New Perfume Review Fath’s Essentials Lilas Exquis- Lilac Haze

I have mentioned this in previous reviews of heritage brands. They can’t just stick to reformulations of the past. At some point, they must apply the brand aesthetic to the present day. It is daunting when the reformulations have met with praise. Moving to the new holds pitfalls of a different kind. One brand which arrived a year ago has successfully negotiated the obstacles, Fath’s Essentials.

Creative director Rania Naim used perfumer Cecile Zarokian to reformulate Green Water and simultaneously release three new ones. This was a good collection overall and I had hope the brand could continue in this direction. Mme Naim wanted an equal set of fragrances which trended more feminine which you should read as more floral. She turned to another of the younger star perfumers, Luca Maffei, to achieve her vision.

Rania Naim (l.) and Luca Maffei

All four of the new perfumes are quite good and I will review all of them over the following weeks. The one which grabbed me from the first moment I tried it was Lilas Exquis. One of the more interesting aspects of the four new releases is all of them are deeply colored liquids. Lilas Exquis is said to represent Sig. Maffei’s favorite color and flower; lilac. I too am partial to the color and the bloom which piqued my interest how Sig. Maffei would approach Lilas Exquis. What he chooses to do is form a typical late spring milieu after a rain shower. He takes all the components of that and floats it on top of a sturdy base of musk and woods.

Lilas Exquis opens with a fascinating transparent fruity floral accord of hyacinth and blueberry. When hyacinth is kept at a lower concentration it imparts a watery effect along with its floral lift. The blueberry is almost like having it growing in the same flower bed as the lilac. Because the lilac accord is what comes next. Sig. Maffei coalesces it around a nucleus of violet. Wrapped tightly to it are lily, magnolia, and angelica. It forms a lilac accord as it comes in my window after a spring rain. This floats like a lilac tinted cloud. Tethering it to the ground is the base combination of Timbersilk and Ambrox as they keep the cloud from drifting away. As time moves on the woods become progressively muskier as ambrette seeds and other musks give some development from woods to animalic over the final hours.

Lilas Exquis has 12-14 hour longevity and average sillage.

Lilas Exquis is my favorite of these new Fath’s Essentials because of the transparency with which Sig. Maffei manages here. Lilac has always been something which comes over my window on the wind expanding to naturally perfume my office. Lilas Exquis also has that expansiveness which is what draws me to it. I have already had the opportunity to be wearing Lilas Exquis after the rain has activated the lilacs outside my office window. Lilas Exquis turned that evening into the most beautiful lilac haze.

Disclosure: This review is based on a sample provided by Fath’s Essentials.

Mark Behnke

New Perfume Reviews Molecule 04 and Escentric 04- Herr Professor Doktor Returns

There are a few perfumers who are also trained chemists. Obviously when I am with them we geek out about molecules that smell good. What has always occurred to me during those discussions is we are able to take them a level deeper because we understand the chemistry as well as the perfumery of it all. It seems like there should be a way for those of you who are not chemists to have a way to enter the discussion too. Enter chemist and perfumer Geza Schoen and his Escentric Molecules brand.

"Herr Professor Doktor" Schoen

In 2005 Hr. Schoen introduced the perfume world to an interesting concept in releasing a pair of perfumes. Molecule 01 would feature one aromachemical only diluted in alcohol; for the first one it was Iso E Super. Escentric 01 would be a perfume in which the featured aromachemical was present in high concentrations. It has turned out to be a winning combination allowing consumers to experience a single building block and then see it as part of a structure. It has been followed up by 02 which featured Ambroxan and 03 which featured Vetiveryl Acetate. Now we have arrived at a new pair of Molecule 04 and Escentric 04 around the aromachemical Javanol.

Javanol

As with all the previous pairs Javanol is being used because it has become used in many new releases. It is a cost effective sandalwood replacement. Focused more on the creamy sweetly woody nature of real sandalwood while removing some of the drier more astringent character. It is that kind of crowd-pleasing ingredient which goes a long way and lasts a long time. Things consumers seem to conflate with quality. When you smell Molecule 04 that creamy woody quality is front and center. Hr. Schoen in the press materials mentions he detects a grapefruit aspect. I’ve smelled Javanol many times and I must say I have never experienced it and don’t when I wear Molecule 04. Another thing about a fragrance like Molecule 04 if you choose to use it as a perfume you wear often you will likely stop smelling it on yourself but almost everyone else around you will still be able to. It is because Molecule 04 as a single ingredient leads to you filtering it out because you become habituated to the smell. It’s like working in a garage and not smelling the motor oil because it is just part of your environment. Same concept with Molecule 04 you won’t notice it but it isn’t gone.

While the Molecule half of the equation is of interest it is always the Escentric side which generally puts a smile on my face. In Escentric 04 Hr. Schoen puts a really big grin on my face.

What has made the Escentric series stand out is Hr. Schoen takes these materials which are base notes and moves them up the pyramid so that they aren’t the finish line they are there right from the start. In Escentric 04 he uses grapefruit in the early going. Presumably to accentuate the grapefruit character I miss in Javanol itself. What does stand out is Hr. Schoen’s use of baie rose. I know he spent a lot of time with this ingredient recently and in Escentric 04 he uses it in a very kinetic manner adding fresh herbal counterpoints to the grapefruit while underneath the Javanol lifts it all up. Orris and rose provide an almost traditional woody floral accord in the heart. The biggest difference is that Hr. Schoen has doubled down on his sandalwood aromachemicals adding Polysantol. This other sandalwood aromachemical amplifies the sweet woodiness and the creaminess. I am guessing just upping the Javanol level didn’t create the effect Hr. Schoen wanted as well as combining the two molecules. Whatever the structural reason is the aesthetic result is like a detonation of sandalwood with orris, grapefruit, and rose shrapnel flung in all directions. In the base, he brings back his original two molecules Iso E Super and Ambroxan to form a molecular quartet of synthetic woods which last for well over 24 hours on my skin.

Molecule 01 and Escentric 04 have overnight longevity and average sillage but remember once they settle into the synthetic ingredients it alters your perception of this.

When Hr. Schoen releases these pairs of perfume I call him Herr Professor Doktor as he seeks to educate and delight at the same time. With his fourth lecture, he has outdone himself. Escentric 04 is one of the best perfumes he has ever produced.

Disclosure: This review is based on samples provided by Escentric Molecules.

Mark Behnke

The Sunday Magazine: Colognoisseur Awesome Mix Vol. 2

Yes, I’ve already seen Guardians of the Galaxy Vol. 2. No, this is not the time I will talk about the movie itself, check back next week for that. As one who grew up during the time period of the music which is featured in the Guardians of the Galaxy movies I walk away thinking of other songs from the era. Three years ago, when the original movie came out I came out with my own version of Awesome Mix Vol. 1. I thought I’d do it again for Vol. 2 so here is Colognoisseur Awesome Mix Vol. 2.

Le Freak-Chic: As disco became the dominant pop music form of the 1970’s one critique was so much of it was disposable. Forty years on it is easy to pick out the true gems. Le Freak was the biggest hit for the band founded by Nile Rodgers, Bernard Edwards, and Tony Thompson. It combines everything into a song which makes you wanna dance.

Tonight’s the Night- Rod Stewart: The prototypical double entendre laden ballad about making love endemic to the 1970’s. Rod the Mod’s bedroom eyes and raspy vocals had lots of women imagining him singing it to them.

I’ll Be There- The Jackson 5: This is my favorite Jackson 5 song it came off their third album and was the fourth in a string of Number One hits starting with “I Want You Back”. In many ways, the lyrics will come to represent the brothers as the future begins to splinter the family and their popularity wanes as Michael goes off on his own.

Don’t Fear The Reaper- Blue Oyster Cult: This song is an example of how one song can make a band’s reputation. As rock music was getting more and more symphonic Blue Oyster Cult tried to bring it back to the garage from the concert hall. Don’t Fear the Reaper has throwback 60’s guitar lines over a fabulously intense middle section.

Senses Working Overtime-XTC: XTC was one of those bands which almost had too many influences and sometimes needed to trim one or two off of a particular song. Every once in a while, they could synthesize all of it into a joyous catchy pop song like Senses Working Overtime.

Train In Vain- The Clash: The Clash were the contemporaries to The Sex Pistols as the leading edge of Punk Rock. By the time the double album “London Calling” came out everyone discovered there was a song there that wasn’t on the listing. There were rumors that the band didn’t want it there and the label added it behind their back. The reason for the conspiracy theory is Train in Vain was easily the most accessible song The Clash had released. A radio friendly version of punk rock. It is that, it is also a damn fine song all on its own.  

The Bitch Is Back- Elton John: I have always been a big fan of Elton John from the beginning to now. After the monster success of “Goodbye Yellow Brick Road” everyone was waiting for the next new album. When “Caribou” was released “The Bitch is Back” was the first track which lead with primary guitar line over Elton’s piano playing. A hard-biting reminder that there was still some bitch in the artist even after the success.

Shake It Up- The Cars: Ric Ocasek is exhibit A that you don’t need to be good looking to be a rock star. The Cars had been on a steady roll but “Shake It Up” would be the song which propelled them to the top of the pop music world. As New Wave trended towards dance “Shake It Up” would lead the way.

Planet Claire- The B-52’s: The kitschy band known for “Rock Lobster” also has this silly song about driving a Plymouth Satellite faster than the speed of light to a pink air Planet Claire. Fun and funny the Guardians need to visit Planet Claire.

Life During Wartime- Talking Heads: This song showed the direction one of the original New Wave bands would take as they fused punk sensibilities with funk. With lyrics which told everyone; “This ain’t no disco” it still could make you dance.

If you’re in the mood for more music after seeing Guardians of the Galaxy Vol. 2 add these to your playlist.

Mark Behnke

The Best of Times

In my circle of perfume friends there is a phrase I hear quite a bit, “Everything new is crap.” This could be more politely phrased as, “It is the worst of times.” It is a somewhat easy position to take because of the sheer amount of new perfume released. Most new fragrance is cynical focus group driven designs. Part of the reason I write about this ephemeral art is there is so much more than cynicism on display.

At this point in time we now are in a world where an independent perfumer can make a living. While there are still some pockets of less than forthright design in this area that is the minority. What is here are examples of single-minded aesthetic. If you need any evidence of that take a look at the twenty-two nominees for the 2017 Art and Olfaction Awards. These are fragrances which exemplify the vitality of the independent perfume sector. Underneath the list of finalists were over 200 submitted entries which show these are not the few they are the best of the many. If you were to spend the next few months wearing one of these each week you would see there is something happening here.

You might be thinking, “sure that’s independents of course that wasn’t what I meant”. Except some of the stalwarts of niche perfumery have stepped up with new releases that show the best of what these brands represent. Editions de Parfums Frederic Malle released a collaboration with designer Alber Elbaz and perfumer Dominique Ropion. Kilian Hennessy returned to some of the initial influences from the beginning of By Kilian with the new Black Phantom. Yann Vasnier produced the Bloomsbury collection for Jo Malone London. Geza Schoen’s fourth iteration of Molecule 04 and Escentric 04 continue a tradition which can simultaneously educate and thrill perfume lovers. All four of these are brands which defined the parameters of niche perfumery. They represent the longevity of this style of perfume as well as consumers’ acceptance of it.

So now you’re thinking “okay sure those are the experienced what I’m talking about are the new brands” Except there are new brands like Vilhelm Parfumerie and Nomenclature which refute this thought.

Now you’re thinking, “it’s the big brands the ones which only care about money over creativity” Except Hermes Eau des Merveilles Bleue and Cartier Baiser Fou aren’t support for that line of thinking.

I want to put up a thought which is different than what many like to propose, “This is the best of times”. On my desk, right now, I have an embarrassment of riches through all of these areas. I am having trouble remembering this many excellent new releases in front of me at the same time. I think across every area of fragrance there has been a slow refining of what each sector appeals to. Therefore I think the fragrance glass is more than half-full.

Mark Behnke

New Perfume Review Arquiste Esencia de el Palacio Magnolios- Cinco de Magnolia

Arquiste owner-creative director Carlos Huber and perfumer Rodrigo Flores-Roux are men for whom their heritage is reflected within their artform. Nowhere has this been reflected as potently to me as it has been while experiencing the Esencia de el Palacio collection they produced for the Mexican upscale department store El Palacio de Hierro. The three perfumes produced were meant to provide interpretations of modern Mexico, Azahares; the future of Mexico, Vetiveres; and the Mexican past, Magnolios. I’ve gone about this in a very random order starting with Azahares followed by Vetiveres and now finishing with Magnolios. Yet ending with Magnolios is a contrast to what had come before.

Carlos Huber

Most Americans will associate magnolia with the South. It has been a symbol of that part of the country since the beginning. The blooming of the magnolia trees is the harbinger of spring for US Southerners. In Mexico, the magnolia grows throughout the country. It is thought by some botanists to be the first indigenous flowering plant in North America. When Sr. Huber and Sr. Flores-Roux say they are going back they probably don’t mean that far back. Magnolia by itself tends to carry with it a sense of history because it defines its geography.

Rodrigo Flores-Roux

For Magnolios Sr. Flores- Roux creates a floral celebration of Mexican history around a central keynote of magnolia. Magnolia works as the centerpiece of any fragrance because it also carries a noticeable citrus character along with the creamy floralcy. Magnolios explores all aspects of the magnolia throughout its development.

The magnolia core is supported using the magnolia leaves to provide a full-spectrum effect. In the early moments, the flower, the woody bark of the tree, and the green of the leaves are like watching a magnolia develop via time-lapse. Then sweet orange teases out the citrus within the bloom. Early on it smells like fresh orange juice. Cardamom begins the transition into the next phase with its lemony and green duality. This evolves into something greener as the magnolia leaves are emphasized by galbanum. Sr. Flores-Roux then adds in something which takes the breath away, eucalyptus. The mentholated scent of it adds a lung-filling vibrancy while also hewing to the green effect. Cedar is the woody foundation upon which Magnolios rests.

Magnolios has 12-14 hour longevity and above average sillage.

They will have to speak for themselves but I feel a passion, from Sr. Huber and Sr. Flores-Roux, underneath all three Esencia de el Palacio fragrances. Which is understandable when these were designed to be sold exclusively in Mexico maybe they felt they could allow their heritage a little more room to express itself. I do have a wish that at some point all three of these excellent perfumes are added to the main Arquiste collection. Magnolios as well as the other two deserve to be celebrated around the world.

Disclosure: This review was based on a sample provided by Arquiste.

Mark Behnke

New Perfume Review Nomenclature Shi_so- Japanese Green

There are certain inspirations which seem to resonate with specific perfumers. It is not necessarily the only thing which get them excited but it seems when they can match that inspiration to a project it often produces something worthwhile. In numerous interviews perfumer Bertrand Duchaufour has mentioned his fascination with Japan. The creative team behind Nomenclature, Karl Bradl and Carlos Quintero, give him the opportunity to explore green from a Japanese perspective in Shi_so.

Carlos Quintero (l.) and Karl Bradl

The place where Mr. Bradl and Mr. Quintero start every Nomenclature perfume with, is a specific aromachemical. For Shi_so the choice is Glycolierral. The most predominant use of Glycolierral has been as a green vegetal component reminiscent of ivy. It has the colloquial name of “ivy dioxolane”. By itself it reminds me of crushed sharp green leaves. I have never found it reminiscent of ivy so much. When I saw, it was being used as the focal point in Shi_so I realized I found it closer to the shiso leaves I use to cook with. By itself Glycolierral is probably too sharply green to be pleasant. M. Duchaufour’s task is then to surround it with modulators to enhance the shiso vibe while making it wearable. What comes out is an evolutionary interpretation of Eau de Cologne where the traditional citrus-floral-herbal tripod is replaced with green, greener, greenest.

Bertrand Duchaufour

Shi_so opens with a combination I didn’t expect to work well when I saw it listed, cardamom and spearmint. The green cardamom here is becoming my favorite version of the ingredient because it adds this significant green character to the freshness inherent to it. Spearmint often adds an oily fresh sweetness that I thought would obliterate the subtlety. M. Duchaufour enhances that green in the cardamom I like so much by keeping the spearmint on the herbal side of its spectrum. The spearmint provides only a hint of its cool minty face. That hint is the way Glycolierral is drawn into the mix. There is a chilly component of the aromachemical which the spearmint bridges to. The base accord is the sticky green of blackcurrant bud matched with verbena. These amplify the Glycolierral into a sparkling emerald jewel.

Shi_so has 12-14 hour longevity and above average sillage.

It has been a while since M. Duchaufour has produced a perfume which pushes the envelope as much as Shi_so does. It feels like he is offering his interpretation of Japanese green as a new style of cologne. It is a gorgeous summertime fragrance.

Disclosure: This review is based on a sample provided by Nomenclature.

Mark Behnke

Under The Radar: Ulrich Lang New York Lightscape- Fresh Purple

One of the most genuine people in the perfume business is Ulrich Lang. Mr. Lang has promoted the greater cause of independent perfumery by co-founding the Elements Showcase and being someone who believes there is a significant place for it. He is so passionate about those themes you might not know he is the creative director of a brand which carries his name; Ulrich Lang New York.

One of the reasons you might have overlooked these perfumes is since the debut of Anvers in 2003 there have only been a total of six releases. Mr. Lang has worked exclusively with perfumer Frank Voelkl over that time. A brand which is not constantly churning out new releases is almost by definition going to fly under the radar. Over the years there has been one of these six perfumes which has become one of my spring staples, Lightscape.

Ulrich Lang

When you think of fresh fragrances a perfume featuring violet and iris is unlikely to be something you might describe like that. Violet has a metallic sharpness while iris can be powdery. Even just that would seem to be a recipe for a construction akin to a head-on collision. Mr. Lang and Mr. Voelkl take some impressive measures to not put these notes against each other; instead finding a way to make them harmonize in a fresh way.

Frank Voelkl

The way they go about this is two-fold. For violet Mr. Voelkl instead of using the actual essential oil of the flowers he instead creates a violet accord. That allows him to tune out those metallic aspects. It also allows the powdery nature that is also a part of the violet flower to be modulated, as well. For the iris, he chooses to use a high-quality orris which doesn’t have as much of the powderiness of iris in favor of a more grounded earthy character.

Lightscape opens with a snappy duet of lemon and galbanum. An attention-grabbing zesty green citrus. To go along with it Mr. Voelkl adds in violet leaf. This adds more green to the galbanum. Then the orris and violet accord appear. I am always so surprised at how uplifting the combination comes off here. It is why I reach for it every spring because it is green and fresh. Cedar brings it back to earth with a wood-based foundation tempered by the botanical musk of ambrette seed.

Lightscape has 10-12 hour longevity and above average sillage.

I can say all six of the Ulrich Lang New York perfumes are Under the Radar gems. They are worthy of being put on your to-try list. If you need one to start with Lightscape is a spring perfume which is a fresh purple fragrance of violet and iris.

Disclosure: This review is based on a bottle I purchased.

Mark Behnke

New Perfume Review Arquiste Esencia de el Palacio Vetiveres- Mexican Summer

I have been a soccer fan for many years. It is funny to think how far things have come. Now I can watch and follow my favorite players and teams effortlessly. In 1986, I couldn’t know this future was coming. With the World Cup in Mexico that summer I decided to go follow the whole tournament since I believed it was the best chance I would have to see the players I had only read about for real. For nearly a month I traveled from stadium to stadium trying to see all 24 teams. I spent many nights sleeping outside. Most mornings the scent of the air which woke me had this great vegetal tang. There are many perfumes which have had a passing resemblance to that but it was only recently that one absolutely captured what I remember; Arquiste Esencia de el Palacio Vetiveres.

Creative Director Carlos Huber and perfumer Rodrigo Flores-Roux have collaborated on a collection of fragrances exclusively for an upscale Mexican department store; El Palacio de Hierro. Both men have roots in Mexico and all three of these perfumes feel like perfume love letters to what the country means to them. Vetiveres is meant to be representative of the future. The perfume that has resulted is a fantastic interpretation of vetiver where the greener aspects are amplified.

Rodrigo Flores-Roux (l.) and Carlos Huber

In the last few years vetiver-centric perfumes have become much more versatile because there have been more versions of this raw material to use.  Sr. Flores-Roux now has such an array of choices it allows him to create almost any shade of vetiver. What he does for Vetiveres is form a dense vegetation accord. There is a smell to the dense jungle in the tropics when the summer sun is high in the sky. The nucleus of Vetiveres is the mixture of dense growing green things with a bit of the woods way underneath.

In the early moments, I think the vetiver used is a fraction where the woodiness is very attenuated. To combine with that Sr. Flores-Roux caresses the vetiver with myrtle and artemesia. This forms that scent of the morning I spoke of in the first paragraph. It is recognizably vetiver but it is different in presence, pleasingly so. In the heart the vetiver begins to deepen. Here Sr. Flores-Roux chooses to bracket it with incense and labdanum. It elongates the green in what I found surprising. The resins almost step in for the typical woody underpinning of vetiver. Cedar and guaiac provides the woods that have been missing and patchouli bring the earthy aspect. The longer Vetiveres goes on the vetiver expands its presence until at the end it is beautifully displayed.

Vetiveres has 10-12 hour longevity and above average sillage.

I believe that Vetiveres not only represents the future of Mexico as much as it represents the future of what a vetiver perfume can be. As I wore Vetiveres I realized it had been a while since I wore a vetiver perfume which engaged me as much as Vetiveres has. Maybe it is because it is a scent memory of my summer of 1986. More likely it is because Sr. Flores-Roux has found something new within vetiver.

Disclosure: This review was based on a sample provided by Arquiste.

Mark Behnke

New Perfume Review Vero Profumo Naja- Wish Fulfillment

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Back on New Year’s Eve I made a wish for 2017; “A new perfume from Vero Kern”. At that point in time it had been nearly three years since her last new release, Rozy. Ms. Kern has a meticulous work ethic about her fragrances. If you love them, as I do, part of the process is to allow her to take it at her own pace. Not long after I made my wish Ms. Kern began posting on Facebook the teases on a new release called Vero Profumo Naja. It was scheduled to be released at Esxence 2017. There are many things I missed about not being in Milan this past March but not being there for the debut of Naja was top of the list.

Vero Kern

Naturally I went in to piteous begging mode asking anyone who would listen, “Please could you send me a sample of Naja?” I am fortunate to have those who respond to my pathetic pleas and a few weeks ago a sample of Naja arrived. When I was hearing about Naja from afar it was interesting to hear from writing colleagues who seemed to be experiencing Naja as if from different perspectives. Everyone agreed that the listed notes were there but which ones were predominant seemed to differ depending on who I was talking to. It was going to be fun to see what stood out on my skin.

Naja is symbolized by a snake on the bottle. There is a stylized cobra poised with hood unfurled. Ms. Kern mentioned that the snake represents its use in numerous native mythologies around the world having to do with transformation and creativity. Naja the fragrance also has a serpentine quality itself. Tobacco provides the spine on which this perfume perches. If Rozy was about honey and rose then Naja is about tobacco. Ms. Kern uses a few other notes to interrogate her keynote exposing different facets of it.

Naja opens with the tobacco already in place but it is not what is part of the first impression. Lime blossom provides a citrusy green floral as sharp as any fang. I know this opening threw me a bit because it is so incisive. When I hear tobacco perfume I expect soft rich narcotic depth. Naja provides an alternative as the acerbic green note constricts the tobacco in the early moments. As the coils slowly release the tobacco edges its way forward. As the tobacco finds a firmer foothold and starts to equilibrate towards something more familiar Ms. Kern finds a complementary sweetness to the dried tobacco leaf in melon. Rich fruits or resins usually provide that role. By using melon Ms. Kern keeps the familiar a tiny bit unfamiliar. There is almost a Calone feeling to this phase of Naja as on a different day it could have become an aquatic tobacco. Before Naja goes too far down that path osmanthus provides its dual nature. The dried apricot part acts like the typical fruit accompaniment to tobacco while the leathery part provides a final foundation. Over many hours the tobacco and the leather is what remains.

Naja has 24-hour plus longevity and average sillage.

More than any of her creations to date Naja is the most fascinating perfume she has made. It is full of contradictions and capitulations. I wore it three times for this review and it wore differently every time. Different notes were on top at different times with the tobacco being the only constant. It makes Naja as hypnotizing as that swaying cobra drawing you in with its unceasing movement. The difference being that when Naja strikes it leaves only pleasure behind. Thank you, Ms. Kern, for granting my wish.

Disclosure: My sample provided by Vero Profumo via Val The Cookie Queen. (Read Val’s review of Naja here)

Mark Behnke

The Sunday Magazine: Two Minute Warning

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This past week as the weather turned warmer the need for many people to move faster has taken an upturn. I have always wondered about the things people do in cars to speed up their day. Crossing a double-yellow line to get around a car doing the speed limit. Tailgating on the expressway so the person in front of you will get out of the way. The place where my mind wanders is what does the person who practices this speed do with the extra time their behavior gains them?

If I’m being charitable these kinds of behaviors give them back two minutes. So, I wonder what does a person do with those extra two minutes?

Do they use them to do something on their job for two minutes longer?

Do they use them to think about important things?

Do they save a life?

Do they write an extra line in their literary work?

Do they read an extra two pages?

Do they spend that time in meditation?

Do they spend that time with loved ones?

Or, do they do nothing with this extra time?

If it is the last one what justifies taking a risky behavior like most of the ones in a moving car. Is a mistake when passing on a curve, or following too close, or just plain going too fast, worth it? Is the damage you can do to someone else worth those two minutes?

In the country area, we live in I’ve seen too many close calls with the bicyclists who like to ride outside of the city and the drivers who have to always be going fast.

I know there are reasons to go fast; medical emergencies, picking up children, respecting an appointment made. Even then consider whether those two minutes will change anything at the end of your journey.

As we all start to enter the travel portion of the year please try and remember all the risky speeding behavior behind the wheel of a car probably doesn’t gain you much. Let those two minutes go.

Mark Behnke