The Sunday Magazine: Non-Perfume FAQ July 2017

One of the great joys of writing Colognoisseur is the amount of e-mail I receive. The interaction between reader and writer has sparked many story ideas on fragrance. When I started Colognoisseur I wanted to spend one day a week writing about non-perfume things. I always expected those to be my least read piece of the week, or month. What has been a pleasant surprise is some of the readership is also interested in the same things I am. I also get e-mails about that too. Because the perfume ones eventually get answered through a story I thought I’d take a week to answer some of the questions which have been asked about The Sunday Magazine topics.

The question I have received, particularly in the last three weeks, several times now is what convinced me to write this column. “What do you think of Twin Peaks: The Return?”

The volume of this question spiked after the airing of Episode 8. First as I replied to everyone who asked; no I have no idea what exactly was going on for that entire episode but I expect some of it will become clearer by the end of all 18 chapters.

To the larger question I have really found myself immersed in the vision of David Lynch and Mark Frost twenty-five years later. I think Mr. Lynch is telling the story in a way so different that it can be hard to embrace. Halfway home I am happy.

I received a half-dozen emails on the graphic novel “My Favorite Thing is Monsters” by Emil Ferris. With the question is there anything else like it to read? Short answer; no.

Better answer is Ms. Ferris uses graphic storytelling to tell her story in an unconventional way. If it is that which you are looking for “The Best We Could Do” by Thi Bui tells the story of her Vietnamese-American family and the immigration experience in the United States. It is timely and poignant.

What wine should I serve with BBQ? That’s an easy one where I have recommended the same thing for many years. The best BBQ wine is the reds from France’s Cotes du Rhone. They all come in at under $20 a bottle and provide an ideal counterpoint to the smoky barbecue. The best ones are from Guigal, Vidal-Fleury, and Louis Bernard.

Nobody asked but my favorite recent guilty pleasure is the Netflix series GLOW. Loosely based on the story of the first televised women’s professional wrestling show it captures the Los Angeles 1980’s milieu hysterically well. It is mostly played for laughs but the underlying point of women figuring out how to own their own lives by dressing up as wrestlers; is heartfelt.

Which leads to the number of responses my column on strong women in pop culture generated. From “not good enough; yet” to agreement with most of my hypothesis. I am happy that we can have the discussion with so many examples to choose from. I am looking forward to seeing Charlize Theron as Atomic Blonde next weekend. I don’t think that movie ever gets made five years ago.

Please keep writing to me and I’ll do this periodically when there are enough responses.

Mark Behnke

The Sunday Magazine: Lavender or Basil Lemonade

Here in Poodlesville we just went through our hottest days of 2017, so far. As much as I love my summer cocktails when the heat rises over triple digits I crave refreshment over anything else. For that my summer go-tos are iced tea and lemonade. By themselves they are near-perfect thirst quenchers. Even combining them half-and-half makes for a great drink. I was having this discussion with some other members of our community and was asked, “you must make lavender lemonade being a perfume guy, right?” Errr….umm…no I guess I don’t know about that.

That turned my annual trip to the local lavender farm into a mission to go get some to give this a try. While I was at the farm, speaking with one of the owners, she said, “of course if you’re going to do lavender lemonade you must have tried basil lemonade, right?” Errr…….no I never heard of that. I was beginning to feel positively uninformed. Thankfully enlightenment was but a pitcher away.

The addition of both lavender and basil to a basic lemonade recipe transforms them into something completely different. When I tried both for the first time I was strongly reminded of how in fragrance lavender or basil interact with lemon citrus notes. Except this time, it was on my tongue instead of my nose. Describing them is going to sound a lot like I am doing a perfume review.

Lavender lemonade is prepared by adding lavender to a boiling solution of sugar and water. Allowing it to steep for a couple of hours while cooling. I then strain the mixture into a pitcher add fresh squeezed lemon juice and water. Stir, followed by adding a lot of ice. It generates a light lilac colored drink giving it a festive air.

When I write about lavender in perfumes I mention how much I like those that capture the herbal character of it. When you extract it into hot sugar water it is that herbal quality which is transferred into the liquid. Combined with the tartness of lemons it makes for the same refreshing give-and-take which makes so many colognes with these ingredients so enjoyable.

Basil lemonade is made more like a mojito is; than the recipe for lavender lemonade. I take some basil leaves and some sugar in a pitcher. I use my cocktail muddler, but a big wooden spoon would work as well, and I crush the basil leaves and sugar together until I get a kind of green flecked paste consistency. I add lemon juice and water stirring until everything but the basil leaves dissolve. I strain it into a pitcher filled with ice. This adds a green hue to the lemonade which is also festive.

Basil lemonade is a bit more serious than the lavender version. By crushing the leaves instead of steeping them the basil provides a sharper taste contrast to the lemon. They go incredibly well together even with that being said.

I just visited our local lavender farm for the recent harvest when I saw the owner again I told her how much I enjoyed these lemonade variations in the year since I saw her. She smiled and then asked me, “did you try rhubarb lemonade?” Errr…um…no; to the rhubarb patch I go.

Mark Behnke

The Sunday Magazine: Wonder Woman

I have taken some time to comment on the new movie “Wonder Woman” here because I was waiting for a couple of things to happen before I wrote about it. Now that they have occurred it will allow me to make a more accurate assessment of why this movie stands out within the superhero genre of movie.

The movies of DC characters are often horrible creative failures because the people handling the heroes don’t understand what makes them popular within pop culture. Christopher Nolan understood Batman in his trio of movies. That’s where the list of DC successes ends. Since those Batman movies Zach Snyder has been put in charge of creating a DC Cinematic Universe as rich as the Marvel version. In the first few movies under his supervision he has decided on making dark gritty versions of the iconic heroes. It is a failure because he is giving way to what a comic fanboy wants but not the general public. The opposite of what Marvel does which is to always make sure their heroes embrace a neophyte. My first view of Wonder Woman, as played by actress Gal Gadot, was in Batman vs. Superman: Dawn of Justice. She was one of two things I walked out of that movie wanting to see more of. Except there was a voice in the back of my head saying, “Snyder is going to turn her into a nihilistic ninja”. Even in her scant screen time in her debut her sense of justice shone through so there was some hope. It turns out director Patty Jenkins not only understands her heroine she also understands what a woman deals with in a world of men which makes “Wonder Woman” stand apart.

Patty Jenkins

Ms. Jenkins uses Wonder Woman’s immortality as a way of setting her story in World War I-era Europe. The first part of the movie shows Diana from child to warrior. Eventually the war pierces the shield around the amazon island Themyscira. American spy Steve Trevor, played by Chris Pine, informs them of what is happening in the world. Diana realizes this is the mission she was born for and leaves with Steve to join the world and the battle. The next part of the movie is how Diana inserts herself into a world where women are not seen as equal. Through her actions and her presence, she never is allowed to dumb herself down. Ms. Jenkins keeps it all flowing by making the men seem a little smaller than Diana throughout. Through the entire movie Diana is what a heroine is defined by, caring for the less able, using your power for good, and trying to make right what is wrong. Ms. Jenkins and Ms. Gadot have provided a heroine without any of the grittiness so prevalent in the other DC movies.

Steve Trevor (Chris Pine) and Diana Prince (Gal Gadot)

Which is why I think it has been the most successful DC film in this era of the Extended Universe in the US. Ms. Gadot feels like she can be the linchpin which holds the DC Universe together in the same way Robert Downey Jr.’s portrayal of Iron Man has done for the Marvel movies. I think Ms. Jenkins should be given a seat at the table as Wonder Woman is used in things like the upcoming Justice League movie so she is not tarnished with a coating of grit. It would be a huge mistake for another reason.

By the third weekend of Wonder Woman’s release there were as many women going to see it as men. Gender parity for superhero movies never happens. Even the latest Star Wars with another great heroine was unable to manage gender parity in the theatre. You have a whole new audience who has been invited into the DC Universe by Ms. Jenkins and Wonder Woman. Wonder Woman is not like the other movies so far. If they take her darker for Justice League they will burn much of the good will they just earned. It seems like they are going to make her the equal of Ben Affleck’s Batman in Justice League and that would be a very wise move; if she stays the positive heroine we just learned to love.

Mr. Snyder and DC have shown an unerring attempt to fumble the ball which is why I am hoping he might hand some of the load to Ms. Jenkins because I think she understands what moviegoers want. The box office and the audience supports that conclusion.

Mark Behnke

The Sunday Magazine: The Stars are Legion by Kameron Hurley

I have spent many days on the beach lost in adventure among the stars. In the summer one of the genres I enjoy reading is one called “space opera”. It is an easy phrase to decode because it derives from “soap opera”. It contains some of the melodramatic elements of soaps but mostly it is a fast-moving story of heroes and villains in spaceships. In the early days that was all there was to the genre. The novels of E.E. Doc Smith, both the Skylark and Lensmen series, were just that. As the modern generation of science fiction authors wanted to pay homage to the space opera they also had more to say about society within the stories; Frank Herbert’s Dune series and Vernor Vinge’s A Fire Upon the Deep are good examples. Science fiction is now undergoing another sea change as authors who began their career writing online have expanded into the traditional print world. One of those authors Kameron Hurley has been one I’ve particularly enjoyed because she brings a great energy to her writing. Her two previous series Bel Dame Apocrypha and Worldbreaker Saga are examples. For this year she has released a stand-alone space opera, The Stars are Legion.

The best writers in science fiction love worldbuilding. I suspect through the process it also reveals a story to them. The worlds built by Ms. Hurley in her novel are in motion. They are world ships, taken together called The Legion, who have been traveling a very long time. so long that the survival of the ships and how they are kept together is the world in which we find our twin heroines Zan and Jayd.

Kameron Hurley

Zan wakes up from a coma with most of her memory missing. Jayd arrives to help fill in the gaps. She is told her loss of memory was caused by her mission to board the ship Mokshi. She is given the impression she has gone on this mission multiple times and has been the only survivor each time. The carrot they use to get her to go back; her memories are there on Mokshi. As she prepares for another run she realizes Jayd was a part of her life giving her another reason to want to succeed.

Again, she fails in boarding Mokshi and when she returns is cast into the center of the ship she is on along with all the other trash. Jayd is married off to one of the ruling warlords. The rest of the book is Zan crawling her way up through each successive level full of threats, including a real bug-eyed monster, at one point. Jayd engages in a Game of Thrones political adventure as she learns where the power in The Legion is centered and how to manipulate it. A different type of crawling through levels with different dangers but no less fascinating. By the end both women will discover the truth of what needs to happen. The suspense is whether they can be reunited to accomplish it.

Ms. Hurley has laid out a world where the decisions of Zan and Jayd propel the story to a climax of satisfying proportions. Which is exactly what I want while sitting in my beach chair.

Mark Behnke

The Sunday Magazine: The Colognoisseur Summer Playlist 2017

Summer has always been about the music. It is a soundtrack to the hazy humid days to keep me moving. It is a time to allow myself to revel in catchy hooks and unapologetic pop music riffs. As the summer of 2017 settles into place here are the songs which are on my Summer 2017 playlist. First there are the songs I want to sing out loud in the car with the windows down and the wind blowing in.

Top of my list is Hiccups by WATERS. It has one of the catchier guitar hooks in a while. Along with that there is a line in the chorus, “I ain’t got no regrets” said with proto-punk sneer which gets better the louder it is turned up.

If there is a prom queen of summer anthems it might be Carly Rae Jepsen. She knows how to make pop music which relies on catchy lyrics matched to a driving dance beat. This summer “Cut to the Feeling” cuts to the chase and roars out of the blocks.

Then there are the wistful ballads which define every summer; Want you Back by HAIM is one which will make me think of 2017. The sisters Haim sing about wanting back the one who you left. My favorite line is, “I’ll take the fall and the fault in us” which encapsulates the realization of mistakes made.

I’ve been listening to Bad Liar by Selena Gomez which is her vocal over a bass line and clap track. I love great bass lines and the one here is awesome. Funny thing it was one I should have recognized as it is from Talking Heads’ Psycho Killer. Tina Weymouth was always an underrated bassist. That killer bass line isolated in Bad Liar allows Ms. Gomez the most sturdy of foundations to add her voice to.

I have been glued to the revival of Twin Peaks. The first six episodes ended with a current band playing on stage in The Bang Bang Bar. At the end of episode 4 I was introduced to Au Revoir Simone as they performed Lark. It is a dreamy (what else?) swirling soundscape which puts me in a Twin Peaks mood and that is very summer 2017.

In the same vein, Green Light by Lorde has an infectious indie energy which she seems to effortlessly channel. In my mind I am doing her herky jerky dance moves whenever I listen to this.

I also want that pop version of EDM on my summer playlist. This year Call on Me by Starley is filling that slot. Ryan Riback provides the beats in this remix which ignites this song.

The party song is I’m the One by DJ Khaled where he pulls together Justin Bieber, Lil Wayne, Chance the Rapper, and Quavo of Migos. All I know is when I listen to this I want to be where they are.

My final picks are the first songs from upcoming releases. I think Arcade Fire is one of the greatest rock bands working. Just in time for summer they released the title song for the new album “Everything Now”. The whole thing releases at the end of July until then Everything Now will keep me happy.

The other July release I am looking forward to is coming from producer Mura Masa. He has also released a summer-ready collaboration with charli XCX from the upcoming album; 1-Night. As a preview it is fabulous but I will admit it is the song he is doing with Christine and the Queens on the album I am most looking forward to hearing.

Until Labor Day it is these songs which will be flowing through my headphones and playing in the car on road trips.

-Mark Behnke

The Sunday Magazine: American Gods

One of the great things about all the choice we now have for our video entertainment is it has ushered in an age of television and movies that can find the right way to adapt a literary source. When I was a teenager and we would have these discussions about what actor would play what beloved literary character; in my head was “never gonna happen”. Now, even the most fractious literature can be turned into vision. When I read American Gods by Neil Gaiman back in 2001 I thought “never gonna happen” because a complex pastiche of vignettes and stories seemingly would never translate to a smooth visual narrative. Turns out it has happened as the first season of American Gods is wrapping up on Starz.

The central premise of Mr. Gaiman’s story is because America was founded by immigrants each brought the gods of their home with them to this new country. It allowed each of the Old Gods to find a foothold to provide enough worship and sacrifice to keep them going. As we enter the present day there are New Gods; Technical Boy, Media, and Mr. World. The story is America has arrived at a tipping point where the New Gods can potentially remove the Old Gods from the country, probably dooming them.

The protagonists in the story are Shadow Moon who is released from prison after serving his sentence only to find out his wife Laura dies in a car accident. On his way home, he meets Mr. Wednesday who hires him as his bodyguard/assistant. Shadow becomes the reader’s, and viewers’, window into the machinations of the world of American Gods.

Neil Gaiman (l.) and Bryan Fuller

This is difficult story material to tell visually except the person they hired to do it is one of my favorite television creative minds; Bryan Fuller. Mr. Fuller has a way of telling fractured fairy tales as exemplified by his series Dead Like Me, Wonderfalls, and Pushing Daisies. It turns out many of the themes of American Gods are ones already explored in those previous series.

Throughout the first season Mr. Fuller has overseen an adaptation which I am much fonder of than the book it is based upon. I liked Mr. Gaiman’s book fine but I have never adored it as much as most who are fans. Mr. Fuller’s adaptation I am brought in to in a way the book didn’t. The reason is Mr. Fuller has made a change to the book and it turns out to be for the better.

Mad Sweeney (Pablo Schreiber) and Laura Moon (Emily Browning) on the road

As I mentioned Laura Moon dies in a car accident. She is brought back to life after which she meets a leprechaun who stands six feet tall. For his own reasons, Mad Sweeney wants to help Laura fully resurrect from her walking dead woman status. Throughout the first season their relationship is like an odd couple road comedy. It is funny and the actors are fantastic in the roles, Pablo Schreiber plays Mad Sweeney and Emily Browning plays Laura Moon.

In the book, they play supporting roles to Shadow and Mr. Wednesday. In the television series, they are almost the main reason to watch. It culminated in the penultimate episode titled “A Prayer for Mad Sweeney”. The episode used one of the more interesting plot devices in both novel and series. Sprinkled throughout are vignettes titled “Somewhere in America” followed by a date. Each mini story tells of a God and how it deals with its worshippers in America. The tales are narrated by Mr. Ibis who works at a funeral parlor with Mr. Jacquel. Mr. Ibis is compelled to write these stories down as they come to him. “A Prayer for Mad Sweeney” is an entire episode in which Mr. Ibis relates the story of Essie MacGowan. How she ends up in American and brings Mad Sweeney with her. Ms. Browning also plays Essie. The episode displays the parallels between Essie and Laura. Where we see how it all turns out for Essie we are left wondering if that is also in store for Laura. Mr. Schreiber is having a gigantic amount of fun playing Mad Sweeney. In this episode, he gets to show off what he can do. If you have any desire to see if the series is to your liking this is the episode to try. Here is the funny thing almost everything in this episode is not in the book.

Mr. Ibis as played by Demore Barnes

I’m not sure if that is going to be a problem in the long run because what has made me enjoy American Gods the series more than the book has been Laura and Mad Sweeney. I know where the book heads from the ending of this season and there are still are still big moments for both but not a lot. Even though I am worried; this is what makes Mr. Fuller such an engaging storyteller. He has a way of creating characters with whom I want to spend hours watching.

The first season has just come to an end so you can binge watch all eight episodes if you want. Also, the book is a great beach read. Both have their pleasures and there are seemingly enough differences that experiencing both, enhances both.

Mr. Gaiman’s universe of Gods, Old and New, fighting for the attention of Americans has found the right time along with the right visionary in Mr. Fuller to turn “never gonna happen” to something patently untrue.

Mark Behnke

The Sunday Magazine: Strong Women in Pop Culture

In 2006 writer-director Joss Whedon received an award from Equality Now. His acceptance speech is one of the funnier things I’ve read. In it he talks about going on press junkets and being asked the same question over and over, “Why do you write these strong women characters?” Over the course of answering the question multiple times in the speech it is his final answer that was most telling of the way things were in 2006, “Because you’re still asking me that question.”

In 2006 characters like Mr. Whedon’s Buffy the Vampire Slayer or the women on his show Firefly were anomalies. Now in 2017 we are a week removed from a movie which featured the original pop culture strong woman, Wonder Woman. Which was directed by a female director, Patty Jenkins; becoming the biggest box office opening for a female directed movie.

Gal Gadot as Wonder Woman

In the eleven years since 2006 there has been a steady increase in women taking on starring roles in some of our biggest pop culture mediums. Besides Wonder Woman the character Rey in the new Star Wars movies is as big as any hero in any movie coming out in 2017. The heroine of the storybook television show Once Upon a Time is the daughter of Snow White and Prince Charming. Supergirl has her own show. In comics, a woman wields Mjolnir as Thor. The most interesting thing is I could keep going on and on with examples. In 2006, I would have had trouble writing a paragraph as long.

Daisy Ridley as Rey in Star Wars

What changed? I don’t think anything changed. What I think happened is a generation of creative minds were influenced by the opportunity to work in the unexplored territory of writing for strong women. If you’re going to tell the tale of the Hero’s Journey why not make it the Heroine’s Journey and claim it for your own? Which is why we have this growing sector of strong women in pop culture. It is also why this will be an enduring change because it has emerged in a natural way driven by the writers, directors, and artists looking for their story to tell.

In 2006, I think we were just beginning to take the first steps to rounding the corner. In 2017, I think we are almost at the point that the change is complete. Which means the question of “Why do you write these strong women characters?” will disappear sooner rather than later.

Mark Behnke

The Sunday Magazine: My Favorite Thing is Monsters by Emil Ferris

You know when you receive something you connect with that time stands still. The movie seems over before it has begun. You walk away from the sculpture or painting on display only to find that an hour has passed. You can’t sleep until you finish the book. It is why art is so important; this ability to draw on our innermost feelings taking them out for us to examine. In this age of storytelling the graphic form of it has become a new place to find something original. The new graphic novel My Favorite Thing is Monsters by Emil Ferris is a new height in this area.

Emil Ferris

The book is semi-autobiographical as Ms. Ferris who was making a living as an illustrator came down with West Nile Virus; paralyzing her from the waist down while making her unable to draw. Through laborious effort she trained herself to overcome the pain. Sometime during this came the story which she is now telling in My Favorite Thing is Monsters.

That story takes place in 1968 Chicago as we meet 10-year old Karen Reyes who has a mother fighting cancer. She projects her belief in a cure on the idea a monster, from her beloved monster comic books, will bite her mother turning her into a monster who will no longer have cancer. As she searches for these monsters she meets her upstairs neighbor Anka. When Anka is found dead in her bed after being shot in the heart Karen begins to look for real monsters as she investigates. She delves in to Anka’s past in Nazi Germany juxtaposed against the societal changes taking place in late 1960’s Chicago. The story is fascinating enough if it was just a novel. The graphic elements are what elevate it to something amazing.

Throughout high school and college I had contemporaries who drew with a ballpoint pen in a notebook using dense cross hatched lines to achieve their drawing. The graphic part of My Favorite Thing is Monsters is Karen’s notebook which is what we are reading with the prose interspersed. It is so perfect as the diary of a ten-year old. One of the devices used by Ms. Ferris is we see how Karen sees herself as one of the monsters, in a trenchcoat, in her view of herself among the illustrations. There are reproductions of horror comic book covers. There are portraits drawn with emotion of those Karen connects with. In the sample pages, you see here you get the idea.

Reading My Favorite Thing is Monsters reminded me of reading the first volume of Art Spigelman’s Maus or the first issues of Alan Moore’s Watchmen. It is what happens when a style of storytelling is beginning an evolution. Ms. Ferris is taking graphic novels to a better place.

Mark Behnke

The Sunday Magazine: Tom Collins


It was a couple weeks after Labor Day 2016 and we were having our last backyard soiree. I had an array of new botanical gins I had just unearthed. I asked one of the later arrivals to please bring some tonic water. As sometimes happens tonic water turns to soda water in the process which happened this time. Faced with a dilemma I decided to try out my panel of gins on a different cocktail. What happened would remind me that the best answers are sometimes the standards as I re-discovered the cocktail known as the Tom Collins that day.

I have always loved the story of how this cocktail came to be. In 1874, there was a joke that the men who were out in bars played on each other. It went like this. As a friend would walk in to the bar you would begin to shake your head in dismay. As your friend arrived and asked what the look was for you would tell him this guy Tom Collins is telling people you have the ankles of a girl and your father was a blacksmith. In 1874 that would send our dishonored man off in search of Tom Collins who did not exist. Somewhere during the heyday of this prank an enterprising New York bartender decided to make a drink named after the man everyone was looking for.

What this bartender came up with is the best alternative to Gin & Tonic for a summer drink. It is simple as you add a shot of gin, an equal amount of lemon juice, and a half shot of simple syrup into a glass filled with ice. Stir. Then top off with soda water. What I discovered last year is with the advent of the small-batch botanical gins that are out there the Tom Collins is an excellent platform on which to display them. For alterations, you can substitute lime juice for the lemon juice. You can add in almost any herb growing in the garden. I’ve found a bit of crushed basil, thyme, and rosemary add a lot. This is especially true with the new gins. We also found a float of St. Germain elderflower liqueur or Crème de Violette also added something to the mix.

As I spend the first summer weekend looking out over the backyard as the poodles run, the ribs smoke, and the sun shines on Poodlesville I am purposefully buying soda water; for this is going to be a Tom Collins summer.

Mark Behnke

The Sunday Magazine: The Return of Twin Peaks

On April 8, 1990 I sat down in front of my television to watch the first episode of something claimed to be, “The Series That Will Change TV Forever”. With the discovery of the body of Laura Palmer that lofty goal would be lived up, and down, to over two years by Twin Peaks.

The question of “Who killed Laura Palmer?” would become a societal phenomenon while creators Mark Frost and David Lynch took us on a circuitous path to that answer. By the time, we got to the end of the first nine episodes we had become drawn into a new storytelling format for the small screen. It was unclear if Mr. Lynch’s cinematic style would work on something much smaller. Turns out the claustrophobia of the typical 19-inch television added to it. Working with Mr. Frost every step closer to answering the central question added more texture to the story. Every visual that could be tweaked for comedic or dramatic effect was. The music by Angelo Badalamente was its own character providing the ratcheting nature of tension within some of the key scenes. Those first nine episodes were something that was going to change TV except they forgot to tell us who the killer was leaving us hanging until many episodes into the second season to find out. The answer was worth the wait.

The problem was for this show was what was next? Over much of the rest of the second season Twin Peaks was weird and disturbing but without a central narrative it became more fractured in nature. It also suffered from Mr. Lynch not being as constant a presence. That lack would be confirmed as he came back for the final episodes. During the final episode, the spirit of Laura Palmer tells our hero “I’ll see you again in twenty-five years”. That was in June of 1991. In May of 2017 it turns out she will be off by a year as Twin Peaks makes its return on Showtime.

We were left on a pretty big cliffhanger which I suspect will be where this new run of episodes will begin. I sit here hours before finding out the answer but I think Mr. Lynch and Mr. Frost helped to create the television environment which will allow Twin Peaks to thrive in. The impact of the original two seasons showed those who approve new shows audiences would flock to, and stick with, something completely different. This allowed for the great run of television drama we are in right now. Almost to a man or woman the creative teams mention Twin Peaks as a source of inspiration.

The great thing for this new 18-episode season all of them were written by Mr. Lynch and Mr. Frost; with every episode directed by Mr. Lynch. Many of the original actors are returning to their roles while new characters are introduced. I’m not sure what to expect which is one of the reasons I can’t wait to find out. Okay Laura I’m here; it’s been twenty-five years, tell me a story.

Mark Behnke