There are several inspirations which crop up again and again in fragrance. One of the more common ones is the fictional city of Shangri-La from the 1933 book by James Hilton and the movie of the same name by director Frank Capra four years later. It is suggested that it is somewhere in the area adjacent to Tibet in the Kunlun Mountains. That’s from the book. There are many other places which claim to be the inspiration for Mr. Hilton. I am happy that there is no one earthly place which can be pinned down as the definitive source of Shangri-La. Shangri-La should always be a concept embracing the ability to find true serenity which doesn’t require a physical presence; the idea is enough.
Amouage creative director Christopher Chong recently visited Bhutan coming away with the inspiration for the latest duo of releases; Figment Man and Figment Woman. Don’t read “figment” as containing fig read it as figment of imagination. Much as seeing Shangri-La would be. I’ll be reviewing both but I’m going to start with Figment Man.
Mr. Chong collaborates with perfumer Annick Menardo for Figment Man. Figment Man is part of the “second cycle” of Amouage. Now that we have a few releases in this group there is beginning to be a developing aesthetic which seems to delight in developing large themes on a broad canvas. Some of this is the brand aesthetic of Amouage. Most of it is Mr. Chong’s desire to create fragrance with an operatic wingspan. I have been enjoying this overt style through the first few releases of the “second cycle”. Mme Menardo is fluent in this kind of design making her a good partner.
The nucleus of Figment Man is sandalwood. Sandalwood is one of those smells which I associate with meditation. It is the clean slightly sweet woody scent I use as my olfactory mantra as I breathe in and out in search of center. Mr. Chong and Mme Menardo are looking to make that search a bit more challenging. Requiring an inward examination of the air, the earth, and the body.
Figment Man opens with a cleansing breath of lemon, baie rose, and geranium. This is that deep breath on a cool morning you feel it all the way to the base of your soul. The sandalwood then appears holding the center; focusing my attention. Vetiver covers it with a grassy veil which takes my focus elsewhere. Then Mme Menardo uses what is described as an “animalic note”. It is surely not a single note but a mixture of modern synthetic musks. It resolves into a clean skin accord which brings me inward. Next, I am drawn in the opposite direction as Mme Menardo creates an “earthy accord” this is a wet soil accord carrying the after the rain quality of geosmin. It intertwines with the animalic forming a duet of earth and soul on a sandalwood focal point. This is a fabulous point in the development and where Figment Man spends most of its time on my skin. After many hours guaiac wood comes along to allow me to re-establish the woody focus I started with.
Figment Man has 24-hour longevity and above average sillage.
Figment Man is everything that I respect about the current version of Amouage. Mr. Chong directs his perfumer collaborators to push to the edges of what it means to design perfume. It means Amouage is nothing less than fascinating. Figment Man uses the idea of the fictional serenity of Shangri-La to ask a perfume lover to study their idea of what an olfactive version might entail. I might not find the mythical city but the reality of Figment Man will allow me to study serenity anytime I want.
Disclosure: this review was based on a press sample provided by Amouage.