There are perfumes which make it in to the Dead Letter Office because the times have just passed them by. During the early 1970’s the way perfume was marketed and bought was undergoing a significant change. I have heard Michael Edwards mention many times that prior to the mid-1970’s most perfume was purchased by men as a gift for the women in their life. As women entered the workforce earning their own income that would change as women took as much control of the fragrances they wore as they were doing with the rest of their life. During this time there was also a concerted effort to market fragrance to this new female worker. One of the mantras at this time was women who could “have it all”. What that meant was work all day take care of the home all night. It reflected the changing society that women were exhausting themselves trying to live up to this. Unsurprisingly there was a perfume which was being marketed for these superwomen of the 1970’s: Prince Matchabelli Aviance.
One thing that Prince Matchabelli knew how to do was to market their perfumes. They also were one of the earliest brands to use television extensively. If you are a Baby Boomer know the jingle to many of the Prince Matchabelli fragrances. Wind Song not only stayed on your mind but it was an earworm before that term existed. The ad campaign for Aviance also has a memorable tune. In the commercial a woman sings the lyrics “I’ve been sweet and I’ve been good/ I’ve had a full day of motherhood/ But I’m going to have an Aviance night!” As she sings she changes out of her house cleaning jeans, kerchief, and untucked shirt into something more appealing looking. As she finishes the line above a man in a suit and tie responds “Oh yeah, we’re going to have an Aviance night.”
Perfumer Betty Busse working off this idea of a perfume for the woman trying to have it all decides to make a floral aldehyde variant. It kind of mirrors that concept of streamlined green for the office, traditional florals for the housewife, and musk for the evening to come.
Ms. Busse opens Aviance up on a very green aldehydic top accord which carries a bit of muguet along with it. These early moments are reminiscent of many current green muguet scents of the present. It does try to be that safer office style of fragrance. The heart is that traditional bouquet of jasmine and rose with little surprise. The base accord is surprising because Ms. Busse really goes for a musky green effect. Vetiver and moss provide the green tint to the animalic. A smart use of tonka picks up and amplifies the sweeter facets of the musk really adding to its sensuality.
Aviance has 18-24 hour longevity and above average sillage.
In the 1970’s there were three “working woman perfumes” only Revlon Charlie still exists today. The other two Revlon Enjoli and Aviance were sent to the Dead Letter Office because women became more savvy about everything in their lives including perfume.
Disclosure: This review is based on a bottle I purchased.