New Perfume Reviews Amouage Myths Man and Myths Woman- Real Surrealism

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As Amouage moves further into its “second cycle” creative director Christopher Chong is deliberately evolving the aesthetic of the brand. I believe this firmly began to take place with the pair of Fate releases which marked the end of the “first cycle”. Those perfumes felt like a capping of the aesthetic that had been built over the first six years of Mr. Chong’s oversight. Amouage had begun to move from a purely Middle Eastern aesthetic to a melding of European panache becoming a characteristic. The two Fates showed a brand in balance between the two. In the “second cycle” it seems as if the European is gaining the upper hand over the Middle Eastern. The pair of Journey releases from last year began the definition of this new formula. Now with the release of Myths Man and Myths Woman the evolution continues.

Christopher-Chong-Amouage-Creative-Director

Christopher Chong

Myths Man was composed by perfumers Daniel Visentin, Dorothee Piot, and Karine Vinchon-Spehner. This is perhaps the most morose perfume ever released by Amouage. There is a bit of a wag within me that wants to call this Mr. Chong’s Elegy. In the press materials both Myths are inspired by surrealism. If I can unmoor my association of the fresh florals which open Myths Man from the funereal I find it easier to see the surrealism underneath. I just found it very difficult to do that because the floral accord is so realistic I can almost smell the air conditioned air of the funeral parlor. The rest of the development does move away from that but not for an hour or two.

The perfumers use chrysanthemum, orris, and rose as their floral opening. It is so real as if it was a bouquet containing all three notes which I can move my nose from bloom to bloom. The chrysanthemum is the most prominent and that is what sets off the sad association in my head. Having smelled way too many chrysanthemums in too many funeral homes. It is enhanced a little more with the addition of a leather accord. This again imparts weightiness. It isn’t until the rum, elemi, and vetiver decide to break out into an old-fashioned Irish wake that the mood lifts making the last few hours a party instead of a funeral.

Myths Man has 14-16 hour longevity and average sillage.

I am not sure others will retain the sad aspects I associate with the early development. It will be easy for many to home in on a fresh floral top accord leading to leather and rum. I think those people are going to like Myths Man a lot. I like it a lot but it also has such an emotional impact on me I’m not sure I’m going to wear it often.

nathalie lorson

Nathalie Lorson

Myths Woman was composed by Nathalie Lorson. This is the promised surrealistic fragrance. It is a jigsaw puzzle where the pieces seemed forced together. Except the picture that is represented has an unexpected power for its discord. It has a kinetic resolution to it which can be wearying or exhilarating. I found it to be the kind of perfume thrill ride I want to take.

Mme Lorson begins with galbanum and violet leaf. This is a green scalpel honed sharp as it takes precise cuts throughout the early moments. It almost begs to be buried within an earthy matrix which Mme Lorson provides with a rich patchouli. Concurrent with that comes a leather accord. Here is one of those forced jigsaw pieces I am referring to. The leather and the green patchouli accord go together but there are places where they just don’t seem to mesh. This sets up that kaleidoscopic development which begins to try and resolve the differences without ever really achieving it. Carnation adds a fresh floral aspect to this perfume-in-motion making it even more unruly. Some order is retained as moss, ambergris, and musks present a more conventional finishing accord.

Myths Woman has 12-14 hour longevity and above average sillage.

This is the third perfume from Amouage which has contained this phase of moving parts that maybe grind their gears a bit. It is going to be too much for some and for others, like me, just right. Few brands would take this step. It speaks volumes that Mr. Chong does not step back from that challenge. Instead he leans in to it. Which is why Myths Man and Myths Woman provide real surrealism without compromise.

Disclosure: This review was based on bottles of each perfume provided by Amouage.

Mark Behnke

3 thoughts on “New Perfume Reviews Amouage Myths Man and Myths Woman- Real Surrealism

  1. Wow

    Maybe my sample was tainted?

    The floral opening was the very essence of synthetic violets. Just dreadful.

    I am a huge Amouage guy….own 9 bottles and use every one of them regularly.

    This one had no Amouage DNA. Even the smokey incense part smelled highly synthetic. 

    I was so predisposed to like it because of the Amouage name and the gorgeous bottle.

    All that being said….thanks for taking the time to write a very good review.

    • Richard,

      I think that Amouage DNA you’re speaking of is in the process of evolving. Whether it evolves into something you like is probably somthing yet to be determined.

      Mark

  2. Thank you. Splended assessment of Myths Woman. I think you've captured it perfectly. I'd heard all sorts of negative things from various mainstream sources, but my experience was yours. I think it is both a throwback to an older style — "difficult" notes such as narcissus, a dark and mysterious, shape-shifting base — and paradoxically modern and edgy. I'm an older woman raised on the classics, and this fits into that aesthetic beautifully.

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