There was a moment in time where I thought the Marc Jacobs fragrance collection was trying to do something different in the mainstream sector of perfume. 2007’s Daisy, 2009’s Lola, and 2010’s Bang were each an attempt to lure in a different perfume buyer with tiny nods to a niche aesthetic. I admired the ingenuity to see if there was a consumer out there for this style of mass-market perfume. Somewhere along the line this kind of thinking evaporated as the brand became a flanker factory with numerous Daisy, Lola, and Splash entries cluttering things up. All of these were so painfully pedestrian that even when they made the odd foray into something different like 2012’s Dot it just felt half-hearted. Over the last couple of months it looks like Marc Jacobs has decided to give it another try.
I generally liked the summer release Mod Noir although the name is a bit of false advertising. Bottom line was it wasn’t another flanker and it was definitely in the upper percentiles in the department store category. About a week after I wrote that review I received a sample of the new fall release Decadence. Because I had liked Mod Noir and the timing was right I tried Decadence right away. My first impression was this was very different than any of the other tent pole fragrances for the brand. Mr. Jacobs along with Ann Gottlieb were the creative team working with perfumer Annie Buzantian on Decadence. What they have created is the strongest floral in the line as they move away from the fruity floral and run headlong into floriental territory.
Mme Buzantian adds the niche like-flourishes in the top and the base. The top notes are iris, plum, and saffron. The saffron exerts enough of a presence to keep the opening from being a boring fruity floral accord. There is enough familiarity there for someone who is a fan of previous Marc Jacobs to find a safe place to start their Decadence experience. The triple whammy of orris, rose, and jasmine in the heart is meant to sweep them off their feet in a swoosh of heavy hitter florals. So often this kind of power is carried by a bunch of white florals. I like the change by Mme Buzantian as the orris bumps up against a spicy rose and slightly indolic jasmine. It doesn’t go as far as a typical niche release but it goes a lot further than most of the other bottles on the perfume counter. This is the tricky part to give a consumer something different without alienating them. From my perspective I think it is a brave choice which could go either way. The base is a very green mixture of papyrus and vetiver matched with amber. It forms a verdant Oriental accord for the florals to rest upon.
Decadence has 10-12 hour longevity and way above average sillage. A lighter application than other perfumes is probably necessary for best results.
It looks like Mr. Jacobs has not given up on his desire to try something different as with Decadence he is really taking a bold step outside of the previous oeuvre of the brand. He is doing a smart thing and putting this in a spectacular looking bottle which looks like a clutch purse complete with tassel. The bottle will drive some sales all on its own. I think many of those and others who give Decadence a chance will be surprised at the new direction for Marc Jacobs. I hope they like it because I would like to see more of this from the brand. I know they have my attention, again.
Disclosure: This review was based on a sample provided by Coty.
As I continue my reviews of the new Raymond Matts Aura de Parfum collection I turn to a pair which are complete opposites. One celebrates all of the promise of a spring day. The other is the smell of attraction from afar traveling the paths of imagination wherein the feeling is returned. Maiaday and Pashay are those perfumes.
There are instructions for how to pronounce the names in the press materials. Maiaday is supposed to be pronounced (My*a*day). Ever since wearing it I’ve been calling it May*a*day because it embodies that day in May when we acknowledge the return of green and growing things. Perfumer Annie Buzantian composes a perfume which captures that pent-up energy of the coming of spring after the long winter. Ms. Buzantian keeps it all very supple and soft as a sunny floral green haze enveloped me when I wore Maiaday. Ms. Buzantian opens with her greenery floating on a pond which she marries to a citrus grouping of notes. It adds that zing to the opening as it amplifies and complements the green accord. Maiaday moves into a floral heart with that May Day flower, muguet, at the center. Ms. Buzantian brackets it with the expected, in violet leaves, picking up the greener facets of muguet. The unexpected is saffron which adds a bit of outre´ charm. Saffron works here because it is such a softly assertive spicy note. Something a little more aggressive would have thrown off the vibe Ms. Buzantian is building. This carries through into the base as she uses a number of synthetic woods to form a translucent woody accord to evoke the trees waking up on May Day. As much as I’ve been enjoying wearing Maiaday on these winter days I am really looking forward to wearing it on a mid-summer’s day. Maiaday has 12-14 hour longevity and above average sillage.
Christophe Laudamiel (Photo: Marcus Gaab for NY TImes)
The inspiration for Pashay came from a chance encounter on a Fifth Avenue bus Mr. Matts was riding. Also sharing his ride was “a beautiful black woman…with flawless skin and an exposed shoulder.” When Mr. Matts approached perfumer Christophe Laudamiel with this inspiration he also had an interesting request for a starting point for M. Laudamiel. By looking at this olive toned skin he wanted to use a Kalamata olive note as the focal point of Pashay. M. Laudamiel thought it a crazy idea but once he and Mr. Matts started working on Pashay they found there was some latitude to realize their vision while starting from such a different beginning. Pashay opens on a fruity flurry of citrus and pear. This leads to the heart where they chose seaweed and narcissus to join the Kalamata to form their desired salty skin accord. If you look at those ingredients on face value you might not see how this comes to be. By using the oily salty olive to build upon; the seaweed pulls out the hidden marine facets as well as a sense of clean sweaty skin. The narcissus takes this and uses its intense floralcy to frame and enhance the illusion. It really is the smell of a woman’s shoulder after she has worked up a sweat. This all fades into a woody base of sandalwood and guaiac wood. This is a cleaned up sandalwood synthetic stripped of the sweet facets and the guaiac wood provides a more versatile clean wood than something like cedar might have. The final stages of Pashay are the dream of that woman on the bus as it pulls away and you watch it move down the street. Pashay has 10-12 hour longevity and average sillage.
Disclosure: These reviews were based on samples I received from Raymond Matts.
My first exposure to Avon was our local Avon Lady who visited our house regularly. There were commercials with the tag line “Avon Calling!” Many of those companies which sold door-to-door in the 1960’s and 1970’s were made obsolete by the internet. Avon has not only adapted they have thrived with $10 biliion in sales in 2013. They have managed to navigate the shifting fortunes and stake out a place for themselves. As I went through the box of fragrance supplied by my friend who is a current Avon Lady I was impressed with the consistency of the collection as a whole. Current Creative Director Isabel Lopes and her predecessors all understand how to make an appealing fragrance for their customers at a more than appealing price, around $20. The epitome of Discount Diamonds. Here are five more I think are worth giving a try.
Haiku Kyoto Flower by perfumer Pierre Negrin is the latest flanker to 2001’s Haiku, whose gauzy lilting green was also good. The newest member of the Haiku family is a little more outgoing. M. Negrin uses sharp violet made greener with blackcurrant. This is very much a recognizable opening from many niche perfumes but made more palatable by keeping it very light. The heart is peony and orange blossom, pretty and more pronounced then the top notes. It ends on sandalwood and a favorite in many of the feminine marketed Avon fragrances a cocktail of the cotton linen musks. This is very lovely green floral perfume.
Avon Femme is by perfumer Harry Fremont. M. Fremont is one of the best mainstream perfumers working currently. He definitely knows how to interpret a brand’s character and capture it in a fragrance. Avon Femme is a crisp fruity musk perfume. It starts with the snappy pairing of grapefruit and pear matched with a bit of very clean jasmine. There will be no indoles here this is fresh and pretty. Magnolia is the floral keynote supported with a bit of peach. It ends with the sheer musk cocktail I mentioned above. For those who want a skank-free jasmine fruity floral Avon Femme is a good choice.
Avon does make fragrances for men and Avon Exploration by perfumer Laurent Le Guernec is a good example. As I mentioned yesterday the men’s fragrances hew to an aesthetic of bracing and woody, Avon Exploration does that. M. Le Guernec does choose to make Avon Exploration very bracing as he fashions an olfactory slap of cardamom, sage, and rosemary. This is a very concentrated opening and it is typical of the masculine Avon fragrances. It does settle down into a sandalwood, vetiver, and non-sheer musk which is less challenging. If you are a fan of powerhouse men’s fragrances Avon Exploration is a modern version.
Far Away Gold by Calice Becker is a special warm floral. Mme Becker knows how to build a soft warm vanilla and sandalwood base even with the more cost-efficient materials and it is that where Far Away Gold ends. Prior to that osmanthus and peach lead to a jasmine and ylang-ylang heart. A wonderful comfort scent.
Avon does have their celebuscents and one of the more interesting collaborators is musician Bon Jovi. Part of the Bon Jovi collection is Unplugged for Her by perfumer Annie Buzantian. This was the most subtle fragrance of all of the ones I tried. It was very surprising since a rock star is associated with it, although it is unplugged. Mme Buzantian uses a very opaque application of ivy and plum to give a sheer green fruity opening. Rose carries the heart but this is a synthetic rose which carries the fresh floralcy and little of the spiciness or powdery facets. It keeps it on the light side for making that choice. A cocktail of soft woods and even softer white musks close this. Very easy to wear and a perfect office scent for those who work in close quarters and still want to wear perfume.
Now let me reiterate what I stated yesterday, perfume for $20 is not chock full of essential oils. There might be a pinch here and there but this is all synthetic versions of the notes I mentioned. As you can see there are very talented perfumers working for Avon and I think they do a tremendous job at making the most of a limited budget. Enough so that if you need an economical perfume fix contact your local Avon Lady…..Avon Calling!
Disclosure: This review was based on samples provided by Avon.