of Marvel swag under my arm I was ready to walk around a bit. One of the things which has expanded greatly at Comic-Con has been people who walk around in costume. Costume Playing or CosPlay for short. This year I saw one of the sweetest moments I have ever observed. I was walking next to a woman dressed as Elsa from Frozen. A brother and sister I would say were both under 10 screamed at the top of their lungs “Elsa!!” and ran headlong for her hugging her around her knees. The children’s mother was horrified but the young woman in the costume leaned down and fully in character talked with the kids. There were smiles everywhere.

I would spend the next two days seeing panels with one of my favorite authors, Kim Harrison. One of my favorite TV shows Marvel’s Agents of SHIELD. One of my favorite comics The Walking Dead. One of my favorite personalities in all of media Kevin Smith. I was soaking it in but as I went to sleep Friday night I knew it was time for the perfume portion of the weekend to begin.

kilian at bergdorfs

Kilian Hennessy at Bergdorf Goodman

SniffaCon

At 8AM I showed up at Bergdorf Goodman and sat down in the café with my fellow perfume lovers to have the wondrous new releases displayed to us while sipping coffee and eating croissant. There were a lot of things new to me this year. The most impressive collection of the morning was the new Diana Vreeland perfumes. Ms. Vreeland was the person who created the editrix position at Vogue when she joined in 1962 and shepherded the magazine through the remainder of the decade before moving to the Costume Institute at the Met. She was influential and she was dynamic. I am happy to say the new collection of five fragrances capture the essence of what Ms. Vreeland was all about.

The other new perfume to me was the new B Balenciaga, It stands out for the use of an edamame accord on top which actually works well with the rest of the perfume.

Our final presenter was Kilian Hennessy who presented his Addictive State of Mind collection. Because I had already tried it I had a lot of fun watching others in the room reacting to the three perfumes for the first time. Based on my unofficial consumer research I think all three hit the mark for someone in the room. He also presented the wearable jewelry which can be scented. A couple of the necklaces were gorgeous. There really was no wrath here just well-done perfumes and accessories.

Next it was off to lunch where I heard from multiple speakers the highlight of which was Karen Dubin putting Chandler Burr through the questions James Lipton uses on “Inside the Actor’s Studio”. It was very funny when Chandler turned the tables on Karen when he had a hard time answering and asked her the question. Very fun way to see a different side of both of these people.

The clock was ticking and I had to bolt for the Javits Center so I could catch the panel for The Walking Dead TV show. The panel was completely crazy with the crowd roaring and screaming as everyone was introduced. My favorite moment was actress Melissa McBride talking about how the cast is a family and without that support she couldn’t have the courage to hit her performance week after week. It was sweet to see the love for a cast and crew in a show about a zombie apocalypse.

One last panel to see a preview of the upcoming Netflix series for Marvel’s Daredevil. I was giddy with excitement how one of my favorite comic book characters might just get done the way I want it to get done. The clips we saw have me ready to binge watch as soon as it is released in 2015.

Palooza

Sunday began at Osswald downtown where Carlos Huber of Arquiste took the crowd through the entire Arquiste line of perfumes ending with the fantastic new release The Architects Club. Next stop was Sue Phillips’ The Scentarium. It is where she will guide you through the process of making your own personalized perfume using pre-blended accords. This is all done with a wonderful joie de vivre which makes the experience feel very personal.

It was my turn to be the entertainment at lunch as I introduced the speakers. The two speakers who had perfume were the new brand Kiori and the young brand Phoenix Botanicals. Both perfumers presented perfume oils which are starting to become more common and desired by the consumer. Both new perfumes were very good and I will be reviewing both shortly.

It was now time to head for my bus to take me back home but I will be dreaming of superheroes and perfume all the way home.

Mark Behnke

New Perfume Reviews Arquiste for J. Crew No. 31 and No. 57- This Way to Niche

There has been a very interesting trend over the last few years as niche brands reach out to work with mid-level prestige brands. This is a bit more refined version of the capsule collections by haute couture fashion designers at mass-market department stores. The most recent partnership is between J. Crew, a clothing line with a very recognizable aesthetic. The same can be said about Arquiste. Both of these brands are successful because of the creative direction at the top. Jenna Lyons is the President and Creative Director for J. Crew. Carlos Huber holds the same positions for Arquiste. Both of these talented visionaries have combined to create Arquiste for J. Crew No. 31 and No. 47.

jenna lyons

Jenna Lyons of J. Crew

When doing a project of this kind both of the brands who have their name on the label have to come through without overwhelming the other. It very much has to be a true partnership. Sr. Huber as he does with all of his fragrances found a setting he wanted these fragrances to represent. For this he looked back to the 1943 exhibition, the first featuring art exclusively by women, curated by Peggy Guggenheim called “Exhibition by 31 Women” and held in her gallery, Art of this Century, on W. 57th Street in New York. These are the source of the numbers in the perfumes No. 31 for the number of artists and No. 57 for the location. Sr. Huber felt that he wanted these perfumes to be “as stimulating as the art, drawing on the scents of the strong cocktails and bold perfumes that filled the night.” He then turned to his two longtime collaborators Rodrigo Flores-Roux and Yann Vasnier to create the fragrances.

carlos huber

Carlos Huber of Arquiste

No. 31 is the one of the pair meant to evoke the mise en scene of opening night at the gallery. It is really working to pick up the drinks and perfume as the crowd mixes and mingles. When I wore No. 31 for the first time there was part of me that felt like it was very reminiscent of some older vintage perfume. I realized instead this is the smell of many perfumes overlapping in close quarters not so much one as a virtual collage of many. Sr. Flores-Roux and M. Vasnier do this by using plum, rose, and an eau de vie accord. All of these are classic perfume ingredients of the past and together they create a vintage feel. A bit of booziness courtesy of sweet vermouth is joined by oakmoss and patchouli. All together this truly achieves the desired effect of creating a 1940’s night in the gallery.

The exhibition was of modern art and No. 57 is meant to have a bit more modern feel to it than No. 31. I also think Sr. Huber really likes the idea of the drinking going on as No. 57 features a potent whiskey. No. 57 opens with that whiskey but it is paired with a vibrant cinnamon to create a spicy cocktail. This is all framed in with clean cedarwood. It all heads towards a base of vanilla and labdanum which is warm and comforting.

Both No. 31 and No. 57 are eau de toilette strength and have 6-8 hour longevity with moderate sillage.

Both of these perfumes fir right in with the J. Crew aesthetic of clothing and accessories for the modern woman. The Arquiste half is a bit of an introduction to the idea of niche perfumery as neither fragrance probably goes quite as far as It might if it was a full-on Arquiste release. I think that is probably for the best because I’d like to see these perfumes succeed in showing the J. Crew customer that there is a world of perfume beyond the department store counter if they can just be shown the way. Ms. Lyons and Sr. Huber are to be congratulated for constructing a pair of signposts which do just this.

Disclosure: This review is based on bottles I purchased.

Mark Behnke

New Perfume Reviews Arquiste L’Etrog Acqua & The Architects Club- Italian Orchards & Art Deco Club Kids

One of my very favorite recent new perfume lines is Arquiste. In 2011 there were six debut releases and one year later a seventh was added. What I like so much about Arquiste is it is a tight knit team behind all of the fragrances. It starts with owner and Creative Director Carlos Huber who has taken his training as an architectural historian and restorer and applied that to the world of fragrance. So far for all of the Arquiste line he has exclusively used two perfumers, Rodrigo Flores-Roux and Yann Vasnier, separately or in tandem. Arquiste is an example of passionate creativity and friendship leading to a collection which is excellent from top to bottom. Because of this admiration I was really looking forward to seeing Sr. Huber at Esxence because I was hoping for something new after over a year. I wasn’t disappointed as he presented two new fragrances, L’Etrog Acqua and The Architects Club.

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L’Etrog Acqua is a continuation of the story begun by one of the original six, L’Etrog and how it came to be is a funny story. Sr. Huber was visiting with Sr. Flores-Roux and as he got near he realized he sort of smelled L’Etrog but it was different. When he asked about it, Sr. Flores-Roux said he wanted a more “summer” version and so he ditched most of the notes in the heart and base and what was left was a very Mediterranean cologne. Sr. Huber agreed and now we can all enjoy the summer version of L’Etrog.

L’Etrog Acqua has exactly the same opening notes as in L’Etrog but they are more pronounced without as much underneath to start pushing them to the side. For almost the entire time I wore L’Etrog Acqua these were the notes which were on display; cedrat, lemon, mandarin, petitgrain, and myrtle. With the original those would give way to an intense dried fruit accord down to the vetiver, orris and patchouli base. All of that is gone and all that remains in L’Etrog Acqua is cedar, vetiver, and labdanum. Without the darker contrasts the top notes get to frolic more freely and the base notes really just sort of join in. For a straightforward citrus fragrance L’Etrog Acqua kept going strong for over 8 hours. Sr. Flores-Roux does capture the flip side to L'Etrog, a summer morning in an Italian citrus orchard. I know this will be worn a lot this summer by me.

brightyoungthings

The Architects Club is a more typical Arquiste fragrance complete with appropriate scene setting by Sr. Huber. All of the fragrances have a time and place assigned to them as a brief. For The Architects Club it is Dusk, March, 1930, Mayfair, London inside an Art Deco smoking room. A group of architects settle into the warm interior of dark woods, leather, and velvet. A group of London’s bright young things burst in to the room frosted martinis in hand, surrounded by a cloud of laughter, white smoke, and fine vanilla.

I love the whole Lost Generation era and I was excited to see what M. Vasnier came up with as a perfume to match the described tableau. What he did was make a group of architects’ notes; woods, vetiver, amber, and spices. A group of notes representing the flappers; citrus, gin, and vanilla. Let them crash together and watch the interaction. This turns out to have all of the attributes of an impromptu party in fragrant form.

The Architects Club starts with the spice and woods of the boys out in front and then very quickly the gin and citrus energy of the girls destroy the serenity. M. Vasnier has produced as quickly a developing first few moments of perfume that I have encountered in recent memory. When Sr. Huber gave me the strip after hearing the brief I immediately got the men’s club vibe and just as I was about to say, “nice”, the ladies had started a party on my mouillette. Wearing this for a couple of days this animated opening is even more appealing on my skin. Once everyone is in the midst of having a good time the gin accord and the spices really dominate the early going and they are also having a good time getting to know each other. As this party rages on the vetiver and vanilla make sure the shank of the evening still holds some interest. I can’t remember when an opening of a fragrance has made me say “wow” as much as The Architects Club did. The rest of the fragrance is also very good but there is a wonderful rush I get from the first few moments of this one each time I’ve worn it and it is intoxicating. The Architects Club has all-day longevity and modest sillage as it is at 25% perfume extract concentration. There may be a party going on but only those you let close will know about it.

I’ll be wearing both of these for the next few months but once fall comes The Architects Club party will continue to play on because, as you know, nothing stops a great show.

L'Etrog Acqua will be available in June and The Architects Club will be released in the fall wherever you find Arquiste for sale.

Disclosure: This review was based on press samples provided by Arquiste at Esxence 2014.

Mark Behnke