Colognoisseur 2014 Year-End Review Part 3- The Top 25 New Perfumes of the Year

Once again I tried to smell every new perfume that was released in 2014 and like Wile E. Coyote chasing The Road Runner, I failed. I did smell more this year than I ever have, 614 new perfumes. Unfortunately as of this writing there were 1614 new releases in 2014. I only missed by a 1000. I think we can all agree that there is just too much new product which just smells too similar. The 25 perfumes I highlight below managed to stand out from everything I tried this year.

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Vero Kern

Top 5 (Fragrance of the Year Candidates)

5. Amouage Sunshine Woman– Creative Director Christopher Chong and perfumer Sidonie Lancesseur have created the most un-Amouage Amouage perfume in Sunshine Woman. With Mr. Chong’s hand on the creative wheel Mme Lancesseur guided Amouage into sunnier places than Amouage usually travels. That they accomplished this without using the typical sparkling ingredients from the perfumer’s palette makes it all the more remarkable. I still don’t think I do justice describing this in words other than it is one of the best perfumes of the year.

4. Maria Candida Gentile Leuco– When I attended Pitti Fragranze I must have tried thirty tuberose perfumes each more boringly generic than the next one. Until Maria Candida Gentile handed me Leuco. As part of her Il Volo del Calabrone (Flight of the Bumblebee) collection she has made a tuberose that does not seek to club you over the head. In Leuco, Sig.ra Gentile has combined it with French beeswax to create a shimmering powdery tuberose perfume.

3. Aedes de Venustas Copal AzurAfter writing about Bertrand Duchaufour and his time as my self-proclaimed High Priest of Resins during the early 2000’s I received an e-mail telling me he was working on a perfume which had more incense in it than ever before. When I smelled Copal Azur I realized M. Duchaufour still had some more resinous wizardry up his sleeve. By pushing to a 30% concentration of incense raw materials it takes Copal Azur right up to the edge of where it might be unpleasant but M. Duchaufour knows how not to cross that line. Creative Directors Karl Bradl and Robert Gerstner are surely fashioning a line of perfume as finely curated as their NYC boutique is.

2. Bogue Profumo Maai– The absolute best surprise of all of 2014 for me. I had heard a little bit of independent perfumer Antonio Gardoni. I didn’t expect such an assured piece of perfumery from a self-taught artist on his third release. Maai feels like a perfume of yesteryear that could be found in the glove compartment of a Tesla. When I speak of Retro Nouveau, if you need an example, try Maai and I think you’ll instantly understand what I mean.

1. Vero Profumo Rozy Voile d’ExtraitFor much more on why I picked this read Part 2 of my Best of 2014. For the purposes of this article it is simply the best post-modern rose perfume ever.

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Mandy Aftel (Photo: Foster Curry)

Here are the rest of the Top 25 in alphabetical order:

Aftelier Palimpsest– Natural Perfumer Mandy Aftel is a national treasure as she continues to branch out. Her book Fragrant is the best volume on perfume in years. She also released a transcendent perfume named after the technique used in medieval times of writing over already used parchment. Palimpsest the perfume also has layers upon layers which reward my attention every time I wear it.

Ann Gerard Parfum Rose CutAnn Gerard came to perfumery from designing jewelry. Her fourth collaboration with perfumer Bertrand Duchaufour is a bright shining diamond that smells like a rose.

aromaM Camellia– Indie Perfumer Maria McElroy makes what I think is her most personal perfume to date. Camellia takes you more than skin deep right to the soul of a geisha in a subtle floral constructed around the titular note.

Arquiste The Architects Club– My Creative Director of the Year Carlos Huber obviously had a great 2014. The Architects Club is the crown on that year as a clash of uptight architects and flappers in 1930 London turns into a citrus, gin, and vanilla laden party. I keep going back to perfumer Yann Vasnier’s fragrant soiree for more.

By Kilian Intoxicated– If you felt that By Kilian has been off on a bit of a tangent you should come back and try the perfumes in the new Addictive State of Mind Collection. Intoxicated is a perfumed take on Turkish coffee by Calice Becker. She combines green cardamom and coffee into something I never want to see in a Starbucks cup but I want to wear over and over.

Comme des Garcons + Stephen Jones Wisteria Hysteria– There was no sequel I was more wary of than the second collaboration between Comme des Garcons and milliner Stephen Jones. Perfumer Nathalie Feisthauer created something akin to a new hat. You have to wear it a few times before it really fits. If you give Wisteria Hysteria time you will find a perfume with more subtlety and nuance throughout than almost any other release in 2014.

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Dawn Spencer Hurwitz

DSH Perfumes Seve de PinDawn Spencer Hurwitz finds inspiration in so many places. Once she found Eric Bresselsmith of House of Aromatics and his 50-year old resin crystals in pure pinion oil she turned it into a photorealistic pine perfume like nothing I have ever smelled in this genre. Rocky Mountain high, indeed.

Etat Libre D’Orange Rien Intense Incense– Creative Director Etienne de Swadt asked perfumer Antoine Lie to create an “intense” version of the already intense 2006 release Rien. This could have gone wrong in so many ways but M. Lie created a flanker that is better than the original.

Hiram Green Shangri-LaHiram Green was inspired by the alpha chypre, Chypre de Coty, to make his own version. His version may not be as groundbreaking as to create a whole new fragrance category but it as good as modern chypres get. Mr. Green has established himself as a new perfumer to watch in just his second release.

Le Labo Geranium 30– I wanted to not like this. A limited edition of only 100 bottles by perfumer Barnabe Fillion in collaboration with lifestyle store Opening Ceremony with added creative direction from floral designer Thierry Boutemy. I wanted to dismiss this, I really did. I can’t. It is the best Le Labo floral since Rose 31. There is no reason for this to be so limited because of some rare ingredient so maybe the new masters at Estee Lauder can release it widely in 2015, y’know as a goodwill gesture.

Map of the Heart Black Heart v.2– If you, like me, have wondered just how dark a perfume can get and still remain wearable this will test that. Perfumer Jacques Huclier makes a perfume that has not even one tiny point of light. If you’ve craved an olfactory heart of darkness, here it is.

Masque Milano Russian Tea– I’ll admit I wasn’t as big a fan of the initial three releases from Masque Milano in 2013. It couldn’t be a more different story in 2014. The second release for 2014, Russian Tea, is fabulous. Perfumer Julien Rasquinet, in the last perfume of his independent career, realized creative directors Alessandro Brun and Riccardo Tedeschi’s brief of having a potent cup of tea on a winter’s day in St. Petersburg.

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Naomi Goodsir

Naomi Goodsir Or du SerailNaomi Goodsir and Renaud Coutaudier are two of my favorite creative directors because they are uncompromising in waiting until they get the modification they want. For Or du Serail they pushed perfumer Bertrand Duchaufour into creating one of his best and most textural perfumes of the last couple of years.

Neela Vermeire Creations Mohur ExtraitNeela Vermeire let me have a tiny taste of this over a year before it was finally released. It was a very frustrating secret to keep because Mohur Extrait is the best of this line to date. Mohur Extrait is a quantum leap better than the very good parent Mohur EdP all while staying very personal.

Olfactive Studio Ombre Indigo– The blue liquid in the clear flacon is visually striking all by itself. The photographic inspiration by Gustavo Pelizzon is a study in shadow. The perfume by Mylene Alran under owner Celine Verleur’s creative direction is a study in chasing perfumed shadows cast by tuberose and vetiver. I still haven’t tired of it.

Olivier Durbano Promethee– Experiencing Olivier Durbano’s development as a perfumer for nearly ten years didn’t prepare me for this fully realized creation based on the mythological character Prometheus. It feels like M. Durbano has offered a smoldering firebrand announcing his arrival as one of our best perfumers.

Parfumerie Genrale 7.1 Grand Siecle Intense– Pierre Guillaume has been going back and making variations on his earlier Parfumerie Generale fragrances. This re-working of Cologne Grand Siecle felt like he finally completed that perfume, adding in a proper heart and base to what was, and in 7.1 still is, one of the most brilliant lemon accords I have ever smelled. This was my favorite perfume of the summer of 2014. I really hope he keeps making it.

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Roja Dove

Roja Parfums Nuwa– There are sometimes I want my perfume to be big as it can be. Say what you will of Roja Dove but he has no fear of going as big as you can. Nuwa is that philosophy applied to a classic chypre.

slumberhouse Sadanne– Perfumer Josh Lobb released this in the summer and I have spent the rest of the year enjoying every time I wear this. Mr. Lobb has created a perfume of abrupt tonal shifts from gourmand to prickly floral to feral beast. This is probably too much for many. I can’t get enough of it.

Tauer Perfumes Cologne du MaghrebAndy Tauer decides to take cologne and make it something completely Tauer-like. Hr. Tauer challenged himself to create an all-natural, all-botanical cologne. The result was a wonderful bit of inspiration and imagination.

Ulrich Lang New York ApertureUlrich Lang has been making a habit of flying below the radar. If I had an award for most underrated perfume brand his would be one of the front runners. Aperture is another example of why this brand should be more lauded. Hr. Lang was inspired by an amazing photograph by Olivia Bee. The perfume captures all that the picture promises. This might be one of the harder perfumes on this list to find. Make the effort, you will be well-rewarded for it.

The Final Cuts: The 18 Which Just Missed the Top 25- Aedes de Venustas Oeillet Bengale, Atelier Cologne Blanche Immortelle, Bottega Veneta Knot, Comme des Garcons Pharell Williams Girl, Dior La Collection Privee Cuir Cannage, Grandiflora Magnolia Grandiflora Sandrine, Jardins D’Ecrivains Junky, Jo Malone Wood Sage & Sea Salt, Juliette Has a Gun Moon Dance, Le Galion Whip, Masque Milano Tango, Mona di Orio Myrrh Casati, Ormonde Jayne Black Gold, Parfum D’Empire Corsica Furiosa, Parfums de Nicolai Cuir Cuba Intense, Parfums DelRae Wit, Providence Perfume Co. Violet Beauregarde, and Richard Luscher Britos 14oS48oE.

That’s it for 2014. Most of you will be reading this on New Year’s Eve and I want to wish all of the readers of Colognoisseur a happy and healthy 2015. I’ll be here exploring fragrance with you throughout the upcoming year. ACME just delivered my rocket-powered sneakers so maybe I'll be able to keep up this time.

Part 1 of my 2014 review on the trends and news of the year can be found here.

Part 2 where I name the perfume, perfumer, creative director and brand of the year can be found here.

Mark Behnke

New Perfume Review Bogue Profumo Maai- Engagement Distance

I have often heard Michael Edwards offer the advice to new perfumers, especially indie ones, that they should take the time to study the great perfumes and perfumers of the past. What if you had the good fortune to instead come into the possession of forty bottles of essences and bases from a perfumer’s laboratory circa sometime in the 1940’s? If you were an aspiring perfumer and could study those materials what insights and influences would that bring to your own perfumery? Those previous questions are what perfumer Antonio Gardoni has used to found his Italian indie perfume line, Bogue Profumo.

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The old essences Sig. Gardoni used for Cologne Relaoded

Sig. Gardoni did indeed come into a treasure trove of incredibly well-preserved bottles of an unnamed perfumer’s ingredients. After living with them he chose to reproduce one of the recipes on the bottle and released it as Cologne Reloaded. What Sig. Gardoni recreated was a cologne with an intensely animalic base of castoreum. This truly smelled of the classic barbershop cologne right down to the leather strop for sharpening the straight razor. Eau d’E would be the second release and this was a more modern take on the same cologne idea. Sig. Gardoni takes a very intense lavender and pairs it with the classic herbal citrus cologne accord. If Cologne Reloaded felt like an artifact Eau d’E felt like a modern extrapolation of that. The thing that I liked best was Sig. Gardoni’s choice to explore the unusual aspects of lavender looking to accentuate the less floral aspects. Both of these were preparation for Sig. Gardoni’s new release, Maai, wherein he combines many of the lessons learned and creates one of the finest Retro Nouveau fragrances I have ever smelled.

Retro Nouveau constructions almost by definition have to be accomplished by independent perfumers. These need to be small batch production runs. They need to be unafraid to push certain aspects right to the edge of being unpleasant. Finally, they need to fuse the present with the past without letting either dominate. When I asked Sig. Gardoni the origin of the name Maai he told me, “it is a Japanese word used in the martial art of Kendo that I practice from many years. The meaning is actually quite difficult to render but more or less it means "interval/space in between" and it's the relationship between space and time between two opponents a sort of "engagement distance" it defines the exact position/time from which one opponent can strike the other”. Maai the perfume is that interval between the Retro and the Nouveau and the “engagement distance” is precisely balanced to produce a singular perfume effect.

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Antonio Gardoni

Maai takes the animalic themes Sig. Gardoni explored in Cologne Reloaded and creates a fascinating musky base upon which to build the rest of his new fragrance. This is what I was speaking of in the previous paragraph; there isn’t just castoreum in this base he adds in civet and hyraceum along with a bunch of other musks. All together this has an incredible depth and texture it feels as if Maai has a pounding heartbeat. It also isn’t for the faint of heart. One other aspect I really enjoy with this is when these animalic notes reach this level of concentration they also carry a honey-like sweetness which rides along on the crest like a surfer riding a monster wave.

The modern aspect Sig. Gardoni applies to Maai is by using the same technique he used in Eau d’E and taking a well-known floral and finding a more contemporary read on that note. For Maai the note is tuberose and the choice Sig. Gardoni takes is to use a deeply green tuberose as the co-focal point. What this does is provide an indolic foil to the animalic base while also producing a nascent white flower character. The tuberose never explodes into its show stopping floralcy. Sig. Gardoni captures the tuberose just shy of it bursting to life and it is a mannered tuberose but there is a suppressed energy lurking behind. This is the buzz of potential reined in as the tuberose stays poised on a precipice without falling into empty space.

There are a slug of soapy aldehydes in the top notes before the tuberose begins to impose its presence. Labdanum contains the tuberose by amplifying the green early on. A bit of rose and jasmine help to remind you there is a flower here in the heart. The indoles, from the tuberose, are the perfect bridge to the beginning of the animalic base. Sig. Gardoni swirls in a few different resins which add details like olfactory grace notes. Then the full potential of the animalic accord settles into place and cradles the tuberose within its embrace. The “engagement distance” is now down to zero, right where it should be.

Maai has 12-14 hour longevity and above average sillage.

Maai is the perfect Retro Nouveau fragrance in my opinion; Sig. Gardoni has pulled off a clever bit of perfumery that is much more accomplished than it should be. It feels like it could have come from a long-lost bottle found deep in a cabinet and it feels like it could be found on a small boutique counter next to present day brands. Maai is as good as modern independent perfumery gets.

Disclosure: This review was based on a sample provided by Bogue Profumo.

Mark Behnke